Judges 14


Judges 14 is the fourteenth chapter of the Book of Judges in the Old Testament or the Hebrew Bible. According to Jewish tradition the book was attributed to the prophet Samuel, but modern scholars view it as part of the Deuteronomistic History, which spans in the books of Deuteronomy to 2 Kings, attributed to nationalistic and devotedly Yahwistic writers during the time of the reformer Judean king Josiah in 7th century BCE. This chapter records the activities of judges Samson. belonging to a section comprising Judges 13 to 16 and Judges 6:1 to 16:31.

Text

This chapter was originally written in the Hebrew language. It is divided into 20 verses.

Textual witnesses

Some early manuscripts containing the text of this chapter in Hebrew are of the Masoretic Text tradition, which includes the Codex Cairensis, Aleppo Codex, and Codex Leningradensis.
Extant ancient manuscripts of a translation into Koine Greek known as the Septuagint include Codex Vaticanus and Codex Alexandrinus.

Analysis

Two panels

A linguistic study by Chisholm reveals that the central part in the Book of Judges can be divided into two panels based on the six refrains that state that the Israelites did evil in Yahweh's eyes:
Panel One
Panel Two
Furthermore, from the linguistic evidence, the verbs used to describe the Lord's response to Israel's sin have chiastic patterns and can be grouped to fit the division above:
Panel One
Panel Two

The Samson Narrative

Chapters 13–16 contains the "Samson Narrative" or "Samson Cycle", a highly structured poetic composition with an 'almost architectonic tightness' from a literary point-of-view. The entire section consists of 3 cantos and 10 subcantos and 30 canticles, as follows:
  • Canto I : the birth story of Samson
  • Canto II : the feats of Samson in Timnah and Judah
  • Canto III : Samson's exploits in the Valley of Sorek and the temple of Dagon.
The distribution of the 10 subcantos into 3 cantos is a regular 2 + 4 + 4, with the number of canticles per subcanto as follows:
  • Canto I: 3 + 3
  • Canto II: 3 + 3 + 3 + 5
  • Canto III: 2 + 2 + 3 + 3
The number of strophes per canticle in each canto is quite uniform with numerical patterns in Canto II showing a 'concentric symmetry':
  • Canto I: 4 + 4 + 4 | 4 + 4 + 4
  • Canto Ila: 4 + 3 + 3 | 4 + 4 + 4 | 3 + 3 + 4
  • Canto IIb: 4 + 4 + 3 + 4? + 4
  • Canto III: 4 + 4 | 4 + 4 | 4 + 4 + 4 | 3 + 3 + 4
The structure regularity within the whole section classifies this composition as a 'narrative poetry' or 'poetic narrative'.
Besides the thematic symmetry, parts of the narrative shows an observable structure with chapter 13 balances chapter 16 whereas chapters 14 and 15 show a parallelism in form and content.

Structure of chapter 14

Chapter 14 has the following structure:

Samson wants to marry a Philistine woman (14:1–4)

The power struggles between Samson and the Philistines stem from the incident recorded in verses 1–4 of this chapter that starts with Samson "going down" to Timnah and "seeing" an attractive Philistine woman. Themes of Israelite status and the otherness of the Philistines are displayed in a tale of trickery and counter-trickery as God uses Samson to challenge the Philistines who 'rule over Israel at this time'. These themes are shown in the parental disapproving words to Samson concerning his chosen match and in the ethnic way Samson describing the woman.

Verse 1

  • "Timnath" or "Timnah": now "Tel el-Baṭashi) located about west of Zorah and Eshtaol, on the southern side of the Valley of Sorek. Judges 1:34 notes that the Danites failed to occupy the coastal plain and was confined to the hills, so from this higher ground, Samson "went down" to Timnah which was a Philistine town.

    Samson's wedding and riddle (14:5–20)

The killing of the lion with bare hands was kept secret and led to the hidden answer to the riddle that follows. This episode gives a portrayal Samson with a superpower which is followed superhuman feats against the Philistines. The honey in the lion's carcass acts as a source of nourishment for a warrior. The seven-day wedding feast between Samson and the Timnite woman becomes an occasion for trickery, as a possible union between opposing groups turned to resentment and destruction, where Samson is clearly an outsider surrounded by Philistines, and either side plays fair. In this chapter forward, the pattern of knowledge, deception, sexuality, and power intertwine in the Samson Narrative. Samson paid the loss of his riddling bet by killing thirty Philistines from another Philistine city, Ascalon, and gave the clothes to his riddle opponents in Timnath, but he immediately went back to his own people and did not consummate his marriage, so his father-in-law gave Samson's bride to another man, which becomes a set up for the fissure between Samson and the Philistines.
The center section of the riddle has a concentric symmetry highlighted by the words "tell" and "riddle" as follows:
The riddle itself was given with a high artistry of word play, taking the three possible meaning of the root "'ry" that the correct answer to the riddle would be ""ri mē ri". However, the Philistines avoided to give that answer which would betray their source of knowledge, and instead gave a counter-riddle as an answer: "What is sweeter than honey? What is stronger than a lion?" that the answer would be "love".

Archeology

A circular stone seal, approximately in diameter, was found by the archaeologists from Tel Aviv University on the floor of a house at Beth Shemesh and appears to depict a long-haired man slaying a lion, which may or may not depict the biblical Samson. The 12th-century-BCE seal was discovered in the geographical proximity to the area where Samson lived, and the time period of the seal indicates that a story was being told at the time of a hero who fought a lion, and that the story eventually found its way into the biblical text and onto the seal.