Royal Palace Complex of Kandy


The Royal Palace of Kandy, situated in Kandy, Sri Lanka, is a historical complex that served as the official residence for the monarchs of the Kingdom of Kandy until the advent of British colonial rule in 1815. It is noteworthy for its adherence to traditional Kandyan architectural styles, the buildings within the palace complex contains well-preserved examples of intricate woodwork, finely crafted stone carvings, and ornate wall murals. This complex encompasses a range of structures, including the Audience Hall, the Queen's Palace, the King's Palace, and the Temple of the Tooth Relic, a venerated Buddhist temple with global significance. Both the palace complex and the Temple of the Tooth are recognised as UNESCO World Heritage Sites.

History

The history of the Royal Palace of Kandy covers several centuries, and encompasses the reign of a number of monarchs and leaders. In the 14th century, the initial buildings were constructed under the directive of Vickramabahu III. Centuries later, during the late 16th century, Vimaladharmasuriya I took up residence within these walls and instigated a series of enhancements to the existing palace complex. The early 17th century was a tumultuous period, marked by the incursion of Portuguese invaders, resulting in the destruction of the palace during the tenure of Senarat. Notwithstanding these adversities, the palace was meticulously reconstructed in 1634 by Rajasinha II.

Location and architecture

Throughout its history, the Royal Palace of Kandy has undergone shifts in its geographical placement. The inaugural palace initially graced a location across from its present site. The era of King Vimaladharmasuriya I introduced a transformation influenced significantly by Portuguese architectural aesthetics. Foreign accounts from the Portuguese era intricately delineate the palace complex, revealing a stark contrast to the architecture extant in the present day.

Invasions and destruction

The Royal Palace of Kandy grappled with a series of invasions that resulted in its repeated destruction. Numerous edifices within its confines fell victim to these adversities, leaving only a handful of structures that endure to this day. Notwithstanding the challenges, the monarchs of the Kandyan Kingdom displayed their resilience by orchestrating the palace's reconstruction across different epochs, imprinting their individualistic architectural signatures onto the complex.

Evolution

From the year 1760 onward, a pivotal alteration unfolded as the Royal Palace of Kandy transitioned its location from the western precincts to the eastern fringes. Under the reign of King Sri Vikrama Rajasinha, the palace complex underwent profound metamorphoses. Within its expansive domain resided an array of structures, notably the Queens' Palace, the Hall of Audience, and the venerated Temple of the Tooth.
In the wake of the Kandyan Convention in 1815, the reins of the Royal Palace slipped from the grasp of indigenous rulers to be held by the British Resident. Sir John D'Oyly marked the inception of this era, followed by successive stewardship by the Government Agent in Kandy until the year 1947. Additionally, the palace extended its hospitality to dignitaries of considerable rank, including the British Governor of Ceylon, who sought respite within its regal precincts during visits to Kandy. This tradition endured until the construction of the King's Pavilion.

Wahalkadas

The three wahalkadas, or main gateways were the main entrances to the Kandyan palace. They were located along the wall that surrounded the palace complex and stood at a height of. Historical accounts suggest that the most ancient segment of the palace stood sentinel facing the revered Natha Devale.
  • Maha Wahalkada
  • Uda Wahalkada
  • Pitathi Wahalkada
  • Mohana Wahalkada
  • Madhura Wahalkada
  • Kora Wahalkada

    Main buildings

Maha Wasala

Positioned at the northern extremity of the palace expanse, the King's Palace, also known as the Maha Wasala or Raja Wasala, commands attention. Nestled to the right of the Magul Maduwa, this structure contains a central gateway, alongside a staircase ascending to a hall resplendent with intricate stucco and terra-cotta embellishments. Long wings flank either side, housing chambers, while a veranda overlooks the inner courtyard.
During the early British epoch, the King's Palace experienced an intriguing transformation, being utilised by the esteemed Government Agent, Sir John D'Oyly. Subsequent incumbents perpetuated this tradition, adopting the palace as their official abode. The building has been repurposed, serving as a museum curated by the Department of Archaeology. A distinctive facet of this structure lies in the presence of the "Siv Maduru Kawulu", observation windows that allowed the sovereign a panoramic vista covering the Queen's Palace, the Temple of the Tooth, the urban tapestry, and the enveloping Udawatta Kele Sanctuary – a tableau framed by the Maha Wasala.

