Petrarch
Francis Petrarch, born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest humanists.
Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca.
Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the "Dark Ages".
Biography
Youth and early career
Petrarch was born in the Tuscan city Arezzo on 20 July 1304. He was the son of Ser Petracco and his wife Eletta Canigiani. Petrarch's birth name was Francesco di Petracco, which he Latinized to Franciscus Petrarcha. His younger brother Gherardo was born in Incisa in Val d'Arno in 1307. Dante Alighieri was a friend of his father.Petrarch spent his early childhood in the village of Incisa, near Florence. He spent much of his early life at Avignon and nearby Carpentras, where his family moved to follow Pope Clement V, who moved there in 1309 to begin the Avignon Papacy. Petrarch studied law at the University of Montpellier and Bologna with a lifelong friend and schoolmate, Guido Sette, future archbishop of Genoa. Because his father was in the legal profession, he insisted that Petrarch and his brother also study law. Petrarch, however, was primarily interested in writing and studying Latin literature and considered these seven years wasted. Petrarch became so distracted by his non-legal interests that his father once threw his books into a fire, which he later lamented. Additionally, he proclaimed that through legal manipulation his guardians robbed him of his small property inheritance in Florence, which only reinforced his dislike for the legal system. He protested, "I couldn't face making a merchandise of my mind", since he viewed the legal system as the art of selling justice.
Petrarch was a prolific letter writer and counted Boccaccio among the notable friends with whom he regularly corresponded. After the death of their parents, Petrarch and his brother Gherardo went back to Avignon in 1326, where he worked in numerous clerical offices. This work gave him much time to devote to his writing. With his first large-scale work, Africa, an epic poem in Latin about the great Roman general Scipio Africanus, Petrarch emerged as a European celebrity. On 8 April 1341, he became the second poet laureate since classical antiquity and was crowned by Roman Senatori Giordano Orsini and Orso dell'Anguillara on the sacred soil of Rome's Capitoline hill.
He traveled widely in Europe, served as an ambassador, and has been called "the first tourist" because he traveled for pleasure such as his ascent of Mont Ventoux. During his travels, he collected crumbling Latin manuscripts and was a prime mover in the recovery of knowledge from writers of Rome and Greece. He encouraged and advised Leontius Pilatus's translation of Homer from a manuscript purchased by Boccaccio, although he was severely critical of the result. Petrarch had acquired a copy, which he did not entrust to Leontius, but he knew no Greek; Petrarch said of himself, "Homer was dumb to him, while he was deaf to Homer". In 1345 he personally discovered a collection of Cicero's letters not previously known to have existed, the collection Epistulae ad Atticum, in the Chapter Library of Verona Cathedral.
Disdaining what he believed to be the ignorance of the era in which he lived, Petrarch is credited with creating the concept of a historical "Dark Ages", which most modern scholars now find inaccurate and misleading.
Mount Ventoux
Petrarch recounts that on 26 April 1336, with his brother and two servants, he climbed to the top of Mont Ventoux Petrarch was dazed and stirred by the view of the Alps, the mountains around Lyons, the Rhone, the Bay of Marseilles. He took Augustine's Confessions from his pocket and reflected that his climb was merely an allegory of aspiration toward a better life.As the book fell open, Petrarch's eyes were immediately drawn to the following words:
Petrarch's response was to turn from the outer world of nature to the inner world of "soul":
James Hillman argues that this rediscovery of the inner world is the real significance of the Ventoux event. The Renaissance begins not with the ascent of Mont Ventoux but with the subsequent descent—the "return to the valley of soul", as Hillman puts it.
Later years
Petrarch spent the later part of his life journeying through northern Italy and southern France as an international scholar and poet-diplomat. His career in the Church did not allow him to marry, but he is believed to have fathered two children by a woman unknown to posterity. A son, Giovanni, was born in 1337, and a daughter, Francesca, was born in 1343. He later legitimized both.For a number of years in the 1340s and 1350s he lived in a small house at Fontaine-de-Vaucluse east of Avignon in France.
