Knossos
Knossos is a Bronze Age archaeological site in Crete. The site was a major centre of the Minoan civilization and is known for its association with the Greek myth of Theseus and the minotaur. It is located on the outskirts of Heraklion, and remains a popular tourist destination. Knossos is considered by many to be the oldest city in Europe.
Knossos is dominated by the monumental Palace of Minos. Like other Minoan palaces, this complex of buildings served as a combination religious and administrative centre rather than a royal residence. The earliest parts of the palace were built around 1900 BC in an area that had been used for ritual feasting since the Neolithic. The palace was continually renovated and expanded over the next five centuries until its final destruction around 1350 BC.
The site was first excavated by Minos Kalokairinos in 1877. In 1900, Sir Arthur Evans undertook more extensive excavations which unearthed most of the palace as well as many now-famous artifacts including the Bull-Leaping Fresco, the snake goddess figurines, and numerous Linear B tablets. While Evans is often credited for discovering the Minoan Civilization, his work is controversial in particular for his inaccurate and irreversible reconstructions of architectural remains at the site.
History
Neolithic period
Knossos was settled around 7000 BC during the Pre-Pottery Neolithic, making it the oldest known settlement in Crete. Radiocarbon dating has suggested dates around 7,030-6,780 BCE. The initial settlement was a hamlet of 25–50 people who lived in wattle and daub huts, kept animals, grew crops, and, in the event of tragedy, buried their children under the floor. Remains from this period are concentrated in the area which would later become the central court of the palace, suggesting continuity in ritual activity.In the Early Neolithic, a village of 200–600 persons occupied most of the area of the later palace and the slopes to the north and west. Residents lived in one- or two-room square houses of mud-brick walls set on socles of stone, either field stone or recycled stone artifacts. The inner walls were lined with mud-plaster. The roofs were flat, composed of mud over branches. The residents dug hearths at various locations in the centre of the main room. This village had an unusual feature: one house under the West Court contained eight rooms and covered. The walls were at right angles and the door was centred. Large stones were used for support under points of greater stress. The fact that distinct sleeping cubicles for individuals was not the custom suggests storage units of some sort.
The settlement of the Middle Neolithic, housed 500–1000 people in more substantial and presumably more family-private homes. Construction was the same, except the windows and doors were timbered, a fixed, raised hearth occupied the centre of the main room, and pilasters and other raised features occupied the perimeter. Under the palace was the Great House, a area stone house divided into five rooms with meter-thick walls suggesting a second storey was present. The presence of the house, which is unlikely to have been a private residence like the others, suggests a communal or public use; i.e., it may have been the predecessor of a palace. In the Late or Final Neolithic, the population increased dramatically.
Bronze Age
It is believed that the first Cretan palaces were built soon after, in the early part of the Middle Minoan period, at Knossos and other sites including Malia, Phaestos and Zakro. These palaces, which were to set the pattern of organisation in Crete and Greece through the second millennium, were a sharp break from the Neolithic village system that had prevailed thus far. The building of the palaces implies greater wealth and a concentration of authority, both political and religious. It is suggested that they followed eastern models such as those at Ugarit on the Syrian coast and Mari on the upper Euphrates.The early palaces were destroyed during Middle Minoan II, sometime before, almost certainly by earthquakes to which Crete is prone. By, they had been rebuilt on a grander scale and the period of the second palaces marks the height of Minoan prosperity. All the palaces had large central courtyards which may have been used for public ceremonies and spectacles. Living quarters, storage rooms and administrative centres were positioned around the court and there were also working quarters for skilled craftsmen.
The palace of Knossos was by far the largest, covering three acres with its main building alone and five acres when separate out-buildings are considered. It had a monumental staircase leading to state rooms on an upper floor. A ritual cult centre was on the ground floor. The palace stores occupied sixteen rooms, the main feature in these being the pithoi that were large storage jars up to five feet tall. They were mainly used for storage of oil, wool, wine, and grain. Smaller and more valuable objects were stored in lead-lined cists. The palace had bathrooms, toilets, and a drainage system. A theatre was found at Knossos that would have held 400 spectators. The orchestral area was rectangular, unlike later Athenian models, and they were probably used for religious dances.
