Mosan art
Mosan art is a regional style of art from the valley of the Meuse in present-day Belgium, the Netherlands, and Germany. Although in a broader sense the term applies to art from this region from all periods, it generally refers to Romanesque art, with Mosan Romanesque architecture, stone carving, metalwork, enamelling and manuscript illumination reaching a high level of development during the 11th, 12th and 13th centuries.
The Meuse river valley lay in the heart of the earlier Carolingian Empire and therefore the style draws largely from the heritage of the Carolingian art tradition. Thus, Mosan art contains strong classical elements, which separates it from the international Romanesque style seen elsewhere during the period, for example in France, Germany Spain and Italy. However, it shares with mainstream Romanesque art elements such as the treatment of space. Although the iconography of 11th- and 12th-century Meuse valley art largely draws on Biblical inspiration, some of the elaborately carved capitals in the two main churches in Maastricht depict scenes from many aspects of daily life, as well as images from an intriguing world of fantasy.
Geographical spread
The Mosan region was formed largely by the boundary of the Bishopric of Liège, which had strong political links to the emperors of the Holy Roman Empire, as well as to the bishops of Cologne. The region's main artistic centres were the cities of Liège, Huy, Dinant, Namur, Tongeren, Maastricht, Roermond and Aachen, as well as a number of important monasteries: Sint-Truiden, Aldeneik, Herkenrode, Averbode, Munsterbilzen, Susteren, Sint Odiliënberg, Rolduc, Burtscheid, Kornelimünster, Stavelot, Nivelles, Aulne, Floreffe, Flône, Celles, Gembloux and Lobbes. Mosan art at its peak had a strong influence on bordering regions, notably on Rhineland art.Metalworks from the Meuse Valley were also prominent in the eastern part of Central Europe, particularly in Austria as shown by the Klosterneuburg Altar, in Poland as the Anastasia Evangelistary demonstrates, and even in Hungary as seen in fragments of the Reliquary of Pétermonostora.
Highlights of Mosan art
Mosan Romanesque art has been described by art historians as the first golden age of Netherlandish art. Usually the term Mosan art does not include Medieval literature although Heinrich von Veldeke may be considered the first poet writing in Middle Dutch.Architecture
Mosan architecture can be seen as a distinctive branch in Romanesque architecture, a regional style that produced imposing churches in Aachen, Liège and Maastricht, as well as monasteries in rural areas. The fully developed Mosan style of the 12th century is a comprise between the older Meuse valley traditions and foreign influences, mainly coming from the Rhineland and Italy. An outstanding factor in Mosan architecture is the closed west front. Unfortunately, some of the largest churches, notably Liège cathedral, and the Stavelot and Sint-Truiden abbeys, were destroyed.- Former collegiate church St Bartholomew, Liège
- Former collegiate church of St. Denis
- Former collegiate church St John, Liège
- Former collegiate church of Our Lady, Huy
- Former collegiate church Saint George and Saint Ode, Amay
- Former collegiate church Saint Étienne, Waha
- Former collegiate church of Fosses-la-Ville
- Former abbey church of Saint Gertrude, Nivelles
- Former abbey church of Saint Ursmer, Lobbes
- Former abbey church of Celles
- Basilica of Saint Servatius, Maastricht
- Basilica of Our Lady, Maastricht
- Former abbey church, Aldeneik
- Former abbey church, Rolduc
- Former abbey church, Susteren
- Former abbey church, Sint Odiliënberg
- Munsterkerk, Roermond
- Aachen Cathedral
Stone carving
- Carved capitals in western galleries of Basilica of Saint Servatius, Maastricht
- Carved capitals in East choir of Basilica of Our Lady, Maastricht
- Carved capitals in crypt of abbey church of Rolduc
- Vierge de Dom Rupert, Curtius Museum, Liège
- Pierre Boudon relief, Curtius Museum, Liège
- Samson Portal, Collegiate Church of Saint Gertrude, Nivelles
- Baptismal font, Furnaux
- Oath on the Relics relief, Basilica of Our Lady, Maastricht
- Majestas Domini tympanum, Basilica of Saint Servatius, Maastricht
- Double relief choir screen, Basilica of Saint Servatius, Maastricht
- Four-part relief in Saint Peter's Church, Utrecht
Metalwork
- Baptismal font at St Bartholomew's Church, Liège by Renier de Huy
- Shrine of Saint Servatius in Maastricht
- Shrine of Saint Hadelin in Visé
- Shrine of Saint Remacle in Stavelot
- Shrines of Saint Domitian and Saint Mangold in Huy
- Shrine of Our Lady at Tournai Cathedral by Nicholas of Verdun
- Shrine of the Three Kings at Cologne Cathedral by Nicholas of Verdun
- Shrine of Charlemagne and Shrine of Mary, Aachen Cathedral
- Barbarossa Chandelier, Aachen Cathedral
- Retable of the Pentecost
- Stavelot Triptych. Morgan Library, New York City
- Reliquary of St. Maurus, now in Bečov nad Teplou
- Stavelot altar base. Royal Museums of Art and History, Brussels
- Reliquary with head of Pope Alexander I, Royal Museums of Art and History, Brussels
- The foot of the so-called Cross of Saint Bertin. Museum of Saint-Omer
Painting, illumination and other works of art
- Mural of the choir vault. Basilica of Saint Servatius, Maastricht
- Stavelot Bible. British Library
- . British Library, London
- Evangeliary of Averbode. University Library, Liège
- Manuscripts from the abbey of Sint-Truiden
- Evangeliary of Notger