Dianne Brooks
Gwendolyn Dianne Brooks, was an American soul, r&b and jazz singer. With the Three Playmates, Brooks recorded several songs in 1957. She moved to Toronto shortly thereafter. Her part in Canadian soul music history began when the group Diane Brooks, Eric Mercury and the Soul Searchers was formed. As a solo singer, she recorded two albums and several singles of her own. Her biggest solo hit was "Walkin' on My Mind" in 1969. She was also a prolific session singer. As a vocalist, she provided backing vocals on albums by a multitude of artists that include Anne Murray, Gino Vannelli and Richie Havens. She was also a song-writer.
Background
Brooks was born in New Jersey and grew up there singing gospel music. Things started for her at three years of age when she was singing in her New Jersey church. Taking note of Dianne's talent, her mother eventually sent her to New York City to study voice. Brooks was a teenager when she joined the group, The Three Playmates who recorded for the Savoy label. In 1960, she moved to Toronto. During the 1960s, she was a member of two popular Canadian r&b / soul groups. She also appeared regularly on Canadian radio and television. Along the way, she caught the attention of Jerry Schoenbaum who founded the Verve Records label. She was offered a deal and recorded two singles for the label. One of the songs she recorded, "Picture Me Gone" was recorded by Madeline Bell who was also from New Jersey and like Brooks grew up singing gospel. Like Bell, she would have a similar career, adding her backing vocals to recordings by a multitude of artists. During the 1970s, she had a lot of work as an in-demand backing vocalist.Commenting on Brooks, Emmylou Harris once said “I know I'm a valid singer, but when I hear Dianne I feel like handing in my contract.”. Ray Charles also referred to her as the greatest voice he'd heard since Dinah Washington. Jack Batten of The Toronto Star once referred to her as the best soul singer in the country. In reference to Brooks, Anne Murray said that she had never met someone so innovative vocally.
Early career
1950s
; With the Three PlaymatesIn the late 1950s, she was involved in the following recordings,
- "Giddy-Up-a-Ding-Dong" / "It Must Be Love",,
- "Give Your Love to Me" / " I Dreamed", with backing by musicians, George Barrow, Jerome Richardson, Budd Johnson, Sam Price, Kenny Burrell, Joe Benjamin, Bobby Donaldson, Ernie Wilkins
- "Sugah Wooga" / "Lovey Dovey Pair", with backing by musicians, Buddy Lucas, Bobby Banks, Leonard Gaskin.
1960s
The OrbiteersIn 1962, she was featured on a recording relating to the Orbiteer toy. The song was "The Orbiteer Twist" which was a commercial. It was also her own composition. The A side of the single was credited to Dianne Brooks with Billy O'Conner and His Orbiteersmen. The B side, "My Orbiteer Will Come Back", a Randy Leeds composition was credited to The Orbiteers with Billy O'Conner and His Orbiteersmen. It was allegedly the first time Robbie Robertson had played on a released recording.
The Silhouettes
Brooks and saxophonist Steve Kennedy had been part of The Silhouettes who were an established group on the Toronto r&b scene. The Silhouettes had backed Eric Mercury on his single, "I Wondered Why" / "Softly", released on Clip 1122 in 1966. The group also backed and included Jack Hardin They played at venues such as Toronto's prominent music club, Friar's Tavern, and the Blue Note club which was also located in Toronto.
With the Soul Searchers
Also in 1966, Brooks and Kennedy left the group to form The Soul Searchers with Eric Mercury, guitarist Terry Logan, organist William "Smitty" Smith and drummer Eric "Mouse" Johnson. According to Smitty's book, A Stroke of Luck, Brooks and Kennedy were in a romantic relationship. Smith and Kennedy had an idea of putting together a group to play behind Brooks. Things began in April that year. Even though the group is referred to as the Soul Searchers, the real name was Diane Brooks, Eric Mercury and The Soul Searchers. The instrumental section of the group consisted of Eric "Mouse" Johnson on drums and vocals, Steve Kennedy on tenor, baritone sax and background vocals, Terry Logan on guitar and vocals and William "Smitty" Smith on Hammond B3 organ and vocals. They first played at the Memory Lane in Toronto.
