Pythia
Pythia was the title of the high priestess of the Temple of Apollo at Delphi in central Greece. She served as its oracle and was known as the Oracle of Delphi. Her title was sometimes historically glossed in English as the Pythoness.
The Pythia was established at the latest in the 8th century BC, and was widely credited for her prophecies uttered under divine possession by Apollo. The Pythian priestess emerged as pre-eminent by the end of the 7th century BC and continued to be consulted until the late 4th century AD. During this period, the Delphic Oracle was the most prestigious and authoritative oracle among the Greeks, and she was among the most powerful women of the classical world. The oracle is one of the best-documented religious institutions of the classical Greeks. Authors who mention the oracle include Aeschylus, Aristotle, Clement of Alexandria, Diodorus, Diogenes, Euripides, Herodotus, Julian, Justin, Livy, Lucan, Nepos, Ovid, Pausanias, Pindar, Plato, Plutarch, Sophocles, Strabo, Thucydides, and Xenophon.
Nevertheless, details of how the Pythia operated are scarce, missing, or non-existent, as authors from the classical period treat the process as common knowledge with no need to explain. Those who discussed the oracle in any detail are from 1st century BC to 4th century AD and give conflicting stories. One of the main stories claimed that the Pythia delivered oracles in a frenzied or ecstatic state induced by vapours rising from an opening in the rock, and that she spoke gibberish. Priests interpreted her utterances as enigmatic prophecies and recomposed them into verse as dactylic hexameter, many of which are preserved in Greek literature. This idea, however, has been challenged by scholars such as Joseph Fontenrose and Lisa Maurizio, who argue that the ancient sources uniformly represent the Pythia speaking intelligibly, and giving prophecies in her own voice. Herodotus, writing in the fifth century BC, describes the Pythia speaking in dactylic hexameters.
Name
The name Pythia is derived from "pythia hiereia", meaning ; it is related to Pythios, an epithet of Apollo, itself deriving from Pytho, which in myth was the original name of Delphi. As such, the word is likely related to Python, the name of the mythical snake that was slain by Apollo near Delphi. Etymologically, the Greeks derived this place name from the verb πύθειν 'to rot', which refers to the sickly sweet smell from the decomposing body of the monstrous Python after it was slain by Apollo.Origins
The Delphic oracle may have been present in some form from 1400 BC, in the middle period of Mycenaean Greece. There is evidence that Apollo supposedly took over the shrine with the arrival of priests from Delos in the 8th century, from an earlier dedication to Gaia. The 8th-century reformulation of the Oracle at Delphi as a shrine to Apollo seems associated with the rise in importance of the city of Corinth and the importance of sites in the Corinthian Gulf.The earliest account of the origin of the Delphic oracle is provided in the Homeric Hymn to Delphic Apollo, which recent scholarship dates within a narrow range, c. 580–570 BC. It describes in detail how Apollo chose his first priests, whom he selected in their "swift ship"; they were "Cretans from Minos' city of Knossos" who were voyaging to sandy Pylos. But Apollo, who had Delphinios as one of his cult epithets, leapt into the ship in the form of a dolphin. Dolphin-Apollo revealed himself to the terrified Cretans and bade them follow him up to the "place where you will have rich offerings". The Cretans "danced in time and followed, singing Iē Paiēon, like the paeans of the Cretans in whose breasts the divine Muse has placed "honey-voiced singing". "Paean" seems to have been the name by which Apollo was known in Mycenaean times.
File:Omphalos museum.jpg|thumb|upright|The omphalos in the museum of Delphi
G. L. Huxley observes: "If the hymn to Apollo conveys a historical message, it is above all that there were once Cretan priests at Delphi." Robin Lane Fox notes that Cretan bronzes are found at Delphi from the eighth century onwards, and Cretan sculptures are dedicated as late as c. 620–600 BC: "Dedications at the site cannot establish the identity of its priesthood, but for once we have an explicit text to set beside the archaeological evidence." An early visitor to these "dells of Parnassus", at the end of the eighth century, was Hesiod, who was shown the omphalos.
There are many later stories of the origins of the Delphic Oracle. One late explanation, which is first related by the 1st century BC writer Diodorus Siculus, tells of a goat herder named Coretas, who noticed one day that one of his goats, who fell into a crack in the earth, was behaving strangely. On entering the chasm, he found himself filled with a divine presence and the ability to see outside of the present, into the past and the future. Excited by his discovery, he shared it with nearby villagers. Many started visiting the site to experience the convulsions and inspirational trances, though some were said to disappear into the cleft due to their frenzied state. A shrine was erected at the site, where people began worshipping in the late Bronze Age, by 1600 BC. After the deaths of a number of men, the villagers chose a single young woman as the liaison for the divine inspirations. Eventually, she came to speak on behalf of the gods.
