Eleusinian Mysteries


The Eleusinian Mysteries were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece. They are considered the "most famous of the secret religious rites of ancient Greece". Their basis was a Bronze Age agrarian cult, and there is some evidence that they were derived from the religious practices of the Mycenean period. The Mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases: the descent, the search, and the ascent, with the main theme being the ascent of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome.
The rites, ceremonies, and beliefs were kept secret and consistently preserved from antiquity. For the initiated, the rebirth of Persephone symbolized the eternity of life which flows from generation to generation, and they believed that they would have a reward in the afterlife. There are many paintings and pieces of pottery that depict various aspects of the Mysteries. Since the Mysteries involved visions and conjuring of an afterlife, some scholars believe that the power and longevity of the Eleusinian Mysteries, a consistent set of rites, ceremonies and experiences that spanned two millennia, came from psychedelic drugs. The name of the town, Eleusis, seems to be pre-Greek, and is likely a counterpart with Elysium and the goddess Eileithyia.

Etymology

Eleusinian Mysteries was the name of the mysteries of the city of Eleusis.
The name of the city Eleusis is pre-Greek, and may be related with the name of the goddess Eileithyia. Her name Ἐλυσία in Laconia and Messene probably relates her with the month Eleusinios and Eleusis, but this is debated.
The ancient Greek word from which English mystery derives, mystḗrion, means "mystery or secret rite" and is related with the verb myéō, which means " teach, initiate into the mysteries", and the noun mýstēs, which means "one initiated". The word mystikós, source of the English mystic, means "connected with the mysteries", or "private, secret".

Demeter and Persephone

The Mysteries are related to a myth concerning Demeter, the goddess of agriculture and fertility, as recounted in one of the Homeric Hymns. According to the hymn, Demeter's daughter Persephone was assigned to paint all the flowers of the earth. Before completion, she was seized by Hades, the god of the underworld. Distraught, Demeter searched high and low for her daughter, with many minor adventures during her long travel; in one, she taught the secrets of agriculture to Triptolemus, a prominent hero of Eleusis. In her distress, and in hopes of persuading Zeus to allow the return of her daughter, she caused a terrible drought, killing many and depriving the gods of sacrifice and worship.
Zeus, pressed by the cries of the hungry people and by the other deities who also heard their anguish, eventually allowed Persephone to return to her mother. However, it was a rule of the Fates that whoever ate or drank in the underworld was doomed to spend eternity there. Before releasing her to Hermes, who had been sent to retrieve her, Hades had tricked Persephone into eating pomegranate seeds ; thus, she was forced to return to the underworld for four or six months each year. During this time each year, Demeter, in her sadness, neglects to cultivate the earth until Persephone returns to her, and the cycle repeats. Persephone's rebirth symbolizes the rebirth of all plant life, and the eternity of life as it flows from one generation to another.
In the central foundation document of the mystery, the Homeric Hymn to Demeter line 415, Persephone is said to stay with Hades during winter and return to her mother in the spring of the year: "This was the day , at the very beginning of bountiful springtime." However, one scholar has proposed a different version, according to which the four months that Persephone is with Hades correspond to the dry, drought-prone Greek summer.

