Robert Wagner
Robert John Wagner Jr. is an American actor. He is known for starring in the television shows It Takes a Thief, Switch, and Hart to Hart. He later had recurring roles on Two and a Half Men and NCIS.
In films, Wagner is known for his role as Number 2 in the Austin Powers trilogy of films, as well as for Prince Valiant, A Kiss Before Dying, The Pink Panther, Harper, The Towering Inferno, and The Concorde... Airport '79.
Early life
Wagner was born in Detroit, to Thelma Hazel Alvera, a former telephone operator, and Robert John Wagner Sr., a traveling salesman who worked for the Ford Motor Company. He had one older sister, Mary Scott.Wagner's mother came from La Crosse, Wisconsin. Her parents were both immigrants from Norway, who married in La Crosse in 1887. Wagner's father was a native of Kalamazoo, Michigan. His parents were from Germany.
The family moved to Bel-Air, an upscale area of Los Angeles, in 1937.
Career
20th Century Fox and Columbia Pictures
Wagner became interested in acting and, after an unsuccessful screen test directed by Fred Zinnemann for his film Teresa, was represented by Albert R. Broccoli. He made his uncredited film debut in The Happy Years, was signed by agent Henry Willson and put under contract with 20th Century Fox."I started off as an ingenu", recalled Wagner. "I was 19 years old. I was the boy next door. But you always felt you could work your way up, that you could have a better part in the next picture. Darryl Zanuck was always placing me in different positions."
Wagner's first film for Fox was Halls of Montezuma, a World War II film. Wagner had a supporting role, with Richard Widmark as the star. The studio then had him perform a similar function in another war movie, The Frogmen, again with Widmark; the cast also included another young male under contract to the studio, Jeffrey Hunter, with whom Wagner would often work. Let's Make It Legal was a comedy where Wagner again supported an older star, in this case Claudette Colbert.
Wagner first gained significant attention with a small but showy part as a shell-shocked soldier in With a Song in My Heart.
"You were part of 20th Century Fox", he said. "You felt proud of being part of the organization. When I wasn't working, I was on the road, going out and selling movies or dancing on the stage and meeting the public. They never let you rest."
Fox started to give Wagner better roles. He was the romantic male lead in Stars and Stripes Forever, a biopic about John Philip Sousa starring Clifton Webb. He supported James Cagney and Dan Dailey in John Ford's version of What Price Glory and supported Webb again in Titanic. He was in a minor Western, The Silver Whip with Rory Calhoun.
Leading man
Fox gave Wagner his first starring role in Beneath the 12-Mile Reef. Reviews were poor but the movie was only the third ever to be shot in CinemaScope and was a big hit.Also popular was a Western, Broken Lance, where Wagner supported Spencer Tracy for director Edward Dmytryk, appearing as Tracy's son. Fox gave Wagner the lead in an expensive spectacular, Prince Valiant. While popular, critical reception was poor and Wagner later joked his wig in the movie made him look like Jane Wyman. He was teamed with Jeffrey Hunter in a Western, White Feather.
Wagner was borrowed by Paramount for The Mountain, directed by Dmytryk, where Wagner was cast as Spencer Tracy's brother, having played his son just two years earlier in the same director's Broken Lance. He received more critical acclaim for the lead in A Kiss Before Dying, from the novel by Ira Levin; it was made for Crown Productions, a company of Darryl F. Zanuck's brother in law and released through United Artists.
Back at Fox Wagner was in Between Heaven and Hell, a war movie, and The True Story of Jesse James, playing the leading role for director Nicholas Ray. Both movies were box office disappointments and it seemed Wagner was unable to make the transition to top-level star. This appeared confirmed when he was the lead in Stopover Tokyo. In 1959, Wagner disparaged the film:
When I started at Fox in 1950 they were making sixty-five pictures a year. Now they're lucky if they make thirty. There was a chance to get some training in B pictures. Then TV struck. Everything went big and they started sticking me into Cinemascope spectacles. One day, smiling Joe Juvenile with no talent was doing a role intended for John Wayne. That was in a dog called Stopover Tokyo. I've really had to work to keep up.
Wagner supported Robert Mitchum in a Korean War movie, The Hunters, and appeared with a number of Fox contractees in a World War II drama, In Love and War.
After a cameo in Mardi Gras, Wagner supported Bing Crosby and Debbie Reynolds in Say One for Me.
Trying to kick-start his career, Wagner appeared with his then-wife Natalie Wood in All the Fine Young Cannibals, made for MGM.