Maha Maluwa

The Maha Maluwa or Great Terrace is an open park area located in front of the Temple of the Tooth. The site was the threshing ground of a large paddy field, that is the Kandy Lake today. According to local folklore when King Wimala Dharmasuriya wanted to select a site for his capital astrologers advised him to select the site of the threshing floor which was frequented by a Kiri Mugatiya.
At one end of the square is a stone pillar memorial, which contains the skull of Keppetipola Disawe, a national Sinhalese hero, a prominent leader of the Uva rebellion of 1818, who attempted to wrest back the country from the British and was executed for his role in the rebellion. The park also contains a statue of Madduma Bandara and a statute of Princess Hemamali and Prince Danthakumara, who according to legend brought the tooth of Buddha to Sri Lanka.

Magul Maduwa

The Magul Maduwa or Royal Audience Hall, is where the king met his ministers and carried out his daily administrative tasks. The building was also known as the "Maha Naduwa" or Royal Court. The construction of this finely carved wooden building was commenced by the King Sri Vikrama Rajasinha in 1783.
The Magul Maduva was utilised as a place of public audience and figured as a centre of religious and national festivities connected with the Kandyan Court. The area was where the tooth relic was occasionally exhibited from public veneration and it was at the Maha Maluva that the King received the Ambassadors from other countries.
The current building is an extension to the original by structure, undertaken by the British to facilitate the welcome of Prince Albert Edward, Prince of Wales in 1872. The British removed 32 carved wooden columns from the "Pale Vahale" building replacing them with brick pillars. Out of these, sixteen pillars were used to extend the "Magul Maduwa" by, with eight pillars on each side and the old decayed bases replaced by new wooden bases. With this addition, the building has two rows of elegantly carved pillars, each row having 32 columns. A Kandyan style roof rests upon these columns.
It was here on 2 March 1815 the Kandyan Convention was signed between the British and the Kandyian Chieftains ending the Kingdom of Kandy, the last native kingdom of the island.

Wadahindina Mandappe

This is the palace where the king used to rest while adigars and other visitors awaiting for him. Foreign visitors were able to meet the king in this palace. It is situated near the Raja wasala and Magul maduwa. Today this building is used as Raja tuskera museum.
Inside the Raja Tusker Hall are the stuffed remains of Raja, the Maligawa or chief elephant in the Kandy Esala Perahera, who died in 1988. The building is just north of the Temple of the Tooth but within the same compound.

Meda Wasala

The Meda Wasala also known as the Queens' Chambers, is situated to the north of the Palle Vahale, which once served as the dwelling for royal concubines and shares a similar architectural design.
This edifice features a compact open courtyard, enveloped by verandahs and a solitary bedroom. Remarkably, it is constructed from prized timber, with a bed supported by four stone foundations. The entry to the central hall has substantial log beams, and the door is diminutive, tethered to the roof with wooden hinges. An intriguing facet is its design, intended for locking from the inside only. The corridor flanking the courtyard is adorned with frescoes, a distinctive attribute for a residential structure.
The Meda Wasala showcases many facets of Kandy era architecture, including intricately carved wooden pillars, piyassa embellished with pebbles, a central courtyard with a padma boradam, and a drainage system encircling it.
Historical accounts from the Kandy era recount that King Sri Vikrama Rajasingha secluded Queen Rangammal within this abode, granting only her most trusted attendants the privilege of seeing her. Despite its modest size, the Meda Wasala contains only one room. Notably, four copper sheets found in the archaeological museum are believed to have been employed as protective spells, concealed within pits within the four pillars of the bed. These mantras likely served to safeguard against indiscretions. Additionally, beneath the plaster on the wall's surface, floral patterns etched upon a red background have been discovered.

Palle Vahale

The Palle Vahale also known as the Lower Palace, is an emblem of historical significance, stemming from the era of Sri Vickrama Rajasingha. Erected during this epoch, it served as the abode primarily designated for the king's esteemed royal concubines, affectionately referred to as Ridi dolis and Yakada dolis.
The principal portal ushers into a modest hall, poised before the central structure, with twin wings gracefully flanking both sides. The four cardinal points are graced by interior verandas that overlook an inner central courtyard. The windows, constructed from wooden poles marked by fissures, bear testament to a regal legacy. Legend interweaves this building with King Kirti Sri Rajasingha, who is believed to have taken up residence here initially. In the year 1942, the edifice transformed into the National Museum of Kandy, presently overseen by the Department of National Museums.