Paul de Man
Paul de Man, born Paul Adolph Michel Deman, was a Belgian-born American literary critic and literary theorist. He was known particularly for his importation of German and French philosophical approaches into Anglo-American literary studies and critical theory. Along with Jacques Derrida, he was part of an influential critical movement that went beyond traditional interpretation of literary texts to reflect on the epistemological difficulties inherent in any textual, literary, or critical activity. This approach aroused considerable opposition, which de Man attributed to "resistance" inherent in the difficult enterprise of literary interpretation itself.
After his death, de Man became a subject of further controversy when his history of writing pro-Nazi and anti-Jewish propaganda for the wartime edition of Le Soir, a major Belgian newspaper during German occupation, came to light.
Early life and education
Paul de Man was born to a family of artisans of nineteenth-century Belgium and by the time of his birth, his family was prominent among the new bourgeoisie in Antwerp. He was the son of Robert de Man, a manufacturer and Magdalena de Braey. His maternal great-grandfather was the noted Flemish poet Jan Van Beers, and the family spoke French at home. His uncle Henri de Man was a famous socialist theorist and politician, who became a Nazi-collaborator during World War II. He played an important part in the decisions made by De Man during the Nazi occupation of Belgium. Paul's father, Robert de Man, was a moderately successful businessman whose firm manufactured X-ray equipment. De Man's father and his mother, Madeleine, who were first cousins, married over the family's opposition. The marriage proved unhappy.De Man's early life was difficult and shadowed by tragedy. His mother Madeleine's first pregnancy with her oldest son Hendrik coincided with the intense German bombings of World War I and strained her physical and mental health. The stillbirth of a daughter two years later pushed her into intermittent but lifelong suicidal depression. She was psychologically fragile and had to be watched. The family walked on eggshells and "Bob" de Man found solace with other women. In contrast to Rik, who was backward and a failure in school, Paul dealt with his difficult home life by becoming a brilliant student and accomplished athlete. He was enrolled in the Dutch-speaking cohort of boys admitted to the prestigious and highly competitive Royal Athenaeum of Antwerp. There, he followed his father's career path in choosing to study science and engineering, consistently receiving top marks in all subjects and graduating at the top of his class. He took no courses in literature or philosophy but developed a strong extracurricular interest in both as well as in religious mysticism. In 1936, his brother Rik de Man was killed at the age of 21 when his bicycle was struck by a train at a railroad crossing. The following year, it was Paul, then seventeen, who discovered the body of their mother, who had hanged herself a month before the anniversary of Rik's death.
That fall Paul enrolled in the Free University of Brussels. He wrote for student magazines and continued to take courses in science and engineering. For stability he turned to his uncle Henri as a patron and surrogate emotional father, later on several occasions telling people Henri was his real father and his real father was his uncle. He fathered a son with Romanian-born Anaïde Baraghian, the wife of his good friend, Gilbert Jaeger. They lived in a ménage à trois until August 1942, when Baraghian left her husband. Paul married her in 1944, and the couple had two more sons together.
De Man, Baraghian and Jaeger fled to the south of France near the Spanish border when the Nazis occupied Belgium in 1940. Henri, who by then was a self-avowed fascist, welcomed the Nazi invaders, whom he saw as essential for instituting his brand of socialism. For a year, Henri de Man was appointed as de facto puppet Prime Minister of Belgium under the Nazis. Some believed that he used his influence to secure his nephew a position as an occasional cultural critic for Le Soir, the influential Belgian French-language newspaper. After contributing an essay, "The Jews in Present-Day Literature", to Le Soir volé's notorious anti-Semitic attack of March 4, 1941, de Man became its official book reviewer and a cultural critic. Later he contributed to the Flemish daily Het Vlaamsche Land; both publications were vehemently anti-Semitic when under Nazi control. As a cultural critic, de Man would contribute hundreds of articles and reviews to these publications. His writings supported the Germanic ideology and the triumph of Germany in the war, while never referring directly to Hitler himself. In spite of that he maintained friendships with individual Jews.
Holding three different jobs, de Man became very highly paid, but he lost all three between November 1942 and April 1943, failures that resulted from a combination of losing a coup he had launched against one employer and his own incompetence as a businessman at another. After this, de Man went into hiding; the Belgian Resistance had now begun assassinating prominent Belgian pro-Nazis. He had lost his protection in late 1942, when Henri, mistrusted by his collaborators on the right and himself marked for death as a traitor by the Belgian Resistance, went into exile.
De Man spent the rest of the war in seclusion reading American and French literature and philosophy and organizing a translation into Dutch of Moby Dick by Herman Melville, which he published in 1945. He would be interrogated by prosecutor Roger Vinçotte, but not charged after the war. Henri de Man was tried and convicted in absentia for treason; he died in Switzerland in 1953, after crashing his car into an oncoming train, an accident that was almost certainly a suicide.
