Peyton Place (TV series)


Peyton Place is an American prime-time soap opera that aired on ABC in half-hour episodes from September 15, 1964, to June 2, 1969.
Loosely based upon the 1956 novel of the same name by Grace Metalious, the series was preceded by a 1957 film adaptation. A total of 514 episodes were broadcast, in black-and-white from 1964 to 1966 and in color from 1966 to 1969. The first color episode is episode #268. At the show's peak, ABC ran three new episodes a week. The program was produced by 20th Century Fox Television. A number of guest stars appeared in the series for extended periods, among them Dan Duryea, Susan Oliver, Leslie Nielsen, Gena Rowlands, and Lee Grant. The series served as the springboard for such performers as Mia Farrow, Ryan O'Neal, Barbara Parkins, Christopher Connelly, David Canary, Mariette Hartley, and Lana Wood.

History

With Peyton Place, ABC hoped to bring the success of the British serial Coronation Street to America. Inspired by that serial, it was decided that it should be aired in prime time. Another influence was CBS head James T. Aubrey's great success with salacious programs. Producer Paul Monash wanted to launch a revival of Grace Metalious' novel of the same name. He refused to acknowledge it as a soap opera, calling it a 'high-class anthology drama'. An hour-long pilot was shot in 1962. Originally, the Cross family from the novel was included, but when Irna Phillips was contracted to change the pilot, she decided to scrap it. Various disagreements between the makers ensued, and the official pilot was not aired until September 15, 1964.
When the series premiered in late 1964, it marked the birth of the prime time American soap opera. The early stories were adapted from the 1956 book and 1957 film of the same name, although some principal character names, backstories and occupations were changed or simply eliminated. The time setting was changed from the early 1940s to the present day, and the town's location, which had previously been unidentified, was established as being in the commonwealth of Massachusetts in the fourth episode. Some sensational plot lines from the novel were replaced with less controversial themes. The series, nevertheless, immediately was criticized for the sexual themes with which it dealt.
Peyton Place was an instant hit; especially in the early years, when it had a loyal following from fans around the world. Originally, it was aired twice a week, but because of its success, it was increased to three airings a week in June 1965. When Dorothy Malone was rushed into emergency surgery, the producers were faced with the dilemma of what to do with her character, Constance MacKenzie, who at that point was too deeply embroiled in the plot line to disappear without reason. Lola Albright was hired to take over the role and continued in the series until Malone returned.
The show's downfall began in September 1966. Ratings dropped after Mia Farrow's departure. Farrow never expected the show to become a success and immediately tried to get out of her contract when the show started its airing. On the urging of her then-husband Frank Sinatra, the producers decided to write her off the show in the summer of 1966. The character Rachel Welles, portrayed by Leigh Taylor-Young, was written into the show as her replacement. The addition of Taylor-Young's character, however, was not successful in increasing the ratings. The show was cut back to two airings a week. By 1968, most of the original characters had been written out of the show, in many cases at their own request. Critics agreed the show had become 'dated' and, because of the constant change in characters, confusing as well. The writers, already beginning work on what would be the final season, announced several new characters would be written into the show. They would deal with 'electrifying subjects, the war, the draft, riots, music, God, and godlessness'. Although several well-known actors were added to the cast, including Ruby Dee, it was cancelled on June 2, 1969.

Major changes between the 1956 novel and the series

  • The book is set in the years surrounding World War II. The series was set in the decade it was produced.
  • The entire Cross family, an important family in the novel, does not appear in the television series.
  • In the novel, Michael Kyros was a high school teacher and the school principal. In the television series, he becomes Michael Rossi and serves as the town's doctor.
  • In the novel, Matthew Swain was the town's doctor. In the television series, he serves as the editor of the local newspaper.
  • In the novel Rodney Harrington and Norman Page are unrelated. In the television series, they are brothers, sons of Leslie Harrington.
  • In the novel, Betty Anderson is more bad-natured than in the television series.
  • In the novel, Constance runs a clothing store; in the television series, she operates a bookstore.

    Plots

The series opens with a shot of a church's steeple, and the words "Peyton Place" superimposed, with a tolling of church bells. Announcer Dick Tufeld announces "This is the continuing story of Peyton Place." The scene changes to scenes of the town square, a rolling brook, and a panoramic view of Peyton Place. It dissolves to cast members, and then narration of previous episode events by Warner Anderson, who also played Matthew Swain. In 1966 the message was changed to "In color, the continuing story of Peyton Place." Warner Anderson left the series after the first season, but continued as narrator to the series until the final episode.