Building techniques at Knossos were typical. The foundations and lower course were stonework with the whole built on a timber framework of beams and pillars. The main structure was built of large, unbaked bricks. The roof was flat with a thick layer of clay over brushwood. Internal rooms were brightened by light-wells and columns of wood, many fluted, were used to lend both support and dignity. The chambers and corridors were decorated with frescoes showing scenes from everyday life and scenes of processions. Warfare is conspicuously absent. The fashions of the time may be seen in depictions of women in various poses. They had elaborately dressed hair and wore long dresses with flounced skirts and puffed sleeves. Their bodices were tightly drawn in round their waists and their breasts were exposed.
The prosperity of Knossos was primarily based upon the development of native Cretan resources such as oil, wine, and wool. Another factor was the expansion of trade, evidenced by Minoan pottery found in Egypt, Syria, Anatolia, Rhodes, the Cyclades, Sicily, and mainland Greece. There seem to have been strong Minoan connections with Rhodes, Miletus, and Samos. Cretan influence may be seen in the earliest scripts found in Cyprus. The main market for Cretan wares was the Cyclades where there was a demand for pottery, especially the stone vases. It is not known whether the islands were subject to Crete or just trading partners, but there certainly was strong Cretan influence.
File:Knossos on Amenophis III Temple in Ancient Egyptian.png|thumb|Knossos "kꜣnywšꜣ" depicted in the Temple of Amenhotep III at Kom el-Hatan.
Around 1450 BC, the palaces at Malia, Phaestos, and Zakros were destroyed, leaving Knossos as the sole surviving palace on Crete. In this final period, Knossos seems to have been influenced or perhaps ruled by people from the mainland. Greek became the administrative language and the material culture shows parallels with Mycenaean styles, for instance in the architecture of tombs and styles of pottery.
Around 1350 BC, the palace was destroyed and not rebuilt. The building was ravaged by a fire which triggered the collapse of the upper stories. It is not known whether this final destruction was intentional or the result of a natural disaster such as an earthquake. While parts of the palace may have been used for later ceremonies and the town of Knossos saw a resurgence around 1200 BC, the building and its associated institutions were never restored.
Classical and Roman period
After the Bronze Age, the town of Knossos continued to be occupied. By 1000 BC, it had reemerged as one of the most important centres of Crete. The city had two ports, one at Amnisos and another at Heraklion.According to the ancient geographer Strabo the Knossians colonized the city of Brundisium in Italy. In 343 BC, Knossos was allied with Philip II of Macedon. The city employed a Phocian mercenary named Phalaikos against their enemy, the city of Lyttus. The Lyttians appealed to the Spartans who sent their king Archidamus III against the Knossians. In Hellenistic times Knossos came under Egyptian influence, but despite considerable military efforts during the Chremonidean War, the Ptolemies were not able to unify the warring city states. In the third century BC Knossos expanded its power to dominate almost the entire island, but during the Lyttian War in 220 BC it was checked by a coalition led by the Polyrrhenians and the Macedonian king Philip V.
Twenty years later, during the Cretan War, the Knossians were once more among Philip's opponents and, through Roman and Rhodian aid, this time they managed to liberate Crete from the Macedonian influence. With Roman aid, Knossos became once more the first city of Crete, but, in 67 BC, the Roman Senate chose Gortys as the capital of the newly created province Creta et Cyrene. In 36 BC, Knossos became a Roman colony named Colonia Iulia Nobilis. The colony, which was built using Roman-style architecture, was situated within the vicinity of the palace, but only a small part of it has been excavated.
The identification of Knossos with the Bronze Age site is supported by the Roman coins that were scattered over the fields surrounding the pre-excavation site, then a large mound named Kephala Hill, elevation from current sea level. Many of them were inscribed with Knosion or Knos on the obverse and an image of a Minotaur or Labyrinth on the reverse. The coins came from the Roman settlement of Colonia Julia Nobilis Cnossus, a Roman colony placed just to the north of, and politically including, Kephala. The Romans believed they were the first to colonize Knossos.