In January 1961, Wagner and Wood formed their own company, Rona Productions, named after the first two letters of both their first names. Rona signed a three-picture deal with Columbia pictures for Wagner's services, which was to start with Sail a Crooked Ship and The Interns. He also had a deal to make one more film at Fox, which was to be Solo, the story of a jazz drummer directed by Dick Powell, or The Comancheros with Gary Cooper.
Wagner made Sail a Crooked Ship but his part in The Interns went to James MacArthur. Solo was never made, and The Comancheros was made instead with John Wayne and Stuart Whitman. Wagner did make The War Lover with Steve McQueen, which was filmed in England.
Europe
Wagner's first marriage to Wood had broken up, and he relocated to Europe. He had a small role in The Longest Day, produced by Daryl Zanuck for Fox. He had a larger part in The Condemned of Altona, a commercial and critical disappointment despite being directed by Vittorio de Sica and co-starring Sophia Loren.Considerably more popular was The Pink Panther, a massive hit, although Wagner's part was very much in support to those of David Niven, Capucine, Peter Sellers, and Claudia Cardinale. It was directed by Blake Edwards, who wanted Wagner for the lead in The Great Race, but Jack L. Warner overruled him.
Return to Hollywood and Universal Pictures
Wagner’s return to America found him playing in the theatre for the first time with the lead role in Mister Roberts for one week at a holiday resort just outside Chicago. The disciplines of the theatre were not his forte and Wagner was glad to be back in Hollywood to find a good supporting role in the modern-day private investigator hit, Harper, starring Paul Newman.Wagner signed with Universal Pictures in 1966, starring opposite his future wife Jill St. John in the films How I Spent My Summer Vacation, a made-for-TV movie released in the United Kingdom as Deadly Roulette, and Banning. He returned to Italy to make a caper film with Raquel Welch for MGM, The Biggest Bundle of Them All.
Television star
In 1967, Lew Wasserman of Universal convinced Wagner to make his television series debut in It Takes a Thief on ABC-TV. "I was opposed to doing Thief", Wagner said later. "But Lew Wasserman said: 'I want you to be in TV Guide every week. This is your medium, you've got to try it, you'll be great.' Roland Kibbee wrote the part for me, and I would have missed all that if I hadn't listened to Lew."While the success of The Pink Panther and Harper began Wagner's comeback, the successful two-and-a-half seasons of his first TV series completed it. In this series, he acted with Fred Astaire, who played his father. Wagner was a longtime friend of Astaire, having gone to school with Astaire's eldest son, Peter. Wagner's performance would earn him an Emmy nomination for Best TV Actor.
During the making of the series he made a film for Universal, the comedy Don't Just Stand There! with Mary Tyler Moore. It was not a success. More popular was Winning, a racing car drama where Wagner supported Paul Newman and Joanne Woodward. He also guest-starred in The Name of the Game.
Wagner's friend and agent Albert Broccoli suggested that he audition to play James Bond, but he decided it was not right for him.
Wagner appeared in the series pilot, City Beneath the Sea, that was not picked up. The following year, he produced and cast himself opposite Bette Davis in the made-for-TV film Madame Sin, which was theatrically released overseas as a feature film.
He was a regular in the BBC/Universal World War II prisoner-of-war drama Colditz for much of its run. He reunited with McQueen, along with Paul Newman and Faye Dunaway, in the disaster film The Towering Inferno released in the same year. It was a massive hit, although Wagner's part was relatively small.
''Switch''
By the mid-1970s, Wagner's television career was at its peak with the CBS-TV television series Switch after re-signing a contract with Universal in 1974. Albert had been a childhood hero of Wagner's, after he watched the movie Brother Rat, along with a few others. The friendship started in the early 1960s, where he also co-starred in a couple of Albert's movies. After the end of the series, the two remained friends until Albert's death on May 26, 2005. Wagner spoke at his funeral, and gave a testimonial about his longtime friendship with him.In partial payment for starring together in the Aaron Spelling and Leonard Goldberg production of the TV movie The Affair, Wagner and Natalie Wood were given a share in three TV series that the producers were developing for ABC. Only one reached the screen, the very successful TV series Charlie's Angels, for which Wagner and Wood had a 50% share, though Wagner was to spend many years in court arguing with Spelling and Goldberg over what was defined as profit.
Wagner and Wood acted with Laurence Olivier in Cat on a Hot Tin Roof, as part of Olivier's television series Laurence Olivier Presents for the UK's Granada Television.
Wagner had a small role in some all-star Universal films, Midway and The Concorde... Airport '79.