Season 1 (1964–1965)

In the first episode, Dr. Michael Rossi arrives from New York City to set up practice in town. Newspaper editor Matthew Swain tells him people usually try to get away from towns like Peyton Place, not move to them. Matthew's third cousin Allison MacKenzie, a close friend of classmate Norman Harrington, has begun to fall in love with his older brother, Rodney ; she is smitten as soon as they share their first kiss. At the end of the episode, Allison's mother, Constance, makes it clear she disapproves of her daughter's newfound relationship with Rodney.
Rodney is startled to find his father, Leslie, in a passionate embrace with his secretary, Julie Anderson, the mother of Rodney's girlfriend, Betty. Both Leslie and Julie are in unhappy marriages, but Leslie can't explain this to his son in the moment. Confused, Rodney tells Betty he cannot date her anymore and begins to see Allison instead. Betty, confused and hurt because he offered no reason for breaking up with her, discovers she is pregnant and tells Rodney. He agrees to marry her, and then, following a car accident, Betty miscarries their child, but she does not tell Rodney until after they are wed—though Dr. Rossi, his nurse Laura, and Betty's parents knew the truth before the marriage. Dr. Rossi and Constance become closer, though she's unnerved by his possible purchase of the Carson beachfront home because of Elizabeth Carson's murder there.
Dr. Rossi also tangles with Dr. Morton over emergency surgery for Catherine Peyton Harrington, Rodney and Norman's spoiled, sickly, manipulative mother, who suffers a potentially fatal perforated ulcer. Rossi can't save Catherine's life especially when Morton arrives and tries to obstruct him from performing emergency surgery. Betty decides to leave Peyton Place but runs into Allison at the bus depot and changes her mind about leaving. Morton threatens to destroy Rossi over Catherine's death and uses the autopsy process to frame him out of his admitting and operating privileges—until Rossi discovers the pathologist, Dr. Bradford, made a critical error. Allison confesses to her mother that she still loves Rodney, and Betty confesses to Rodney that she miscarried in the auto accident, but after rejecting the idea at first both she and Rodney agree to annul the marriage. Catherine's will includes a surprise codicil returning Leslie's stock in the mill to her father. Pressured by Rossi's relentless effort to clear himself, Bradford confesses he faked Catherine's autopsy report to Morton, who informs Leslie of the truth. Learning of this, Rossi urges Morton not to leave Peyton Place or Doctor's Hospital. Betty shows an interest in nursing and Rossi helps her find a job as a nurse's aide at the hospital to begin. Betty's disturbed father, George Anderson, whose frustrations and drinking have driven him to spousal abuse and finally a nervous breakdown, is hospitalized in a sanitarium.
Midway through the first season, another principal character arrives in Peyton Place. Elliot Carson, Allison's birth father, who had been imprisoned for 18 years after being convicted of murdering his wife, Elizabeth, though the actual culprit was Catherine Harrington. The truth about the crime begins to emerge after Elliot's former brother-in-law Paul Hanley, now a college teacher whose students include Allison—and who originally testified against Elliot at the murder trial—discovers Elizabeth's diary and gives it to Elliot. Elliot is also torn between wanting Allison to know he's her real father and, at Constance's urging, not wanting to hurt her with the knowledge. George Anderson is allowed his first home visit during his treatment period. Elliot tries to stop George shooting Leslie and is shot himself; Leslie vows to clear Elliot's name after Elliot undergoes surgery—out of guilt, having hidden the truth about Elizabeth's murder. After Leslie tells the Peyton family attorney that Catherine committed the murder, the reaction makes him realize that most people will believe that Leslie is the real murderer who is dragging his dead wife's name through the mud, a suspicion that rears its head throughout the run of the show, especially when Catherine's father, the show title town's patriarch, becomes a dominant regular character long after initial references to him as a dying invalid. Elizabeth Carson's affair and murder have been noted by scholars for setting up the town's legacy of transgressive women. Meanwhile, no longer in charge of the Peyton Mill and disillusioned over his alienation from his sons now that they know who killed Elizabeth, Leslie leaves Peyton Place to travel abroad and sort out his life, while Norman struggles to accept the truth about his mother who doted on him.
With his name clear, Elliot eventually marries Constance, but their decision to reveal to Allison that he is her real father, and that her mother hid that fact from her to protect her from association with a convicted murderer, does not go over too well with a daughter who had a firmly established view of the fictionalized father she had been brought up to believe in. Meanwhile, Norman falls in love with working-class girl Rita Jacks, whose mother, Ada, owns the local tavern. They start a relationship, but both are constantly bothered by Rita's aggressive ex-boyfriend Joe Chernak. Steven Cord arrives in Peyton Place to work with the Peyton/Harrington attorney but slowly reveals an agenda of his own. Claire Morton, the daughter of Dr. Morton and a successful physician in her own right, returns to Peyton Place to end her marriage to a successful but indifferent doctor and shows more than a professional interest in Dr. Rossi. Norman and Rita's graduation night is spoiled when Joe tries to assault Rita, who tries to keep it secret. Otherwise, while serving as a co-chaperone, Constance tells Rodney she's changed her mind about him. Elliot is offered the editorship of the Peyton Place Clarion after Matt decides to retire and leave Peyton Place.
Rodney tries to defend Norman, promising to help Rita and get Joe to back off, and winds up in a fight with him on the wharf, during which Joe accidentally falls off the wharf, strikes his head and, after getting up and trying to come at Rodney again, drops forward and dies. All of this is witnessed by Kim Schuster, the six-year-old deaf-mute daughter of David and Doris. She did not want to move from New York City to Peyton Place and, as a result, starts to rebel against her mother. She only bonds with Allison, who serves as her babysitter. The Schusters' marriage is troubled as a result of Kim's rebellion and David's ambivalence about operating the Peyton Mill. Doris eventually discharges Allison and tries to bond with Kim belatedly, but the troubles between the Schusters only deepen—especially when they learn Kim ran off while Allison and Norman were with her at the library and saw the fight between Rodney and Joe.