John Cornford
Rupert John Cornford was an English poet and communist. During the first year of the Spanish Civil War, he was a member of the POUM militia and later the International Brigades. He died while fighting against the Nationalists, at Lopera, near Córdoba.
Biography
Rupert John Cornford was born in Cambridge on December 27th, 1915, to Francis Cornford and Frances Cornford. His father was a professor of classics at Trinity College, and his mother was a poet and the granddaughter of Charles Darwin and Emma Darwin. Named after poet and family friend Rupert Brooke, he preferred to be referred to by his middle name.Cornford was educated at King's College School, Cambridge, and at Stowe School, where at the age of sixteen he won an Open Major Scholarship to Trinity College, Cambridge which he began attending in autumn 1933. He took first class honors in Part I of the Historical Tripos and a starred first in Part II. On graduating he was awarded the Earl of Derby Research Scholarship. He quickly became involved with the Cambridge University Socialist Society with fellow student and friend James Klugmann. In 1935, he joined the Communist Party of Great Britain and acquainted himself with party general secretary Harry Pollitt
While attending Cambridge, Cornford began a relationship with Rachel Peters, a working-class woman with who he had a son. A photograph of Peters and Cornford can be found at the National Portrait Gallery, London. He later left Peters and his child and began a relationship fellow student and communist activist Margot Heinemann. Together they participated in the 1934 hunger marches.
In August 1936, shortly after the start of the Spanish Civil War, he travelled to Barcelona and joined the POUM militia, serving briefly on the Aragon front where he wrote his three most famous poems including the often-reprinted "To Margot Heinemann". The following month he returned to England, where he recruited twenty-one British volunteers, including Bernard Knox, John Sommerfield, Chris Thorneycroft and Griffin Maclaurin. With this group he travelled to Paris and then on to Albacete, where they joined the International Brigades—the nucleus of what would become the British Section. He served with a machine-gun unit of the Commune de Paris Battalion, and fought alongside a number of other British volunteers in the defence of Madrid through November and December 1936, including Esmond Romilly. During the Battle of Ciudad Universitaria he was wounded in the head by shrapnel, but he refused to rest and, after twenty-four hours in hospital, returned to the front. In the Battle of Boadilla del Monte in December his unit for the first time faced massed German troops, and under heavy bombardment were forced to retreat twelve kilometres in twenty-four hours. Here, as commander chosen by his own men, he "acquitted himself magnificently", saving many lives. Having transferred to the recently formed British Battalion, he was killed in uncertain circumstances at Lopera, near Córdoba. Confirmation of his death reached England one month later.
Legacy
A memorial volume to Cornford was published in 1938. As Stephen Spender observed in his review of the book, "Cornford's life speaks for itself in a way that burns the imagination... The fact that Cornford lived and that others like him still live, is an important lesson to the leaders of democracies. It shows that people will live and die and fight for democracy if it gives them the justice and freedom which are worth fighting for."Cornford's poem Full Moon At Tierz is a literary expression of the anti-fascist cause. It has been said of Cornford, specifically in relation to this poem, that as a poet he was not a modernist. One justification for this claim is the following passage from George Orwell's 1940 essay "My Country Right or Left":
Far from being dismissive, this is actually approving. Orwell is claiming that emotions like school spirit and patriotism—deep allegiances—can shift from one cause to another, from conservatism to revolution, and be just as sincere. However, Cornford was never a conventional public-school boy. He attended Stowe, a new and very liberal school, only from August 1929 to January 1933—hardly more than three years. By the middle of his seventeenth year he was living in London, attending the London School of Economics, and was a committed Communist organiser and speaker.
British critic Stan Smith, in his essay "'Hard As the Metal of My Gun': John Cornford's Spain", undertakes a detailed reading of "Full Moon at Tierz" that brings out its complexity and ambivalence. The poem begins with a Marxist and modernist vision of history as a mountain glacier where "ime was inches, dark was all" until it reaches "he dialectic's point of change" and "crashes in light and minutes to its fall." Now "Time present is a cataract whose force Breaks down the banks even at its source… And we must swing it to its final course." Certainly, despite its far wider focus and dense philosophical imagery, the poem so far is, like Newbolt's, an expression of determination, as the final stanza of this section shows:
While "Time future, has no image in space"—it doesn't yet exist—Cornford asserts that "We are the future." But the future is also both "crooked" and "straight": that is, the fight is straightforward, but the road to the future he and his comrades embody is crooked, winding, uncertain.
The second part of the poem is a complex and highly referential reflection on the then-recent history of the Communist movement. Cornford believes that the new policies of the Communist International will be tested in practice:
In the third section, Cornford confronts his own isolation. Smith discusses what he calls "the paradoxical fusion of solidarity and solitude in a single line at the heart of 'Full Moon at Tierz': 'Now with my Party, I stand quite alone'. In the midst of all this enforced solidarity, it is the loneliness which persists." Smith goes on: "A hesitant and solitary being wills himself, in a kind of prayer to an absent Marxian deity, not to lose his faith, to be a good Communist":
The raw, even violent emotional honesty of these lines is both very modern—one cannot imagine a poet before about 1920 writing them—and very characteristic of Cornford's mature poetry.
His best-known poem, usually titled "To Margot Heinemann," partakes of the same emotional directness, but in a more tender vein. The poem has been described by the poet Carol Rumens as "one of the most moving and memorable 20th-century love poems". While the form is in some respects traditional—ballad-form quatrains with rhyme scheme ABCB—its rhythms are skillfully irregular, with two to three stresses per line, and its rhymes often slant, including those of the moving last stanza: "And if bad luck should lay my strength Into the shallow grave, Remember all the good you can; Don't forget my love." Rumens says: "You feel as if you have been presented with a photograph of a young soldier's inner life. He is a passionate lover and a passionate warrior: these qualities are held in perfect psychic balance. And they are timeless. The speaker could be one of Homer's heroes. He could be a Spartan at Thermopylae." But the famous opening lines "Heart of the heartless world, / Dear heart, the thought of you" actually contain a blind quotation from Marx, who in the Introduction to his Critique of Hegel's Philosophy of Right describes religion as "the heart of a heartless world."
In his 1942 introduction to The Fury of the Living, a collection of poems by John Singer, Hugh MacDiarmid calls Cornford, one of the 'few inspiring exceptions' from the 'leftist poets of the comfortable classes'.
The character of Tommy Judd in the 1981 award-winning play Another Country by Julian Mitchell was based on Cornford."