Boston (band)
Boston is an American rock band formed in 1975 in Boston, Massachusetts, by chief songwriter and composer Tom Scholz. The band's core members included multi-instrumentalist Scholz and lead vocalist Brad Delp, who remained the only constant members from 1975 to 1990, and from 1994 until Delp's suicide in 2007. Other musicians and members of the band varied largely across the group's lineup history.
Boston experienced significant commercial success during the 1970s and 1980s. The band's 1976 self-titled debut is one of the best-selling albums by an American rock band, being certified 17× Platinum by the RIAA as of 2025. Their best-known songs include "More Than a Feeling", "Peace of Mind", "Foreplay/Long Time", "Rock and Roll Band", "Smokin'", "Don't Look Back", "A Man I'll Never Be", "Hitch a Ride", "Party", "Amanda", and "Feelin' Satisfied". The band has sold more than 75 million records worldwide, including 31 million units sold in the United States, of which 17 million were the band's debut album, and seven million copies of the band's second studio album, Don't Look Back, placing the group at number 63 among the world's best-selling music artists. Altogether, the band has released six studio albums in a career spanning over years. Boston's recorded output has been minimal since the 1980s – with Third Stage, Walk On, and Corporate America, all released eight years apart, and the latter followed eleven years later by the band's most recent album Life, Love & Hope – although they have continued to perform live and have occasionally been hinting at an upcoming seventh studio album. Boston was ranked the 63rd-best hard rock artist by VH1.
Since Delp's death in 2007, a number of vocalists have filled in as replacements, including Stryper frontman and vocalist Michael Sweet. Since 2007, Tommy DeCarlo has been the group's lead singer. Other current members of the band include guitarist Gary Pihl, bassist Tracy Ferrie, drummer Jeff Neal, and vocalist/multi-instrumentalist Beth Cohen.
History
Early years (1969–1975)
Tom Scholz first started writing music in 1969 while he was attending Massachusetts Institute of Technology, where he wrote an instrumental song, "Foreplay". While attending MIT, Scholz joined the band Freehold, where he met guitarist Barry Goudreau and drummer Jim Masdea, who would later become members of Boston. Vocalist Brad Delp was added to the collective in 1970. After graduating with a master's degree in mechanical engineering from MIT, Scholz worked for Polaroid, using his salary to build a recording studio in his basement, and to finance demonstration tapes recorded in professional recording studios. These early demo tapes were recorded with Delp on vocals, Goudreau on guitar, Masdea on drums, and Scholz on guitar, bass, and keyboards. The demo tapes were sent to record companies, but received consistent rejections. In 1973, Scholz formed the band Mother's Milk with Delp, Goudreau, and Masdea. That group disbanded by 1974, but Scholz subsequently worked with Masdea and Delp to produce six new demos, including "More Than a Feeling", "Peace of Mind", "Rock and Roll Band", "Something About You", "Hitch a Ride", and "Don't Be Afraid". Scholz stated they finished four of the six by the end of 1974, and they finished "More Than a Feeling" and "Something About You" in 1975. Scholz played all the instruments on the demos, except for the drums, which were played by Masdea, and used self-designed pedals to create the desired guitar sounds.This final demo tape attracted the attention of promoters Paul Ahern and Charlie McKenzie. Masdea left the band around this time. According to Scholz, the managers insisted that Masdea had to be replaced before the band could get a recording deal. Years later, Delp told journalist Chuck Miller: " actually told me he was losing interest in playing drums. I know Tom felt very bad when the whole thing happened. And then, of course, we started getting some interest." Scholz and Delp signed a deal with Epic Records after Masdea's departure, thanks to Ahern and McKenzie. Before the deal could be finalized, the band had to do a live audition for the record-company executives. The duo recruited Goudreau on guitar, bassist Fran Sheehan, and drummer Sib Hashian to create a performing unit that could replicate Scholz's richly layered recordings on stage. According to Scholz, Masdea had insisted on performing a drum solo during the audition. Scholz stated, "The night before we auditioned I was going over a few things, trying to get everybody psyched up, and this guy says, 'You know, I don't think we're going to get this contract unless we have something flashy like a good drum solo right in the middle.' We'd only been working on arrangements and on this set for a month... so we got Sib, whom I'd known for quite awhile." The showcase was a success and the band agreed to put out 10 albums over the next six years.
