Saharan rock art


Saharan rock art is a significant area of archaeological study focusing on artwork carved or painted on the natural rocks of the central Sahara desert. The rock art dates from numerous periods starting years ago, and is significant because it shows the culture of ancient African societies.
The paintings and carvings of the Sahara are endangered, and vulnerable rock art on uncovered rock has already disappeared. Organizations, such as the Trust for African Rock Art, are researching and recording as much information about Saharan rock art as possible, while raising awareness of threats to the art itself.
New discoveries and ongoing research of Sahara's rock art includes findings of ancient symbols, mysterious figures, and scenes depicting early African society's relationship with animals.

Archaeological sites

Important regions and sites include:
Image:African cave paintings.jpg|thumb|right|Neolithic cave paintings found in Tassili n'Ajjer region of the Sahara
Research techniques
Archaeologists, anthropologists, and other researchers have been studying rock art to gain information about African cultures from the past. Many photographs are taken of the art so it can be studied further. Dating the art of the Sahara is made possible through radiometric dating of organic material, including radiocarbon dating. Organic artifacts found at the sites can be dated, as can some residues on the rock art itself.

Rock art time periods

  • Large Wild Fauna Period : Saharan hunter-gatherer societies first made rock art. These images included animals that then lived in the area, including hippos, rhinos, elephants, giraffes, bubalus, aurochs, and large antelopes. Many of those animals no longer exist in the Sahara due to changes in climate that have caused the desiccation of the desert over the past several thousand years. Humans are shown hunting with spears and axes. The artwork portrays not only hunting, but the relationship between humans and animals. Most of the artwork can be found in Tassili n'Ajjer, Algeria.
  • Kel Essuf Period : The Kel Essuf rock art tradition of engraving may have developed into the Round Head rock art tradition of painting.
  • Round Head Period : Hunter-gatherers on the Tassili Plateau painted distinctive human figures with round, featureless heads. Marking a shift in rock art, where human figure become more prominent, possibly reflecting changes in social and ritual practices. The art often portrays activities such as hunting, dancing, or ceremonial rituals.
  • Pastoral Period : One of the most prolific periods for rock art in the Sahara. During this period, humans were depicted with domesticated cattle, showing proof of a livelihood system known as pastoralism. Pictures show cultures herding animals and hunting as well, portrayed through men holding bows. Women and children are in camps where they lived. This style is shown around the Sahara with paintings and engravings. Herders eventually migrated to the west, east, and south as Saharan climates aridified.
  • Horse Period : Humans are shown with horses during this period. Paintings and few engravings have men on horses with weapons, as well as horse-drawn chariots. The people are also dressed in clothing instead of no clothing at all.
  • Camel Period : This is the final period of rock art in the Sahara, with images of camels appearing. Cattle and goats are frequently included in Camel Period art as well. Advanced weaponry is depicted, including pictures of men with spears, swords, and shields.