House Un-American Activities Committee
The House Committee on Un-American Activities, popularly the House Un-American Activities Committee, was an investigative committee of the United States House of Representatives created in 1938. Their goal was to investigate alleged disloyalty and subversive activities on the part of private citizens, public employees, and those organizations suspected of having communist ties. It became a standing committee in 1946. Then, from 1969 and onward, it was known as the House Committee on Internal Security. When the House abolished the committee in 1975, its functions were transferred to the House Judiciary Committee.
The committee's anti-communist investigations are often associated with McCarthyism, although Joseph McCarthy himself had no direct involvement with the House committee. McCarthy was the chairman of the Government Operations Committee and its Permanent Subcommittee on Investigations of the U.S. Senate, not the House.
History
Precursors to the Committee
During the mid-20th century, the American public became increasingly concerned about the potential infiltration of foreign ideologies within the United States government. In response to this distress, several congressional committees were established to investigate and prevent possible subversive activities. Among these was the House Un-American Activities Committee, which conducted a series of high-profile investigations. Often characterized as “witch hunts”, they aimed to identify alleged communist sympathizers and spies within American institutions.Overman Committee (1918–1919)
The Overman Committee, chaired by North Carolina Democratic Senator Lee Slater Overman, was a subcommittee of the Senate Judiciary Committee that operated from September 1918 to June 1919. The subcommittee investigated German as well as "Bolshevik elements" in the United States.This subcommittee was initially concerned with investigating pro-German sentiments in the American liquor industry. After World War I ended in November 1918, and the German threat lessened, the subcommittee began investigating Bolshevism, which had appeared as a threat during the First Red Scare after the Russian Revolution in 1917. The subcommittee's hearing into Bolshevik propaganda, conducted from February 11 to March 10, 1919, played a decisive role in constructing an image of a radical threat to the United States during the first Red Scare.
Fish Committee (1930)
, who was a fervent anti-communist, introduced, on May 5, 1930, House Resolution 180, which proposed to establish a committee to investigate communist activities in the United States. The resulting committee, Special Committee to Investigate Communist Activities in the United States commonly known as the Fish Committee, undertook extensive investigations of people and organizations suspected of being involved with or supporting communist activities in the United States. Among the committee's targets were the American Civil Liberties Union and communist presidential candidate William Z. Foster. The committee recommended granting the United States Department of Justice more authority to investigate communists, and strengthening immigration and deportation laws to keep communists out of the United States.McCormack–Dickstein Committee (1934–1937)
From 1934 to 1937, the committee, now named the Special Committee on Un-American Activities Authorized to Investigate Nazi Propaganda and Certain Other Propaganda Activities, chaired by John William McCormack and Samuel Dickstein, held public and private hearings and collected testimony filling 4,300 pages. The Special Committee was widely known as the McCormack–Dickstein committee. Its mandate was to get "information on how foreign subversive propaganda entered the U.S. and the organizations that were spreading it." Its records are held by the National Archives and Records Administration as records related to HUAC.In 1934, the Special Committee subpoenaed most of the leaders of the fascist movement in the United States. Beginning in November 1934, the committee investigated allegations of a fascist plot to seize the White House, known as the "Business Plot". Contemporary newspapers widely reported the plot as a hoax. While historians have questioned whether a coup was actually close to execution, most agree that some sort of "wild scheme" was contemplated and discussed.
It has been reported that while Dickstein served on this committee and the subsequent committee, Special Investigation, he was paid $1,250 a month by the Soviet NKVD, which sought to obtain secret congressional information on anti-communists and pro-fascists. A 1939 NKVD report stated Dickstein handed over "materials on the war budget for 1940, records of conferences of the budget sub commission, reports of the war minister, chief of staff and etc." However the NKVD was dissatisfied with the amount of information provided by Dickstein, after he was not appointed to HUAC to "carry out measures planned by us together with him." Dickstein unsuccessfully attempted to expedite the deportation of Soviet defector Walter Krivitsky, while the Dies Committee kept him in the country. Dickstein stopped receiving NKVD payments in February 1940.
Dies Committee (1938–1944)
On May 26, 1938, the House Committee on Un-American Activities was established as a special investigating committee, which was reorganized from its previous incarnations: Fish Committee and the McCormack-Dickstein Committee. The goal of this committee was to investigate alleged disloyalty and subversive activities as part of private citizens, public employees, and those organizations suspected of having communist or fascist ties. On the contrary, it concentrated its efforts on communists. It was chaired by Martin Dies Jr., and therefore known as the Dies Committee. Its records are held by the National Archives and Records Administration as records related to HUAC.In 1938, Hallie Flanagan, the head of the Federal Theatre Project, was subpoenaed to appear before the committee to answer the charge the project was overrun with communists. Flanagan was called to testify for only a part of one day, while an administrative clerk from the project was called in for two entire days. It was during this investigation that one of the committee members, Joe Starnes, famously asked Flanagan whether the English Elizabethan era playwright Christopher Marlowe was a member of the Communist Party, and mused that ancient Greek tragedian "Mr. Euripides" preached class warfare.
In 1939, the committee investigated people involved with pro-Nazi organizations such as Oscar C. Pfaus and George Van Horn Moseley. Moseley testified before the committee for five hours about a "Jewish Communist conspiracy" to take control of the U.S. government. Moseley was supported by Donald Shea of the American Gentile League, whose statement was deleted from the public record as the committee found it so objectionable.
