Owen Martin


Owen J. Martin was an American stage and screen character actor and vaudeville entertainer, best known for his more than decade-long participation in the original Broadway production—and subsequent national tour—of Rodgers and Hammerstein's Oklahoma, being the sole member of that show's original cast to appear in the entire five-year, two-month Broadway run.

Early life and career

Born on December 15, 1887 in County Armagh, Ireland, Martin arrived with his parents at the Port of New York in June 1892. Prior to emigration, both parents had been Irish vaudeville performers. Martin made his stage debut in September 1905 alongside a young Leora Spellman at the Lyceum Theatre in Elizabeth, New Jersey, portraying "Billy" in a production of William Gillette's oft-revived adaptation of Arthur Conan Doyle's Sherlock Holmes stories.
Characterized at the time of his death as "a trim, sandy-haired man of short stature" by the Associated Press, Martin at age 29—on his 1917 declaration of intent to attain citizenship—was measured at five feet, seven inches and 135 pounds, with brown hair and grey eyes.
In 1924, in a play that also featured his future wife, Edna Terry, Martin co-starred with Sylvia De Frankie in the Matthews-Nichols farce, Just Married. Reviewing the play, E. R. K. of The Morning News wrote, "Such inconsistencies as may have been glaring at first were completely lost in the clever bit done by Mr. Owen Martin as Robert Adams when he tried, and succeeded, to put on a pair of trousers under his bed coverings.
Of course to a mere woman the scene was merely funny, but to the 'trousers sex' it almost stopped the show. Upon Mr. Martin's shoulders rested the burden of the comedy making and the interpretation of many lines which might have been too obvious in lesser hands. Martin's comedy is of the quiet type, his success is greatly strengthened by an almost impassive face which is neither a mask nor a caricature.

On June 26, 1948, UPI reported that Martin's recently achieved milestone of 2,275 consecutive performances of Oklahoma was "said to be the longest run without a break any actor has ever had in an American play."
Throughout this much-cited run, Martin harbored no illusions about his good fortune. Speaking with Oklahoma's director, Rouben Mamoulian, he confided, "The steady work has kept me young. In show business, it's those four-week rehearsals and two-week runs that age you." Responding to reporter inquiries along similar lines, Martin remained adamant. "People ask me if I'm tired of 'Oklahoma'. That's a laugh. Things were pretty bad in the thirties and early forties. I thank God every night for 'Oklahoma'.
For his part, Oklahoma composer Richard Rodgers took it upon himself to thank Martin following the actor's—and the show's—2,001st performance, with a specially engraved gold watch, which, more than ten years later, remained a highly prized and fully utilized possession.
Following the conclusion of Oklahoma's national tour in 1954, Martin appeared as Max in the touring company of The Pajama Game for over two years before reprising the role in the 1957 film version. In March 1958, Martin appeared yet again—this time as "Andrew 'Pop' Carnes"—in Oklahoma, in a limited, two-week revival at New York City Center.

Personal life and death

In 1926, Martin married fellow performer Edna Terry, née Gorbly.
Survived by his wife, Martin died at age 72 on May 4, 1960, at Will Rogers Memorial Hospital in Saranac Lake, New York. A Requiem Mass in his honor was held five days later at St. Malachy Roman Catholic Church in Manhattan.

Works

Stage