The Flaming Lips
The Flaming Lips are an American psychedelic rock band formed in 1983 in Oklahoma City, Oklahoma. The band currently consists of Wayne Coyne, Derek Brown, Matt Duckworth Kirksey, AJ Slaughter and Tommy McKenzie. Coyne is the only remaining founding member following the departure of bassist and keyboardist Michael Ivins in 2021. From 1991 to 2024, Steven Drozd played a crucial role in the band as co-songwriter and multi-instrumentalist.
The band started out playing garage punk and noise pop, before branching into more psychedelic and experimental territory. They recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers they released Hit to Death in the Future Head, followed by Transmissions from the Satellite Heart and the hit single "She Don't Use Jelly" which broke the band into the mainstream. They later released The Soft Bulletin, which was NME magazine's Album of the Year, followed by the critically acclaimed Yoshimi Battles the Pink Robots. In February 2007, they were nominated for a BRIT Award for "Best International Act". The group has won three Grammy Awards, including two for Best Rock Instrumental Performance. They were placed on Q magazine's list of the "50 Bands to See Before You Die" in 2002.
History
Early history and releases (1983–1990)
The Flaming Lips formed in Oklahoma City in 1983 with Wayne Coyne on guitar, his brother Mark singing lead vocals, Michael Ivins on bass and Dave Kotska on drums. The band debuted at Oklahoma City's Blue Note Lounge. After they hired Dave Kotska as the drummer, Richard English joined the band in 1984. That same year they recorded The Flaming Lips EP, their only release with Mark singing lead vocals.There are several theories as to how the band chose their name. One possibility is that it was inspired by the 1953 feature film Geraldine, in which comedian Stan Freberg sings several songs, including one named "Flaming Lips". Another possible source is from the 1964 Shirley MacLaine film What a Way to Go! in which Gene Kelly's character stars in a film titled Flaming Lips. However, according to an article in the September 16, 1993, issue of Rolling Stone, Mark and Wayne came up with the name as a reference to a rumor about a classmate who contracted genital herpes after receiving cunnilingus from a partner with active cold sores. Wayne elaborated:
When Mark and I were in, I think it was Junior Year in High School, there was a rumor about this girl who got herpes from this guy at a party. He went down on her with a cold sore. I don't think we knew the girl, and I'm not sure if she even existed, you know how kids just spread bullshit. But when we were thinking of band names one night over a pack of Schlitz and some left-handed cigarettes and remembered how we joked that they both had "Flaming Lips" and it just stuck.After his brother's departure, Wayne assumed the vocal duties and the band recorded their first full-length album, Hear It Is, on Pink Dust Records in London's Southern Studios, in 1986. This line-up recorded two more albums: 1987's Oh My Gawd!!! and 1989's Telepathic Surgery, the latter originally planned to be a 30-minute sound collage.
Drummer Nathan Roberts replaced English and guitarist Jonathan Donahue joined in 1989. In a Priest Driven Ambulance, their first album with producer Dave Fridmann, was recorded at the State University of New York in Fredonia for $5 an hour on a $10,000 budget. The album was host to a marked expansion in the band's sound and their previous experiments in tape loops and effects were given a more prominent role. During this period, Coyne made his transition to a higher, more strained vocal style akin to Neil Young, which he first used on Telepathic Surgery's "Chrome Plated Suicide" and has employed ever since.
In 1990, the band caught the attention of Warner Bros. Records and was signed promptly after a label representative witnessed a show at which the band almost burned down the venue with the use of pyrotechnics.
Signed to Warner Bros. (''Hit to Death in the Future Head'' to ''Clouds Taste Metallic'') (1991–1996)
In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year because of the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking ", which required a lengthy clearance process. After the recording of this album, Donahue left the band to concentrate on Mercury Rev, and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd, respectively.In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance, to date, in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including Red Hot Chili Peppers and Candlebox.
Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use.
In September 2014, the band paid tribute to Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic at the same venue. Later, in December, a 20th anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994–1997, was released.