File:Arquà Petrarca Punto di vista di un'aquila.jpg|thumb|right|upright|Petrarch's Arquà house near Padua where he retired to spend his last years
Giovanni died of the plague in 1361. In the same year Petrarch was named canon in Monselice near Padua. Francesca married Francescuolo da Brossano that same year. In 1362, shortly after the birth of a daughter, Eletta, they joined Petrarch in Venice to flee the plague then ravaging parts of Europe. A second grandchild, Francesco, was born in 1366, but died before his second birthday. Francesca and her family lived with Petrarch in Venice for five years from 1362 to 1367 at Palazzo Molina; although Petrarch continued to travel in those years. Between 1361 and 1369 the younger Boccaccio paid the older Petrarch two visits. The first was in Venice, the second was in Padua.
About 1368 Petrarch and Francesca moved to the small town of Arquà in the Euganean Hills near Padua, where he passed his remaining years in religious contemplation. He died in his house in Arquà on 18/19 July 1374. The house now hosts a permanent exhibition of Petrarch's works and curiosities, including the famous tomb of an embalmed cat long believed to be Petrarch's. On the marble slab, there is a Latin inscription written by Antonio Quarenghi:
Petrarch's will leaves fifty florins to Boccaccio "to buy a warm winter dressing gown"; various legacies to his brother and his friends; his house in Vaucluse to its caretaker; money for Masses offered for his soul, and money for the poor; and the bulk of his estate to his son-in-law, Francescuolo da Brossano, who is to give half of it to "the person to whom, as he knows, I wish it to go"; presumably his daughter, Francesca, Brossano's wife. The will mentions neither the property in Arquà nor his library; Petrarch's library of notable manuscripts was already promised to Venice, in exchange for the Palazzo Molina. This arrangement was probably cancelled when he moved to Padua, the enemy of Venice, in 1368. The library was seized by the da Carrara lords of Padua, and his books and manuscripts are now widely scattered over Europe. Nevertheless, the Biblioteca Marciana traditionally claimed this bequest as its founding, although it was in fact founded by Cardinal Bessarion in 1468.
Works
Petrarch is best known for his Italian poetry, notably the Rerum vulgarium fragmenta, a collection of 366 lyric poems in various genres also known as 'canzoniere', and I trionfi, a six-part narrative poem of Dantean inspiration. However, Petrarch was an enthusiastic Latin scholar and did most of his writing in this language. His Latin writings include scholarly works, introspective essays, letters, and more poetry. Among them are Secretum, an intensely personal, imaginary dialogue with a figure inspired by Augustine of Hippo; De Viris Illustribus, a series of moral biographies; Rerum Memorandarum Libri, an incomplete treatise on the cardinal virtues; De Otio Religiosorum and De vita solitaria, which praise the contemplative life; De Remediis Utriusque Fortunae, a self-help book which remained popular for hundreds of years; Itinerarium ; invectives against opponents such as doctors, scholastics, and the French; the Carmen Bucolicum, a collection of 12 pastoral poems; and the unfinished epic Africa. He translated seven psalms, a collection known as the Penitential Psalms.File:Thorvaldsen Cicero.jpg|thumb|left|upright|Petrarch revived the work and letters of the ancient Roman Senator Marcus Tullius CiceroPetrarch also published many volumes of his letters, including a few written to long-dead figures from history such as Cicero and Virgil. Cicero, Virgil, and Seneca were his literary models. Most of his Latin writings are difficult to find today, but several of his works are available in English translations. Several of his Latin works are scheduled to appear in the Harvard University Press series I Tatti. It is difficult to assign any precise dates to his writings because he tended to revise them throughout his life.
Petrarch collected his letters into four major sets of books called
- Familiares or Rerum familiarum liber
- Liber sine nomine
- Disperse
- Seniles and
- Metricae
While Petrarch's poetry was set to music frequently after his death, especially by Italian madrigal composers of the Renaissance in the 16th century, only one musical setting composed during Petrarch's lifetime survives. This is Non al suo amante by Jacopo da Bologna, written around 1350.