According to earlier myths, the office of the oracle was initially possessed by the goddesses Themis and Phoebe, and the site was initially sacred to Gaia. Subsequently, it was believed to be sacred to Poseidon, the god of earthquakes. During the Greek Dark Age, from the 11th to the 9th century BC, a new god of prophecy, Apollo, was said to have seized the temple and expelled the twin guardian serpents of Gaia, whose bodies he wrapped around the caduceus. Later myths stated that Phoebe or Themis had "given" the site to Apollo, rendering its seizure by priests of the new god justified, but presumably having to retain the priestesses of the original oracle because of the long tradition. It is possible that the myths portray Poseidon as mollified by the gift of a new site in Troizen.
Diodorus explained how, initially, the Pythia was an appropriately clad young virgin, for great emphasis was placed on the Oracle's chastity and purity to be reserved for union with the god Apollo. But he reports one story as follows:
The scholar Martin Litchfield West writes that the Pythia shows many traits of shamanistic practices, likely inherited or influenced from Central Asian practices, although there is no evidence of any such association at this time. He cites the Pythia sitting in a cauldron on a tripod, while making her prophecies in an ecstatic trance state, like shamans, and her utterings unintelligible.
According to William Godwin, the tripod was perforated with holes, and as she inhaled the vapors, her figure would seem to enlarge, her hair stood on end, her complexion changed, her heart panted, her bosom swelled, and her voice became seemingly more than human.
Organization of the Oracle
Priestess
Since the first operation of the oracle of the Temple of Delphi, it was believed that the god lived within a laurel, his holy plant, and gave oracles for the future with the rustling of the leaves. It was also said that the art of divination had been taught to the god by the three winged sisters of Parnassus, the Thriae, at the time when Apollo was grazing his cattle there. The Thriae used to have a Kliromanteion in that area in the past and it is possible that such was the first oracle of Delphi: throwing lots in a container, then pulling lots, the color and shape of which were of particular meaning and import.Three oracles had successively operated in Delphi – the chthonion using egkoimisi, the Kliromanteion and finally the Apollonian, with the laurel. But ever since the introduction of the cult of Dionysus at Delphi, the god that brought his followers into ecstasy and madness, the Delphic god gave oracles through Pythia, who also fell into a trance under the influence of vapors and fumes coming from the opening, the inner sanctum of the Oracle. Pythia sat on top of a tall gilded tripod that stood above the opening. In the old days, Pythia was a virgin, young girl, but after Echecrates of Thessaly kidnapped and violated a young and beautiful Pythia in the late 3rd century BC, a woman older than fifty years old was chosen, who dressed and wore jewelry to resemble a young maiden girl. According to tradition, Phemonoe was the first Pythia.
Though little is known of how the priestess was chosen, the Pythia was probably selected, at the death of her predecessor, from amongst a guild of priestesses of the temple. These women were all natives of Delphi and were required to have had a sober life and be of good character. Although some were married, upon assuming their role as the Pythia, the priestesses ceased all family responsibilities, marital relations, and individual identity. In the heyday of the oracle, the Pythia may have been a woman chosen from an influential family, well educated in geography, politics, history, philosophy, and the arts. During later periods, however, uneducated peasant women were chosen for the role, which may explain why the poetic pentameter or hexameter prophecies of the early period were later made only in prose. Often, the priestess's answers to questions would be put into hexameter by a priest. The archaeologist John Hale reports that:
The job of a priestess, especially the Pythia, was a respectable career for Greek women. Priestesses enjoyed many liberties and rewards for their social position, such as freedom from taxation, the right to own property and attend public events, a salary and housing provided by the state, a wide range of duties depending on their affiliation, and often gold crowns.
During the main period of the oracle's popularity, as many as three women served as Pythia, another vestige of the triad, with two taking turns in giving prophecy and another kept in reserve. Only one day of the month could the priestess be consulted.
Plutarch said that the Pythia's life was shortened through the service of Apollo. The sessions were said to be exhausting. At the end of each period the Pythia would be like a runner after a race or a dancer after an ecstatic dance, which may have had a physical effect on the health of the Pythia.