''Zaireeka'' (1997–1999)
The departure of Jones and a general dissatisfaction with standard "rock" music led to the three remaining members of the group redefining the direction of the band with the experimental Zaireeka, a four-CD album which is intended to be heard by playing all four CDs in four separate CD players simultaneously. The music incorporated both traditional musical elements and "found" sounds, often heavily manipulated with recording studio electronics.As part of the development of this project, the band conducted a series of "parking lot experiments" and then later, "boombox experiments". In the parking lot experiments up to 40 volunteers were given cassettes created by the band to be played at a parking lot in their cars' stereo systems simultaneously. In the "boom box experiments" an orchestra composed of up to 40 volunteers with modified "boombox"-type tape players was "conducted" – directed to vary the volume, speed or tone of the tape they were playing – by Wayne Coyne.
Meanwhile, a series of unfortunate events beset the band. Drozd's arm was almost amputated needlessly because of what he claimed was a spider bite, Ivins was trapped in his car for several hours after a wheel spun off of another vehicle into his windshield, and Coyne's father died after a long battle with cancer.
Mainstream breakthrough (''The Soft Bulletin'' and ''Yoshimi Battles the Pink Robots'') (1999–2002)
Though their experimental endeavors received some press coverage, their real breakthrough came with the 1999 release, The Soft Bulletin. Marrying more traditional catchy melodies with synthetic strings, hypnotic, carefully manipulated beats, booming cymbals and oddball but philosophical lyrics, the album quickly became one of the underground hits of the year, even widely considered to be one of the best albums of the entire decade.Compared by many music critics to the Beach Boys' Pet Sounds because of its inclusion of harmonies and orchestrated sounds, The Soft Bulletin also featured greater use of synthesizers, drum machines, sound effects and more studio manipulation. After this album was released, Coyne stated that, "if someone was to ask me what instrument do I play, I would say the recording studio." As the band considered an attempt to recreate this complex album live solely with additional musicians to be complex and expensive, they decided to tour as a three-piece and make extensive use of pre-recorded music to fill out those parts that were not performed live by the members of the band. This led to the decision to have Drozd play primarily keyboards and guitar live instead of the drums. The band utilized video recordings and projections of Drozd playing the drums for some of the band's older songs. The band later added Kliph Scurlock on drums and percussion, with Drozd focusing on guitars, keyboards, bass, and occasional vocals. When Drozd sung, Coyne played guitars, keyboards and theremin.
To enhance the live experience for their audience and to accurately reproduce the sound of The Soft Bulletin live, the Lips devised the concept of the "Headphone Concert". A low-powered FM transmitter was set up at shows, and the concert was simultaneously broadcast to small Walkman-style receivers and headphones made available for free to audience members. This would, in theory, allow the audiences greater sonic clarity while still feeling the power of a full live P.A. This concept was debuted in Dallas, Texas, and at the South by Southwest conference in Austin, Texas, in March 1999, and was subsequently used on the International Music Against Brain Degeneration Revue tour. This tour featured Japanese band Cornelius, Sebadoh, Robyn Hitchcock, Sonic Boom's E.A.R. and IQU.
Three years later, in the summer of 2002, the Flaming Lips joined bands Cake and Modest Mouse on the Unlimited Sunshine Tour. They also released the full-length Yoshimi Battles the Pink Robots to much critical acclaim. Featuring guest musician Yoshimi P-We and demonstrating more use of electronic instruments and computer manipulation than The Soft Bulletin, Yoshimi is widely considered to be the Flaming Lips' first critical and commercial success after nearly twenty years as a band. The final track on the album, "Approaching Pavonis Mons by Balloon ", earned a 2003 Grammy Award for Best Rock Instrumental Performance, and the album was certified gold on April 10, 2006. In March 2007, the band revealed that they had recently teamed up with screenwriter Aaron Sorkin to produce a Broadway musical based on the album.
In January 2012, Pitchfork TV released a forty-five-minute documentary on The Soft Bulletin. The documentary featured several rare archival photos and videos along with interviews from the members, producer Dave Fridmann, and manager Scott Booker. The same year, Yoshimi Battles the Pink Robots was adapted into a musical after being in development for years after the album's release.
Both The Soft Bulletin and Yoshimi Battles the Pink Robots have been released on DVD-Audio.
Following the success of "Yoshimi", Steven Drozd completed rehab for heroin addiction. This decision was spurred by a physical altercation between Drozd and Wayne Coyne.