Georgian scripts
The Georgian scripts are the three writing systems used to write the Georgian language: Asomtavruli, Nuskhuri and Mkhedruli. Although the systems differ in appearance, their letters share the same names and alphabetical order and are written horizontally from left to right. Of the three scripts, Mkhedruli, once the official script of the Kingdom of Georgia and mostly used for the royal charters, is now the standard script for modern Georgian and its related Kartvelian languages, whereas Asomtavruli and Nuskhuri are used only by the Georgian Orthodox Church, in ceremonial religious texts and iconography.
Georgian scripts are unique in their appearance and their exact origin has never been established; however, in strictly structural terms, their alphabetical order largely corresponds to the Greek alphabet, with the exception of letters denoting uniquely Georgian sounds, which are grouped at the end. Originally consisting of 38 letters, Georgian is presently written in a 33-letter alphabet, as five letters are obsolete. The number of Georgian letters used in other Kartvelian languages varies. Mingrelian uses 36: thirty-three that are current Georgian letters, one obsolete Georgian letter, and two additional letters specific to Mingrelian and Svan. Laz uses the same 33 current Georgian letters as Mingrelian plus that same obsolete letter and a letter borrowed from Greek for a total of 35. The fourth Kartvelian language, Svan, is not commonly written, but when it is, it uses Georgian letters as utilized in Mingrelian, with an additional obsolete Georgian letter and sometimes supplemented by diacritics for its many vowels.
The "living culture of three writing systems of the Georgian alphabet" was granted the national status of intangible cultural heritage in Georgia in 2015 and inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2016.
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Origins
The origin of the Georgian script is poorly known, and no full agreement exists among Georgian and non-Georgian scholars as to when the script was created, who designed it, and the main influences on that process.The first attested version of the script is Asomtavruli, which dates back to the 5th century; the other scripts were formed in the following centuries. Most scholars link the creation of the Georgian script to the process of Christianization of Iberia, a core Georgian kingdom of Kartli. The alphabet was therefore most probably created between the conversion of Iberia under King Mirian III and the Bir el Qutt inscriptions of 430. It was first used for translation of the Bible and other Christian literature into Georgian, by monks in Georgia and Palestine. Professor Levan Chilashvili's dating of fragmented Asomtavruli inscriptions, discovered by him at the ruined town of Nekresi, in Georgia's easternmost province of Kakheti, in the 1980s, to the 1st or 2nd century has not been accepted.
A Georgian tradition first attested in the medieval chronicle Lives of the Kings of Kartli, assigns a much earlier, pre-Christian origin to the Georgian alphabet, and names King Pharnavaz I as its inventor. This account is now considered legendary, and is rejected by scholarly consensus, as no archaeological confirmation has been found. Georgian linguist Tamaz Gamkrelidze offered an alternative interpretation of the tradition, in the pre-Christian use of foreign scripts to write down Georgian texts.
Another point of contention among scholars is the role played by Armenian clerics in that process. According to medieval Armenian sources and a number of scholars, Mesrop Mashtots, generally acknowledged as the creator of the Armenian alphabet, also allegedly created the Georgian and Caucasian Albanian alphabets. This tradition originates in the works of Koryun, a fifth-century historian and biographer of Mashtots, and has been quoted by Donald Rayfield and James R. Russell, but has been rejected by Georgian scholarship and some Western scholars who judge the passage in Koryun unreliable or even a later interpolation. In his study on the history of the invention of the Armenian alphabet and the life of Mashtots, the Armenian linguist Hrachia Acharian strongly defended Koryun as a reliable source and rejected criticisms of his accounts on the invention of the Georgian script by Mashtots. Acharian dated the invention to 408, four years after Mashtots created the Armenian alphabet. Some Western scholars quote Koryun's claims without taking a stance on its validity or concede that Armenian clerics, if not Mashtots himself, must have played a role in the creation of the Georgian script. Ivane Javakhishvili, a Georgian historian and scientist, studied this work of Koryun and concluded that the version of Mesrop Mashtots' creation of the Georgian alphabet is a VI-VII century addition. However, the 5th-century Armenian historian Ghazar Parpetsi considers Mashtots to be the creator of only the Armenian alphabet.
Another controversy regards the main influences at play in the Georgian alphabet, as scholars have debated whether it was inspired more by the Greek alphabet, or by Semitic alphabets such as Aramaic. Recent historiography focuses on greater similarities with the Greek alphabet than in the other Caucasian writing systems, most notably the order and numeric value of letters. Some scholars have also suggested certain pre-Christian Georgian cultural symbols or clan markers as a possible inspiration for particular letters.
''Asomtavruli''
Asomtavruli is the oldest Georgian script. The name Asomtavruli means "capital letters", from aso "letter" and mtavari "principal/head". It is also known as Mrgvlovani "rounded", from mrgvali "round", so named because of its round letter shapes. Despite its name, this "capital" script is unicameral.The oldest Asomtavruli inscriptions found so far date from the 5th century and are Bir el Qutt and the Bolnisi inscriptions.
From the 9th century, Nuskhuri script started becoming dominant, and the role of Asomtavruli was reduced. However, epigraphic monuments of the 10th to 18th centuries continued to be written in Asomtavruli script. Asomtavruli in this later period became more decorative. In the majority of 9th-century Georgian manuscripts which were written in Nuskhuri script, Asomtavruli was used for titles and the first letters of chapters. However, some manuscripts written completely in Asomtavruli can be found until the 11th century.
Form of Asomtavruli letters
In early Asomtavruli, the letters are of equal height. Georgian historian and philologist Pavle Ingorokva believes that the direction of Asomtavruli, like that of Greek, was initially boustrophedon, though the direction of the earliest surviving texts is from left to the right.In most Asomtavruli letters, straight lines are horizontal or vertical and meet at right angles. The only letter with acute angles is Ⴟ. There have been various attempts to explain this exception. Georgian linguist and art historian Helen Machavariani believes jani derives from a monogram of Christ, composed of and . According to Georgian scholar Ramaz Pataridze, the cross-like shape of letter jani indicates the end of the alphabet, and has the same function as the similarly shaped Phoenician letter taw, Greek chi, and Latin X, though these letters do not have that function in Phoenician, Greek, or Latin.
Coins of Queen Tamar of Georgia and King George IV of Georgia minted using Asomtavruli script, 1200–1210 AD.
From the 7th century, the forms of some letters began to change. The equal height of the letters was abandoned, with letters acquiring ascenders and descenders.
| Ⴀ ani | Ⴁ bani | Ⴂ gani | Ⴃ doni | Ⴄ eni | Ⴅ vini | Ⴆ zeni | Ⴡ he | Ⴇ tani | Ⴈ ini | Ⴉ kʼani | Ⴊ lasi | Ⴋ mani | Ⴌ nari | Ⴢ hie | Ⴍ oni | Ⴎ pʼari | Ⴏ zhani | Ⴐ rae |
| Ⴑ sani | Ⴒ tʼari | Ⴣ vie | Ⴓ/ႭჃ uni | Ⴔ pari | Ⴕ kani | Ⴖ ghani | Ⴗ qʼari | Ⴘ shini | Ⴙ chini | Ⴚ tsani | Ⴛ dzili | Ⴜ ts'ili | Ⴝ ch'ari | Ⴞ khani | Ⴤ qari | Ⴟ jani | Ⴠ hae | Ⴥ hoe |