Harry Potter (film series)


Harry Potter is a film series based on the Harry Potter series of novels by J. K. Rowling. The series was produced and distributed by Warner Bros. Pictures and consists of eight fantasy films, beginning with Harry Potter and the Philosopher's Stone and culminating with Harry Potter and the Deathly HallowsPart 2. A spin-off prequel series started with Fantastic Beasts and Where to Find Them, marking the beginning of the Wizarding World shared media franchise.
An American and British co-production, the series was mainly produced by David Heyman, and stars Daniel Radcliffe, Rupert Grint, and Emma Watson as the three leading characters: Harry Potter, Ron Weasley, and Hermione Granger, respectively. Four directors worked on the series: Chris Columbus, Alfonso Cuarón, Mike Newell, and David Yates. Michael Goldenberg wrote the screenplay for Harry Potter and the Order of the Phoenix, while the remaining films' screenplays were written by Steve Kloves. Production took place over ten years, with the main story arc following Harry's quest to overcome his arch-enemy Lord Voldemort.
Harry Potter and the Deathly Hallows, the seventh and final novel in the series, was adapted into two feature-length parts. Part 1 was released in November 2010, and Part 2 was released in July 2011.
Deathly Hallows – Part 2 is among the 50 highest-grossing films of all time—at 20th-highest, grossing $1.3 billion. It is the fourth-highest-grossing film series, with $7.7 billion in worldwide receipts.

Origins

In late 1997, film producer David Heyman's London offices received a copy of the first book in what would become J.K. Rowling's series of seven Harry Potter novels. The book, Harry Potter and the Philosopher's Stone, was relegated to a low-priority bookshelf, where it was discovered by a secretary who read it and gave it to Heyman with a positive review. Consequently, Heyman, who had originally disliked "the rubbish title", read the book himself. Highly impressed by Rowling's work, he began the process that led to one of the most successful cinematic franchises of all time.
Heyman's enthusiasm led to Rowling's 1999 sale of the film rights for the first four Harry Potter books to Warner Bros. Pictures for a reported £1 million. A demand Rowling made was that the principal cast be kept strictly British and Irish wherever possible, such as Richard Harris as Dumbledore, allowing nonetheless for casting of French and Eastern European actors in Harry Potter and the Goblet of Fire where characters from the book are specified as such. Rowling was hesitant to sell the rights because she "didn't want to give them control over the rest of the story" by selling the rights to the characters, which would have enabled Warner Bros. to make non-author-written sequels.
Although Steven Spielberg initially negotiated to direct the first film, the deal was not finalized. Spielberg wanted to combine the story of the novels and make an animated film with his DreamWorks Animation studio, but Warner Bros. was against both ideas, wanting to produce individual live-action films for each novel. In the "Rubbish Bin" section of her website, Rowling wrote that she had no role in choosing directors for the films, affirming, "Anyone who thinks I could have 'veto-ed' him needs their Quick-Quotes Quill serviced."
After Spielberg left, conversations began with other directors, including Chris Columbus, Jonathan Demme, Terry Gilliam, Mike Newell, Alan Parker, Wolfgang Petersen, Rob Reiner, Tim Robbins, Brad Silberling, and Peter Weir. Petersen and Reiner both pulled out of the running in March 2000. It was then narrowed down to Columbus, Gilliam, Parker, and Silberling. Rowling's first choice was Gilliam. However, on 28 March 2000, Columbus was appointed as director of the film, with Warner Bros. citing his work on other family films such as Home Alone and Mrs. Doubtfire as influences for their decision.
Steve Kloves was selected to write the screenplay for the first film. He described adapting the book as "tough" since it did not "lend itself to adaptation as well as the next two books". Kloves was sent a "raft" of synopses of books proposed as film adaptations, with Harry Potter being the only one that jumped out at him. He went out and bought the book, becoming an instant fan. When speaking to Warner Bros. he stated that the film had to be British and true to the characters. David Heyman was confirmed to produce the film. Rowling received a large amount of creative control for the film, an arrangement that Columbus did not mind.
Warner Bros. had initially planned to release the first film over the 4 July 2001 weekend, making for such a short production window that several of the originally proposed directors had withdrawn themselves from contention. Eventually, due to time constraints, the date was put back to 16 November 2001.

Casting the roles of Harry, Ron, and Hermione

In 2000, after a seven-month search, lead actor Daniel Radcliffe was discovered by producer David Heyman and writer Steve Kloves seated just behind them in a theatre. In Heyman's own words, "There sitting behind me was this boy with these big blue eyes. It was Dan Radcliffe. I remember my first impressions: He was curious and funny and so energetic. There was real generosity too, and sweetness. But at the same time he was really voracious and with hunger for knowledge of whatever kind."
Radcliffe had already established himself as an actor in the 1999 BBC television production of David Copperfield in which he played the title role's childhood years. Heyman persuaded Radcliffe's parents to allow him to audition for the part of Harry Potter, which involved Radcliffe being filmed. Rowling was enthusiastic after viewing Radcliffe's filmed test, saying she didn't think there was a better choice for the part of Harry Potter.
Also in 2000, the then-unknown British actors Emma Watson and Rupert Grint were selected from thousands of auditioning children to play the roles of Hermione Granger and Ron Weasley, respectively. Their only previous acting experience was in school plays. Grint was eleven years old and Watson ten at the time they were cast.
Los Angeles Times writer Geoff Boucher, who conducted the above-mentioned interview with Heyman, added that the casting of the three major roles "is especially impressive in hindsight. The trio's selection was arguably one of the best show-business decisions over the past decade ... they have shown admirable grace and steadiness in the face of teen superstardom."