The committee also put together an argument for the internment of Japanese Americans known as the "Yellow Report". Organized in response to rumors of Japanese Americans being coddled by the War Relocation Authority and news that some former inmates would be allowed to leave camp and Nisei soldiers to return to the West Coast, the committee investigated charges of fifth column activity in the camps. A number of anti-WRA arguments were presented in subsequent hearings, but Director Dillon Myer debunked the more inflammatory claims. The investigation was presented to the 77th Congress, and alleged that certain cultural traits – Japanese loyalty to the Emperor, the number of Japanese fishermen in the US, and the Buddhist faith – were evidence for Japanese espionage. With the exception of Rep. Herman Eberharter, the members of the committee seemed to support internment, and its recommendations to expedite the impending segregation of "troublemakers", establish a system to investigate applicants for leave clearance, and step up Americanization and assimilation efforts largely coincided with WRA goals.
Standing Committee (1945–1975)
The House Committee on Un-American Activities became a standing committee on January 3, 1945. Democratic Representative Edward J. Hart of New Jersey became the committee's first chairman. Under the mandate of Public Law 600, passed by the 79th Congress, the committee of nine representatives investigated suspected threats of subversion or propaganda that attacked "the form of government as guaranteed by our Constitution".Under this mandate, the committee focused its investigations on real and suspected communists in positions of actual or supposed influence in the United States society. A significant step for HUAC was its investigation of the charges of espionage brought against Alger Hiss in 1948. This investigation ultimately resulted in Hiss's trial and conviction for perjury, and convinced many of the usefulness of congressional committees for uncovering communist subversion.
The chief investigator was Robert E. Stripling, senior investigator Louis J. Russell, and investigators Alvin Williams Stokes, Courtney E. Owens, and Donald T. Appell. The director of research was Benjamin Mandel.
In 1946, the committee considered opening investigations into the Ku Klux Klan, but decided against doing so, prompting white supremacist committee member John E. Rankin to remark, "After all, the KKK is an old American institution." Twenty years later, in 1965–1966, however, the committee did conduct an investigation into Klan activities under chairman Edwin Willis.
Hollywood Blacklist
In 1947, the committee held nine days of hearings into alleged communist propaganda and influence in the Hollywood motion picture industry. After conviction on contempt of Congress charges for refusal to answer some questions posed by committee members, "The Hollywood Ten" were blacklisted by the industry. Eventually, more than 300 artists – including directors, radio commentators, actors, and particularly screenwriters – were boycotted by the studios. Some, like Charlie Chaplin, Orson Welles, Alan Lomax, Paul Robeson, and Yip Harburg, left the U.S. or went underground to find work. Others like Dalton Trumbo wrote under pseudonyms or the names of colleagues. Only about ten percent succeeded in rebuilding careers within the entertainment industry.In 1947, studio executives told the committee that wartime films—such as Mission to Moscow, The North Star, and Song of Russia—could be considered pro-Soviet propaganda, but claimed that the films were valuable in the context of the Allied war effort, and that they were made at the request of White House officials. In response to the House investigations, most studios produced a number of anti-communist and anti-Soviet propaganda films such as The Red Menace, The Red Danube, The Woman on Pier 13, Guilty of Treason, I Was a Communist for the FBI, Red Planet Mars, and John Wayne's Big Jim McLain. Universal-International Pictures was the only major studio that did not purposefully produce such a film.
The committee conducted many investigations into the Hollywood film industry. Some people within the industry gave names of people who were allegedly communists to HUAC. In total, 43 people were summoned to testify in front of the Washington hearing. Out of those subpoenaed, only 10 refused to testify, and they were cited for contempt in front of Congress. Those 10 ended up being sentenced; one of them being Albert Maltz. Maltz had parents who were Russian immigrants, leading people to believe he was a communist. Once his name was on the Blacklist, he refused to testify in front of the Washington hearings in October. He was then convicted and was sentenced with nine other people. The other nine people included Alvah Bessie, Herbert Biberman, Lester Cole, Edward Dmytryk, Ring Lardner Jr., John Howard Lawson, Samuel Ornitz, Adrian Scott, and Dalton Trumbo.
File:High Noon.jpg|thumb|High Noon, featuring Gary Cooper, sparked the longtime debate about Hollywood Blacklisting.
High Noon was overwhelmingly glorified as a classic based on the situational awareness around the House of Un-American Activities Committee. The writer of the movie, Carl Foreman, sparked controversy regarding his intended political message. High Noon was focused on Marshal Will Kane ; a retiring sheriff in a small town named Hadleyville. Ultimately, he decides to postpone his retirement to combat a recently released criminal named Frank Miller, who sought revenge over the one that incarcerated him. Kane took it upon himself to recruit help from the Hadleyville citizens for Miller’s re-arrest. When the people turned him down, Kane was forced to face Miller’s threat by himself. The story was widely perceived as the outward representation of a cowardly community that hides from the government and the HUAC. Concurrently, High Noon encouraged viewers to question the government’s frequent speculation of its American people. Soon after the movie was released, Foreman refused to confirm or deny his involvement with the Communist Party and was blacklisted by the major Hollywood studios.