Sometime that year, Brooks got an offer to record for herself. Due to the band supposedly not having the experience or considered to be up to the task, they didn't get to play on the recording.
According to Michel Ruppli's book on the Verve discography, a recording session took place in New York on November 17 of that year. Four songs were recorded with Harvey Brooks who was producing at the time. They were "I Just Don't Know What To Do With Myself", "In My Heart", "Sometimes I Wonder" and "Into Something Good". The following year on March 15, two more tracks, "Picture Me Gone" and "Say Something Nice To Me" were recorded. It's possible that some of these tracks did not see a release. "In My Heart" bw "I Just Don't Know What To Do With Myself" was released on Verve Folkways 5036 around November 1966 while "Picture Me Gone" bw "Sometimes I Wonder" was supposed to be released on Verve Forecast 5055 in 1967.
In May and June 1967 the group appeared in New York at The Scene club with The Free Spirits and Tiny Tim. The Soul Searchers were on the same bill as The Doors on various nights, with the poster saying "APPEARING WITH THE DOORS NIGHTLY for a Completely Flipped Out Evening: DIANNE BROOKS / ERIC MERCURY and The SOUL SEARCHERS".
At some stage Brooks had left the band after falling in love with a hairdresser, leaving Mercury to be the front man.
Solo career
Revolution Records period
was run by Mort Ross and Doug Riley with Terry Brown as their recording engineer. The intention of Revolution Records wasn't to start off as a record company as they did. They wanted to build a recording facility with equipment superior to what other Canadian studios at the time. But with the studio having been built and ready for business later in August 1969, they recorded some demos with Brooks in the meantime. They were originally intended to be just demos. The studio owners were very impressed with what they had heard, and considered them to be "So good they had to be released". This is how Revolver Records came into being when it did.By March 1969, she was already signed to Revolution. Also that month, her single "Walkin' on My Mind" had been released by Revolution's subsidiary, Revolver Records. It was also being released in the United States on Ray Charles' Tangerine label. Revolution's Mort Ross had travelled to New York to set up the distribution deal with Charles' label for the current record, which also involved any future releases from Brooks. A distribution deal was also set up for England with Morgan Records handling that task. For Canadian distribution, the Compo Company was chosen. By April 21 the song had entered the RPM Weekly Canadian Content Chart at #10. By May 2 it made it to #4 on the RPM chart. However it only got to #67 nationally.
The group Motherlode was doing gigs on Friday and Saturday nights in London, Ontario. They did a demo session with Brooks as a backing vocalist. However it was decided that she wasn't needed. Also around that period, Motherlode came up with their When I Die album.
In late September 1969, her second single with Revolution, "Show Him " which was written by Doug Riley was released on Revolver REVS 003. The single which was backed with "Show Me" was produced by Mort Ross. She also had written a song "Memories of a Broken Promise" which Motherlode had recorded and released as the follow-up to their hit "When I Die". By the end of November the song was charting in both Canada and the US. The song would get to #99 on the CASH BOX Top 100 Singles chart. By November 22, the song was at #4 on the RPM Canadian Content Chart and at #55 on the Canadian National chart. It would eventually be one the BMI Canada Certificate of Honour winners of 1969.
An article in the November 29 issue of RPM indicated that her album was soon due to make its appearance. Motherlode did some instrumental backing on her Some Other Kind of Soul album. William Smith and Steve Kennedy also wrote "The Boys Are On the Case".
Her other activities during 1969 until the end of the year involved performing with Doug Riley at Friar's Cub and then appearing at the Savarin Tavern with Rob McConnell's Boss Brass.
By June 27, 1970, Some Other Kind of Soul was at #87 on the RPM100 album chart.