In addition to the firing of Masdea, the record label insisted that Scholz re-record the demo tapes in a professional studio. However, Scholz wanted to record them in his basement studio so that he could work at his own pace. Scholz and producer John Boylan hatched a plan to send the rest of the band to Los Angeles to make the record label happy, while Scholz recorded most of Boston's debut album at home, with Masdea playing drums on the track "Rock and Roll Band" and Scholz playing the other instruments. The multitrack tapes were then brought to Los Angeles, where Delp added vocals and the album was mixed by Boylan. Then, the band was named "Boston", by suggestion of Boylan and engineer Warren Dewey.
''Boston'' and ''Don't Look Back'' (1976–1978)
The debut album, Boston, released on August 25, 1976, ranks as one of the best-selling debut albums in U.S. history, with over 17 million copies sold.During the late summer and early fall of 1976, Boston attracted publicity due to the record sales. However, according to Cameron Crowe in Rolling Stone, there was "a conscious effort to de-emphasize Scholz as the total mastermind behind Boston". After opening for Black Sabbath, Blue Öyster Cult, Foghat, and others in the fall, the band embarked on a headlining tour in the winter and spring of 1976–1977 to support the album. This helped establish Boston as one of rock's top acts within a short time, and they were nominated for a Grammy Award as Best New Artist. Boston was the first band in history to make their New York City debut at Madison Square Garden.
The album spawned three singles, "More Than a Feeling", "Long Time", and "Peace of Mind", all of which made the national charts. The album peaked at number three on the Billboard 200 and remained on the charts for 132 weeks.
Despite having problems with manager Paul Ahern, being caught in the middle of a fight between Ahern and his business partner Charles McKenzie, and doing most of the recording work alone, Scholz completed the second Boston album two years after the debut album's release. The second album, Don't Look Back, was released by Epic in August 1978. At the time, this was considered a long gap between albums, but Scholz still considered Don't Look Back to be a rush job and was unhappy with the album's second side in particular. Overall, Don't Look Back sold about half as well as the debut album, eventually selling over 7 million records.
Another tour followed, and the album's title track became a top-five hit. Additionally, two other singles, "A Man I'll Never Be" and "Feelin' Satisfied", went top 40 and top 50, respectively. Despite the success, Scholz's relationship with Ahern completely deteriorated. Delayed by technical renovations to his studio, Scholz eventually began the process of working on Boston's third album, determined to complete the album at his own pace and up to his demanding standard.
Solo projects and CBS lawsuit (1979–1985)
In late 1979, Scholz began writing new material, but Boston's former co-manager, Paul Ahern, argued that according to an agreement Scholz had signed years earlier with Ahern, Ahern owned a percentage of all songs Scholz wrote from that point on. Delayed further by the dispute, Scholz suggested that in the meantime, the individual members should work on whatever other projects they might be considering.Goudreau then decided to record a solo album that featured Boston members Delp, who contributed vocals and co-wrote songs on the album, and Sib Hashian, and which was recorded with the help of Paul Grupp, an engineer and producer familiar with Scholz's studio techniques. The album, released in 1980, was titled Barry Goudreau and featured the minor hit single "Dreams". Tension arose when CBS's marketing connected Goudreau's solo album to Boston's signature guitar sound, despite Scholz not having played at all on this album. Scholz objected to the ad copy, but it became irrelevant when Epic dropped promotion on Goudreau's album, citing lack of interest. After a meeting with Scholz, Goudreau was fired from the band in 1981. Brad Delp, at the same meeting, voiced his disapproval and told Scholz that he was quitting Boston, but that he would record and complete the tour for that album. Goudreau then formed Orion the Hunter. After the tour for "Third Stage" ended in 1988, Delp teamed up with Goudreau and recorded the Return to Zero LP.
While Scholz and Delp were recording new material for the third Boston album, CBS filed a $60 million lawsuit against Scholz, alleging breach of contract for failing to deliver a new Boston album on time. During this same period, Scholz founded his high-tech company Scholz Research & Development, which made amplifiers and other musical electronic equipment. Its most famous product, the Rockman amplifier, was introduced in 1982.
The legal trouble slowed progress toward the completion of the next album, which took six years to record and produce. Joining Scholz in the album's development again were Delp and Jim Masdea. In 1985, guitarist Gary Pihl left Sammy Hagar's touring band to work with Scholz as both a musician and an SR&D executive. As CBS v. Scholz played out in court, CBS opted to withhold royalty payments to Scholz, hoping to force him to settle on unfavorable terms. The lawsuit's first round was eventually decided in Scholz's favor, and Scholz moved the band to MCA Records. The CBS case took seven years to run its course, and in April 1990, Scholz won.