Ritual


A ritual is a repeated, structured sequence of actions or behaviors that alters the internal or external state of an individual, group, or environment, regardless of conscious understanding, emotional context, or symbolic meaning. Traditionally associated with gestures, words, or revered objects, rituals also occur in non-human species, such as elephant mourning or corvid object-leaving. They may be prescribed by tradition, including religious practices, and are often characterized by formalism, traditionalism, rule-governance, and performance.
Rituals are a feature of all known human societies. They include not only the worship rites and sacraments of organized religions and cults, but also rites of passage, atonement and purification rites, oaths of allegiance, dedication ceremonies, coronations and presidential inaugurations, marriages, funerals and more. Even common actions like hand-shaking and saying "hello" may be termed as rituals.
The field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsider's or "etic" category for a set activity that, to the outsider, seems irrational, non-contiguous, or illogical. The term can be used also by the insider or "emic" performer as an acknowledgement that this activity can be seen as such by the uninitiated onlooker.
In psychology, the term ritual is sometimes used in a technical sense for a repetitive behavior systematically used by a person to neutralize or prevent anxiety; it can be a symptom of obsessive–compulsive disorder but obsessive-compulsive ritualistic behaviors are generally isolated activities.

Etymology

The English word ritual derives from the Latin ritualis, "that which pertains to rite ". In Roman juridical and religious usage, ritus was the proven way '' of doing something, or "correct performance, custom". The original concept of ritus may be related to the Sanskrit ṛtá " in Vedic religion, "the lawful and regular order of the normal, and therefore proper, natural and true structure of cosmic, worldly, human and ritual events". The word "ritual" is first recorded in English in 1570, and came into use in the 1600s to mean "the prescribed order of performing religious services" or more particularly a book of these prescriptions.

Characteristics

There are hardly any limits to the kind of actions that may be incorporated into a ritual. The rites of past and present societies have typically involved special gestures and words, recitation of fixed texts, performance of special music, songs or dances, processions, manipulation of certain objects, use of special dresses, consumption of special food, drink, or drugs, and much more.
Catherine Bell argues that rituals can be characterized by formalism, traditionalism, invariance, rule-governance, sacral symbolism and performance.

Formalism

Ritual uses a limited and rigidly organized set of expressions which anthropologists call a "restricted code". Maurice Bloch argues that ritual obliges participants to use this formal oratorical style, which is limited in intonation, syntax, vocabulary, loudness, and fixity of order. In adopting this style, ritual leaders' speech becomes more style than content. Because this formal speech limits what can be said, it induces "acceptance, compliance, or at least forbearance with regard to any overt challenge". Bloch argues that this form of ritual communication makes rebellion impossible and revolution the only feasible alternative. Ritual tends to support traditional forms of social hierarchy and authority, and maintains the assumptions on which the authority is based from challenge.

Traditionalism

Rituals appeal to tradition and are generally continued to repeat historical precedent, religious rite, mores, or ceremony accurately. Traditionalism varies from formalism in that the ritual may not be formal yet still makes an appeal to the historical trend. An example is the American Thanksgiving dinner, which may not be formal, yet is ostensibly based on an event from the early Puritan settlement of America. Historians Eric Hobsbawm and Terrence Ranger have argued that many of these are invented traditions, such as the rituals of the British monarchy, which invoke "thousand year-old tradition" but whose actual form originate in the late nineteenth century, to some extent reviving earlier forms, in this case medieval, that had been discontinued in the meantime. Thus, the appeal to history is important rather than accurate historical transmission.

Invariance

states that ritual is also invariant, implying careful choreography. This is less an appeal to traditionalism than a striving for timeless repetition. The key to invariance is bodily discipline, as in monastic prayer and meditation meant to mold dispositions and moods. This bodily discipline is frequently performed in unison, by groups.

Rule-governance

Rituals tend to be governed by rules, a feature somewhat like formalism. Rules impose norms on the chaos of behavior, either defining the outer limits of what is acceptable or choreographing each move. Individuals are held to communally approved customs that evoke a legitimate communal authority that can constrain the possible outcomes. Historically, war in most societies has been bound by highly ritualized constraints that limit the legitimate means by which war was waged.

Sacral symbolism

Activities appealing to supernatural beings are easily considered rituals, although the appeal may be quite indirect, expressing only a generalized belief in the existence of the sacred demanding a human response. National flags, for example, may be considered more than signs representing a country. The flag stands for larger symbols such as freedom, democracy, free enterprise or national superiority. Anthropologist Sherry Ortner writes that the flag:
Particular objects become sacral symbols through a process of consecration which effectively creates the sacred by setting it apart from the profane. Boy Scouts and the armed forces in any country teach the official ways of folding, saluting and raising the flag, thus emphasizing that the flag should never be treated as just a piece of cloth.

Performance

The performance of ritual creates a theatrical-like frame around the activities, symbols and events that shape participant's experience and cognitive ordering of the world, simplifying the chaos of life and imposing a more or less coherent system of categories of meaning onto it. As Barbara Myerhoff put it, "not only is seeing believing, doing is believing."
The theatricality of ritual may overlap with performance art.

Genres

For simplicity's sake, the range of diverse rituals can be divided into categories with common characteristics, generally falling into one three major categories:
However, rituals can fall in more than one category or genre, and may be grouped in a variety of other ways. For example, the anthropologist Victor Turner writes:

Rites of passage

A rite of passage is a ritual event that marks a person's transition from one status to another, including adoption, baptism, coming of age, graduation, inauguration, engagement, and marriage. Rites of passage may also include initiation into groups not tied to a formal stage of life such as a fraternity. Arnold van Gennep stated that rites of passage are marked by three stages:
; 1. Separation: Wherein the initiates are separated from their old identities through physical and symbolic means.
; 2. Transition: Wherein the initiated are "betwixt and between". Victor Turner argued that this stage is marked by liminality, a condition of ambiguity or disorientation in which initiates have been stripped of their old identities, but have not yet acquired their new one. Turner states that "the attributes of liminality or of liminal personae are necessarily ambiguous". In this stage of liminality or "anti-structure", the initiates' role ambiguity creates a sense of communitas or emotional bond of community between them. This stage may be marked by ritual ordeals or ritual training.
; 3. Incorporation: Wherein the initiates are symbolically confirmed in their new identity and community.

Rites of affliction

Anthropologist Victor Turner defines rites of affliction actions that seek to mitigate spirits or supernatural forces that inflict humans with bad luck, illness, gynecological troubles, physical injuries, and other such misfortunes. These rites may include forms of spirit divination to establish causes—and rituals that heal, purify, exorcise, and protect. The misfortune experienced may include individual health, but also broader climate-related issues such as drought or plagues of insects. Healing rites performed by shamans frequently identify social disorder as the cause, and make the restoration of social relationships the cure.
Turner uses the example of the Isoma ritual among the Ndembu of northwestern Zambia to illustrate. The Isoma rite of affliction is used to cure a childless woman of infertility. Infertility is the result of a "structural tension between matrilineal descent and virilocal marriage". "It is because the woman has come too closely in touch with the 'man's side' in her marriage that her dead matrikin have impaired her fertility." To correct the balance of matrilinial descent and marriage, the Isoma ritual dramatically placates the deceased spirits by requiring the woman to reside with her mother's kin.
Shamanic and other ritual may effect a psychotherapeutic cure, leading anthropologists such as Jane Atkinson to theorize how. Atkinson argues that the effectiveness of a shamanic ritual for an individual may depend upon a wider audiences acknowledging the shaman's power, which may lead to the shaman placing greater emphasis on engaging the audience than in the healing of the patient.