Production

Filming for the series began at Leavesden Studios, Hertfordshire, England, in September 2000 and ended in December 2010, with post-production on the final film lasting until summer 2011. Leavesden Studios was the main base for filming Harry Potter, and it opened to the public as a studio tour in 2012.
File:Harry Potter Leavesden entrance.jpg|thumb|right|Warner Bros. Studios, Leavesden, where much of the film series was shot. Harry Potter was also filmed in other areas, including Pinewood Studios.
David Heyman produced all the films in the series with his production company Heyday Films, while David Barron joined the series as an executive producer on Chamber of Secrets and Goblet of Fire and was later appointed producer on the last four films. Chris Columbus was an executive producer on the first two films alongside Mark Radcliffe and Michael Barnathan of 1492 Pictures, but he became a producer on the third film alongside Heyman and Radcliffe. Other executive producers include Tanya Seghatchian and Lionel Wigram. J. K. Rowling, author of the series, was asked to become a producer on Goblet of Fire but declined. She subsequently accepted the role on the two-part Deathly Hallows.
Warner Bros. adapted the seventh and final novel in the series, Deathly Hallows, into two cinematic parts. The two parts were filmed back-to-back from early 2009 to summer 2010, with the completion of reshoots taking place on 21 December 2010; this marked the end of filming Harry Potter. Heyman stated that Deathly Hallows was "shot as one film" but released in two feature-length parts.
Tim Burke, the visual effects supervisor of the series, said of the production on Harry Potter, "It was this huge family; I think there were over 700 people working at Leavesden, an industry in itself." David Heyman said, "When the first film opened, no way did I think we'd make eight films. That didn't seem feasible until after we'd done the fourth." Nisha Parti, the production consultant on the first film, said that Heyman "made the first film very much the way he felt the studio Warner Bros. wanted to make it". After the film's success, Heyman was given "more freedom".
One of the aims of the filmmakers from the beginning of production was to develop the maturity of the films. Chris Columbus stated, "We realised that these movies would get progressively darker. Again, we didn't know how dark but we realised that as the kids get older, the movies get a little edgier and darker." This transpired with the succeeding three directors who would work on the series in the following years, with the films beginning to deal with issues such as death, betrayal, prejudice, and political corruption as the series developed narratively and thematically.

Directors

After Chris Columbus had finished working on Philosopher's Stone, he was hired to direct Chamber of Secrets. The production started within a week after the release of the first film. Columbus was set to direct all entries in the series, but he did not want to return for Prisoner of Azkaban, claiming he was "burned out". He moved to the position of producer, while Alfonso Cuarón was approached for the role of director. He was initially nervous about directing the instalment since he had not read any of the books or seen the films. After reading the series, he changed his mind and signed on to direct since he had immediately connected to the story.
Because Cuarón decided not to direct the fourth instalment, Goblet of Fire, a new director had to be selected. Mike Newell was chosen to direct the film, but he declined to do so for the next film, Order of the Phoenix, which was given to David Yates, who also directed Half-Blood Prince and both parts of Deathly Hallows, becoming the only director to helm more than one film since Columbus.
Columbus said his vision for the first two films was of a "golden storybook, an old-fashioned look", while Cuarón changed the visual tone of the series, desaturated the colour palette, and expanded the landscape around Hogwarts. Newell decided to direct the fourth film as a "paranoid thriller", while Yates wanted to "bring a sense of jeopardy and character to the world". Cuarón, Newell, and Yates have said that their challenge was striking a balance between making the films according to their individual vision, while working within a cinematic world already established by Columbus.
Heyman commented on the "generosity of the directors" by revealing that "Chris spent time with Alfonso, Alfonso spent time with Mike and Mike spent time with David, showing him an early cut of the film, talking through what it means to be a director and how they went about ." He also said, "I suppose Chris Columbus was the most conservative choice from the studio's point of view. But he expressed real passion." Producer Tanya Seghatchian said they were "more adventurous" in choosing a director for the third film and went straight to Cuarón. Newell became the first British director of the series when he was chosen for the fourth film; Newell was considered to direct the first film before he dropped out. Yates directed the final films after Heyman thought him capable of handling the edgy, emotional, and political material of the later novels.
All the directors have been supportive of each other. Columbus praised the character development in the films, while Cuarón admired the "quiet poetry" of Yates' films. Mike Newell noted that each director had a different heroism, and Yates views the first four films "respectfully and enjoy them". Radcliffe said Yates "took the charm of the films that Chris made and the visual flair of everything that Alfonso did and the thoroughly British, bombastic nature of the film directed by Mike Newell" and added "his own sense" of realism.