Post-war years
In 1948, de Man left Belgium and emigrated to New York City. He had fled as an exile to avoid what became two trials for criminal and financial misdeeds for which he was convicted in absentia to five years of imprisonment and heavy fines. Baraghian sailed with their three young sons to Argentina, where her parents had recently immigrated. De Man found work stocking books at the Doubleday Bookstore at New York City's Grand Central Station. From there he wrote to his friend Georges Bataille, a French philosopher, and through him, he met Dwight Macdonald, a key figure on the New York intellectual and literary scene. At Macdonald's apartment, de Man met the celebrated novelist Mary McCarthy. McCarthy recommended de Man to her friend Artine Artinian, a professor of French at Bard College, as a temporary replacement while Artinian spent the academic year 1949–50 in France as a Fulbright fellow.De Man was to teach Mr. Artinian's courses, advise Mr. Artinian's advisees, and move into Mr. Artinian's house. By December , de Man had married one of the advisees, a French major named Patricia Kelley, and when the first Mrs. de Man turned up with their three young boys, Hendrik, Robert, and Marc, in the spring of 1950, Patricia de Man was pregnant.
De Man persuaded the devastated Baraghian to accept a sum of money, agree to a divorce, and return to Argentina. She, however, surprised him when she left the eldest boy with him, while he surprised her when his first check proved worthless. The boy was raised by Kelley's parents while she took the younger ones back to Argentina with a promise of child support that de Man was never to honor.
A heavily fictionalized account of this period of de Man's life is the basis of Henri Thomas's 1964 novel Le Parjure. His life also provides the basis for Bernhard Schlink's 2006 novel, translated as "Homecoming". De Man married Kelley a first time in June 1950, but did not tell her that he had not actually gotten a divorce and that the marriage was bigamous. They underwent a second marriage ceremony in August 1960, when his divorce from Baraghian was finalized, and later had a third ceremony in Ithaca. In addition to their son, Michael, born while the couple was at Bard College, they had a daughter, Patsy. The couple remained together until de Man's death, aged 64, in New Haven, Connecticut.
Academic career
The de Mans moved to Boston, where Paul earned money teaching conversational French at Berlitz and did translations assisted by Patricia de Man; he also gave private French lessons to Harvard student Henry Kissinger, then running a small center and publication of his own. There, de Man met Harry Levin, the Harvard Professor of Comparative Literature, and "was invited to join an informal literary seminar that met at Levin's house. By the fall of 1952, he was officially admitted to graduate study in comparative literature." In 1954 someone sent Harvard an anonymous letter denouncing de Man as a wartime collaborator and questioning his immigration status. According to Harvard faculty members, de Man offered a thorough and more than satisfactory account of his immigration status and the nature of his political activities. While he was writing his dissertation, de Man was awarded a prestigious appointment at the Harvard Society of Fellows. In 1960, because his thesis was unsatisfactory to his mentors on several counts, and especially its philosophical approach, they were prepared to dismiss him, but he moved immediately to an advanced position at Cornell University, where he was highly valued.He began his teaching career in the United States at Bard College where he taught French literature. He completed his Ph.D. at Harvard University in 1960, then taught at Cornell University, Johns Hopkins University, and the University of Zurich. He joined the faculty in French and Comparative Literature at Yale University, where he was considered part of the Yale School of Deconstruction. At the time of his death from cancer, he was Sterling Professor of the Humanities and chairman of the Department of Comparative Literature at Yale. De Man oversaw the dissertations of Gayatri Spivak, Barbara Johnson, Samuel Weber, and many other noted scholars.
Peter Brooks, who was de Man's undergraduate student at Harvard, and later became his friend and colleague at Yale, wrote that rather than brand de Man as a confidence man, as his critics were inclined to do:
One might consider this a story of remarkable survival and success following the chaos of war, occupation, postwar migration, and moments of financial desperation: without any degrees to his name, de Man had impressed, among others, Georges Bataille, Macdonald, McCarthy, and Levin, and entered the highest precincts of American academia. During the following decade, he contributed nine articles to the newly established New York Review: astute and incisive short essays on major European writers—Hölderlin, Gide, Camus, Sartre, Heidegger, as well as Borges—that display notable cultural range and critical poise.
In 1966, de Man attended a conference on structuralism held at Johns Hopkins University, where Jacques Derrida delivered his celebrated essay, "Structure, Sign, and Play in the Discourse of the Human Sciences"; de Man and Derrida soon became fast friends. Both were to become identified with Deconstruction. De Man came to reflect the influence primarily of Heidegger and used deconstruction to study Romanticism, both English and German, as well as French literature, specifically the works of William Wordsworth, John Keats, Maurice Blanchot, Marcel Proust, Jean-Jacques Rousseau, Friedrich Nietzsche, Immanuel Kant, G.W. F. Hegel, Walter Benjamin, William Butler Yeats, Friedrich Hoelderlin, and Rainer Maria Rilke.
Following an appointment to a professorship in Zürich, de Man returned to the United States in the 1970s to teach at Yale University, where he served for the rest of his career. At the time of his death of cancer at age 64, he was a Sterling Professor and chairman of the department of comparative literature at Yale.
After his death, a researcher uncovered some two hundred previously unknown articles which de Man had written in his early twenties for Belgian collaborationist newspapers during World War II, some of them implicitly and two explicitly anti-Semitic. These, in combination with revelations about his domestic life and financial history, caused a scandal and provoked a reconsideration of his life and work.