Quincunx


A quincunx is a geometric pattern consisting of five points arranged in a cross, with four of them forming a square or rectangle and a fifth at its center. The same pattern has other names, including "in saltire" or "in cross" in heraldry, the five-point stencil in numerical analysis, and the five dots tattoo. It forms the arrangement of five units in the pattern corresponding to the five-spot on six-sided dice, playing cards, and dominoes. It is represented in Unicode as or .

Historical origins of the name

The quincunx was originally a coin issued by the Roman Republic, whose value was five twelfths of an as, the Roman standard bronze coin. On the Roman quincunx coins, the value was sometimes indicated by a pattern of five dots or pellets. However, these dots were not always arranged in a quincunx pattern.
The Oxford English Dictionary (OED) dates the first appearances of the Latin word in English as 1545 and 1574. The first citation for a geometric meaning, as "a pattern used for planting trees", dates from 1606. The OED also cites a 1647 reference to the German astronomer Kepler for an astronomical/astrological meaning, an angle of 5/12 of a whole circle. When used to describe a tree-planting pattern, the same word can also refer to groups of more than five trees, arranged in a square grid but aligned diagonally to the dimensions of the surrounding plot of land; however, this article considers only five-point patterns and not their extension to larger square grids.

Examples

Quincunx patterns occur in many contexts:

Literary and symbolic references

Various literary works use or refer to the quincunx pattern:
  • Quincunx was the name of the political treatise by a Polish-Ruthenian writer Stanisław Orzechowski: here, the five points symbolized five pillars of Polish state, with the Church at the very top.
  • The Garden of Cyrus, or The Quincuncial Lozenge, or Network Plantations of the Ancients, naturally, artificially, mystically considered, is an essay by Sir Thomas Browne, published in 1658. Browne elaborates upon evidence of the quincunx pattern in art, nature and mystically as evidence of "the wisdom of God". Although writing about the quincunx in its geometric meaning, he may have been influenced by English astrology, as the astrological meaning of "quincunx" was introduced by the astronomer Kepler in 1604. The Victorian critic Edmund Gosse complained that "gathering his forces it is Quincunx, Quincunx, all the way until the very sky itself is darkened with revolving Chess-boards", while conceding that "this radically bad book contains some of the most lovely paragraphs which passed from an English pen during the seventeenth Century".
  • James Joyce uses the term in "Grace", a short story in Dubliners of 1914, to describe the seating arrangement of five men in a church service. Lobner argues that in this context the pattern serves as a symbol both of the wounds of Christ and of the Greek cross.
  • Lawrence Durrell's novel sequence The Avignon Quintet is arranged in the form of a quincunx, according to the author; the final novel in the sequence is called Quinx, the plot of which includes the discovery of a quincunx of stones.The Quincunx is the title of a lengthy and elaborate novel by Charles Palliser set in 19th-century England, published in 1989; the pattern appears in the text as a heraldic device, and is also reflected in the structure of the book.
  • In the first chapter of The Rings of Saturn, W. G. Sebald's narrator cites Browne's writing on the quincunx. The quincunx in turn becomes a model for the way in which the rest of the novel unfolds.
  • Séamus Heaney describes Ireland's historical provinces as together forming a quincunx, as the Irish word for province cúige also explicates. The five provinces of Ireland were Ulster, Leinster, Connacht, Munster and Meath. More specifically, in his essay Frontiers of Writing, Heaney creates an image of five towers forming a quincunx pattern within Ireland, one tower for each of the five provinces, each having literary significance.
  • Early African American scientist Benjamin Banneker describes a dream in which he is asked to measure the shape of the soul after death. The answer is "quincunx". Research locates his ancestry in Senegal, where the quincunx is a common religious symbol.