Mysteries

The Eleusinian Mysteries are believed to have ancient origins. Some findings in the temple Eleusinion in Attica suggest that their basis was an old agrarian cult. Some practices of the mysteries seem to have been influenced by the religious practices of the Mycenaean period, thus predating the Greek Dark Ages. Excavations have shown that a private building existed under the Telesterion in the Mycenaean period; it seems that originally the cult of Demeter was private. In the Homeric Hymn is mentioned the palace of the king Keleos.
Some scholars argued that the Eleusinian cult was a continuation of a Minoan cult, and that Demeter was a poppy goddess who brought poppy from Crete to Eleusis. Some useful information from the Mycenaean period can be found from studying the cult of Despoina and the cult of Eileithyia, the goddess of childbirth. For example, the megaron of Despoina at Lycosura is quite similar to the Telesterion of Eleusis. Demeter is united with the god Poseidon, bearing the unnamable Despoina. In the cave of Amnisos at Crete, the goddess Eileithyia is connected to the annual birth of the divine child, as well as to Enesidaon , the chthonic aspect of Poseidon.
At Eleusis, inscriptions refer to "the Goddesses" accompanied by the agricultural god Triptolemus, and to "the God and the Goddess" accompanied by Eubuleus, who probably led the way back from the underworld. The myth was represented in a cycle with three phases: the "descent", the "search", and the "ascent", with contrasted emotions from sorrow to joy meant to rouse the mystae to exultation.
One line of thought by modern scholars has been that the Mysteries were intended "to elevate man above the human sphere into the divine and to assure his redemption by making him a god and so conferring immortality upon him". The main theme was Persephone's ascent from the underworld and her reunion with her mother Demeter. At the beginning of the feast, the priests filled two special vessels and poured them out, one towards the west and the other towards the east. The people looking to the sky and the earth shouted in a magical rhyme, "rain and conceive".
In one ritual, a child was initiated from the hearth. The name pais appears in the Mycenaean inscriptions; this was the ritual of the "divine child", originally Ploutos. In the Homeric Hymn, the ritual is connected with the myth of the agricultural god Triptolemus. The goddess of nature survived in the mysteries where the following words were uttered: "Mighty Potnia bore a great son". Potnia, is a Mycenaean title applied to goddesses, probably the translation of a similar title of pre-Greek origin.
The high point of the celebration was "an ear of grain cut in silence", which represented the force of the new life. The idea of immortality did not exist in the mysteries at the beginning, but the initiated believed that they would have a better fate in the underworld. Death remained a reality, but was also a new beginning, like the plant which grows from the buried seed.
A depiction from the old palace of Phaistos is very close to the image of the anodos of Persephone: An armless and legless deity grows out of the ground, and her head turns to a large flower.
According to archaeologist George Mylonas, the lesser mysteries were held "as a rule once a year in the early spring in the month of flowers, the Anthesterion," while "the Greater Mysteries were held once a year and every fourth year they were celebrated with special splendor in what was known as the penteteris. Classical scholar Károly Kerényi concurs with this assessment: "The Lesser Mysteries were held at Agrai in the month of Anthesterion, our February... The initiates were not even admitted to the epopteía in the same year, but only in September of the following year." This cycle continued for about two millennia.
In the Homeric Hymn to Demeter, King Celeus is said to have been one of the first people to learn the secret rites and mysteries of her cult. He was also one of her original priests, along with Diocles, Eumolpos, Polyxeinus, and Triptolemus, Celeus' son, who had supposedly learned agriculture from Demeter.
Under Peisistratos of Athens, the Eleusinian Mysteries became pan-Hellenic, and pilgrims flocked from Greece and beyond to participate. Around 300 BC, the state took over control of the mysteries; they were controlled by two families, the Eumolpidae and the Kerykes. This led to a vast increase in the number of initiates. The only requirements for membership were freedom from "blood guilt", meaning never having committed murder, and not being a "barbarian". Men, women, and even slaves were allowed initiation.

Participants

To participate in these mysteries, one had to take a vow of secrecy.
Four categories of people participated in the Eleusinian Mysteries:
  • Priests, priestesses, and hierophants
  • Those who had attained epopteía , who had learned the secrets of the greatest mysteries of Demeter
  • Those who had already participated at least once – they were eligible for attaining epopteía
  • Initiates, undergoing the ceremony for the first time

    Priesthood

The priesthood officiating at the Eleusinian Mysteries and in the sanctuary was divided into several offices with different tasks.
Six categories of priests officiated in the Eleusinian Mysteries:
  • Hierophantes – male high priest, an office inherited within the Phileidae or Eumolpidae families.
  • High Priestess of Demeter or Priestess of Demeter and Kore – an office inherited within the Phileidae or Eumolpidae families.
  • Dadouchos – men serving as torch bearers, the second-highest male role next to Hierophantes.
  • Dadouchousa Priestess – a female priestess who assisted the Dadouchos, an office inherited within the Phileidae or Eumolpidae families.
  • Hierophantides – two married priestesses, one serving Demeter, and the other Persephone.
  • Panageis or melissae – a group of priestesses who lived a life secluded from men.
The Hierophant and the High Priestess were of equal rank. It was the task of the High Priestess to impersonate the goddesses Demeter and Persephone in the reenactment during the mysteries. Events at Eleusis were dated by the name of the reigning High Priestess.