Eugene Onegin


Eugene Onegin, A Novel in Verse is a novel in verse written by Alexander Pushkin. Onegin is considered a classic of Russian literature, and its eponymous protagonist has served as the model for a number of Russian literary heroes. It was published in a serial form between 1825 and 1832. The first complete edition was published in 1833, and the currently accepted version is based on the 1837 publication.
Almost the entire work is made up of 389 fourteen-line stanzas of iambic tetrameter with the unusual rhyme scheme, where the uppercase letters represent feminine rhymes while the lowercase letters represent masculine rhymes. This original structure is known as the "Onegin stanza" or "Pushkin sonnet".
The story is told by a narrator, whose tone is educated, worldly, and intimate. The narrator digresses at times, usually to expand on aspects of this social and intellectual world. This narrative style allows for a development of the characters and emphasizes the drama of the plot despite its relative simplicity. The book is admired for the artfulness of its verse narrative as well as for its exploration of life, death, love, ennui, convention, and passion.

Main characters

  • Eugene Onegin: A dandy from Saint Petersburg, aged 18 at the start of the novel, and 26 by the end. An arrogant, selfish, and world-weary cynic.
  • Vladimir Lensky: A young poet, about 18. A very romantic and naïve dreamer. He become friends with Onegin, but later Onegin kills him in a duel.
  • Tatyana Larina: A shy and quiet, but passionate, landowner's daughter. Pushkin referred to her as aged 17 in a letter to Pyotr Vyazemsky. She falls in love with Onegin, but he rejects her. Years later, they meet again, he falls for her, but she rejects him.
  • Olga Larina: Tatyana's younger sister. She was Lensky's fiancé.

    Plot

In the 1820s, Eugene Onegin is a bored St. Petersburg dandy, whose life consists of balls, concerts, parties, and nothing more. Upon the death of a wealthy uncle, he inherits a substantial fortune and a landed estate. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. Lensky takes Onegin to dine with the family of his fiancée, the sociable but rather thoughtless Olga Larina. At this meeting, he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic, and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration, promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg of which he has grown tired. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancé and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin". Tatyana, still brokenhearted by the loss of Onegin, is persuaded by her parents to live with her aunt in Moscow to find a suitor.
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once spurned. Now she is married to an aged prince. Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite her being married. His attempts are rebuffed. He writes her several letters, but receives no reply. Eventually, Onegin manages to see Tatyana and offers her the opportunity to finally elope after they have become reacquainted. She recalls the days when they might have been happy, but concludes that that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny.

Composition and publication

As with many other 19th-century novels, Onegin was written and published serially, with parts of each chapter often appearing in magazines before the first printing of each chapter. Many changes, some small and some large, were made from the first appearance to the final edition during Pushkin's lifetime. The following dates mostly come from Nabokov's study of the photographs of Pushkin's drafts that were available at the time, as well as other people's work on the subject.
The first stanza of chapter 1 was started on May 9, 1823, and except for three stanzas, the chapter was finished on October 22. The remaining stanzas were completed and added to his notebook by the first week of October 1824. Chapter 1 was first published as a whole in a booklet on February 16, 1825, with a foreword which suggests that Pushkin had no clear plan on how he would continue the novel.
Chapter 2 was started on October 22, 1823, and finished by December 8, except for stanzas XL and XXXV, which were added sometime over the next three months. The first separate edition of chapter 2 appeared on October 20, 1826.
Many events occurred which interrupted the writing of chapter 3. In January 1824, Pushkin stopped work on Onegin to work on The Gypsies. Except for XXV, stanzas I–XXXI were added on September 25, 1824. Nabokov guesses that Tatyana's Letter was written in Odessa between February 8 and May 31, 1824. Pushkin incurred the displeasure of the Tsarist regime in Odessa and was restricted to his family estate Mikhaylovskoye in Pskov for two years. He left Odessa on July 21, 1824, and arrived on August 9. Writing resumed on September 5, and chapter 3 was finished on October 2. The first separate publication of chapter 3 was on October 10, 1827.
Chapter 4 was started in October 1824. By the end of the year, Pushkin had written 23 stanzas and had reached XXVII by January 5, 1825, at which point he started writing stanzas for Onegin's Journey and worked on other pieces of writing. He thought that it was finished on September 12, 1825, but later continued the process of rearranging, adding, and omitting stanzas until the first week of 1826. The first separate edition of chapter 4 appeared with chapter 5 in a publication produced between January 31 and February 2, 1828.
The writing of chapter 5 began on January 4, 1826, and 24 stanzas were complete before the start of his trip to petition the Tsar for his freedom. He left for this trip on September 4 and returned on November 2, 1826. He completed the rest of the chapter in the week November 15 to 22, 1826. The first separate edition of chapter 5 appeared with chapter 4 in a publication produced between January 31 and February 2, 1828.
When Nabokov carried out his study on the writing of Onegin, the manuscript of chapter 6 was lost, but it is known that Pushkin started chapter 6 before finishing chapter 5. Most of chapter 6 appears to have been written before the beginning of December 19, 1826, when Pushkin returned to Moscow after exile on his family estate. Many stanzas appeared to have been written between November 22 and 25, 1826. On March 23, 1828, the first separate edition of chapter 6 was published.
Pushkin started writing chapter 7 in March 1827, but aborted his original plan for the plot of the chapter and started on a different tack, completing the chapter on November 4, 1828. The first separate edition of chapter 7 was first printed on March 18, 1836.
Pushkin intended to write a chapter called "Onegin's Journey", which occurred between the events of chapters 7 and 8, and in fact was supposed to be the eighth chapter. Fragments of this incomplete chapter were published, in the same way that parts of each chapter had been published in magazines before each chapter was first published in a separate edition. When Pushkin completed chapter 8, he published it as the final chapter and included within its denouement the line nine cantos I have written, still intending to complete this missing chapter. When Pushkin finally decided to abandon this chapter, he removed parts of the ending to fit with the change.
Chapter 8 was begun before December 24, 1829, while Pushkin was in St. Petersburg. In August 1830, he went to Boldino where, due to an epidemic of cholera, he was forced to stay for three months. During this time, he produced what Nabokov describes as an "incredible number of masterpieces" and finished copying out chapter 8 on September 25, 1830. During the summer of 1831, Pushkin revised and completed chapter 8 apart from "Onegin's Letter", which was completed on October 5, 1831. The first separate edition of chapter 8 appeared on January 10, 1832.
Pushkin wrote at least 18 stanzas of a never-completed tenth chapter. It contained many satires and even direct criticism on contemporary Russian rulers, including the Emperor himself. Afraid of being prosecuted for dissidence, Pushkin burnt most of the tenth chapter. Very little of it survived in Pushkin's notebooks.
The first complete edition of the book was published in 1833. Slight corrections were made by Pushkin for the 1837 edition. The standard accepted text is based on the 1837 edition with a few changes due to the Tsar's censorship restored.