Ballets Russes
The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.
Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Konstantin Korovin, Nicholas Roerich, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst, Ivan Bilibin and Coco Chanel.
The company's productions created a huge sensation, completely reinvigorating the art of performing dance, bringing many visual artists to public attention, and significantly affecting the course of musical composition. It also introduced European and American audiences to tales, music, and design motifs drawn from Russian folklore. The company's employment of European avant-garde art went on to influence broader artistic and popular culture of the early twentieth century, not least the development of Art Deco.
Nomenclature
The French plural form of the name, Ballets Russes, specifically refers to the company founded by Sergei Diaghilev and active during his lifetime. In English, the company is now commonly referred to as "the Ballets Russes", although in the early part of the 20th century, it was sometimes referred to as "The Russian Ballet" or "Diaghilev's Russian Ballet". To add to the confusion, some publicity material spelled the name in the singular.The names Ballet Russe de Monte-Carlo and the Original Ballet Russe refer to companies that formed after Diaghilev's death in 1929.
History and productions
Background
, the company's impresario, was chiefly responsible for its success. He was uniquely prepared for the role; born into a wealthy Russian family of vodka distillers, he was accustomed to moving in the upper-class circles that provided the company's patrons and benefactors. It is indispensable to mention the name of the sponsor Winnaretta Singer whose generous financial subsidies ensured the success of Sergei Diaghilev's Ballets Russes in Europe.In 1890, he enrolled at the Faculty of Law, St. Petersburg, to prepare for a career in the civil service like many Russian young men of his class. There he was introduced to a student clique of artists and intellectuals calling themselves The Nevsky Pickwickians whose most influential member was Alexandre Benois; others included Léon Bakst, Walter Nouvel, and Konstantin Somov. From childhood, Diaghilev had been passionately interested in music. However, his ambition to become a composer was dashed in 1894 when Nikolai Rimsky-Korsakov told him he had no talent.
In 1898, several members of The Pickwickians founded the journal Mir iskusstva under the editorship of Diaghilev. As early as 1902, Mir iskusstva included reviews of concerts, operas, and ballets in Russia. The latter were chiefly written by Benois, who exerted considerable influence on Diaghilev's thinking. Mir iskusstva also sponsored exhibitions of Russian art in St. Petersburg, culminating in Diaghilev's important 1905 show of Russian portraiture at the Tauride Palace.
Frustrated by the extreme conservatism of the Russian art world, Diaghilev organized the groundbreaking Exhibition of Russian Art at the Petit Palais in Paris in 1906, the first major showing of Russian art in the West. Its enormous success created a Parisian fascination with all things Russian. Diaghilev organised a 1907 season of Russian music at the Paris Opéra. In 1908, Diaghilev returned to the Paris Opéra with six performances of Modest Mussorgsky's opera Boris Godunov, starring basso Fyodor Chaliapin. This was Nikolai Rimsky-Korsakov's 1908 version. The performances were a sensation, though the costs of producing grand opera were crippling.
Debut
In 1909, Diaghilev presented his first Paris "Saison Russe" devoted exclusively to ballet. Most of this original company were resident performers at the Imperial Ballet of Saint Petersburg, hired by Diaghilev to perform in Paris during the Imperial Ballet's summer holidays. The first season's repertory featured a variety of works chiefly choreographed by Michel Fokine, including Le Pavillon d'Armide, the Polovtsian Dances, Les Sylphides, and Cléopâtre. The season also included Le Festin, a pastiche set by several choreographers to music by several Russian composers.Principal productions
The principal productions are shown in the table below.| Year | Title | Image | Composer | Choreographer | Sets and costumes |
| 1909 | Le Pavillon d'Armide | Nikolai Tcherepnin | Michel Fokine | Alexandre Benois | |
| 1909 | Polovtsian Dances | Alexander Borodin | Michel Fokine | Nicholas Roerich | |
| 1909 | Le Festin | Nikolai Rimsky-Korsakov | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | ||
| 1909 | Le Festin | Mikhail Glinka | Michel Fokine, Marius Petipa | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Le Festin | Pyotr Ilyich Tchaikovsky | Marius Petipa | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Le Festin | Alexander Glazunov | Alexander Gorsky | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Le Festin | Modest Mussorgsky | Michel Fokine | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Le Festin | Mikhail Glinka | Nicolai Goltz, Felix Kchessinsky | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Le Festin | Pyotr Ilyich Tchaikovsky | Michel Fokine | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Le Festin | Alexander Glazunov | Marius Petipa | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Le Festin | Pyotr Ilyich Tchaikovsky | Michel Fokine | Konstantin Korovin Léon Bakst Alexandre Benois Ivan Bilibin | |
| 1909 | Les Sylphides | Frédéric Chopin | Michel Fokine | Alexandre Benois | |
| 1909 | Cléopâtre | Anton Arensky | Michel Fokine | Léon Bakst | |
| 1910 | Carnaval | Robert Schumann | Michel Fokine | Léon Bakst | |
| 1910 | Schéhérazade | Nikolai Rimsky-Korsakov | Michel Fokine | Léon Bakst | |
| 1910 | Giselle | Adolphe Adam | Jean Coralli, Jules Perrot, Marius Petipa, Michel Fokine | Alexandre Benois | |
| 1910 | Les Orientales | Christian Sinding Edvard Grieg | Vaslav Nijinsky '' Michel Fokine | Konstantin Korovin Léon Bakst | |
| 1910 | L'Oiseau de feu | Igor Stravinsky | Michel Fokine | Alexander Golovine Léon Bakst | |
| 1911 | Le Spectre de la rose | Carl Maria von Weber | Michel Fokine | Léon Bakst | |
| 1911 | Narcisse | Nikolai Tcherepnin | Michel Fokine | Léon Bakst | |
| 1911 | Sadko | Nikolai Rimsky-Korsakov | Mikhail Fokine | Boris Anisfeld | |
| 1911 | Petrushka | Igor Stravinsky | Michel Fokine | Alexandre Benois | |
| 1911 | Swan Lake | Pyotr Ilyich Tchaikovsky | Marius Petipa, Lev Ivanov, Michel Fokine | Konstantin Korovin Alexander Golovin | |
| 1912 | L'après-midi d'un faune | Claude Debussy | Vaslav Nijinsky | Léon Bakst | |
| 1912 | Daphnis et Chloé | Maurice Ravel | Michel Fokine | Léon Bakst | |
| 1912 | Le Dieu bleu | Reynaldo Hahn | Michel Fokine | Léon Bakst | |
| 1912 | Thamar | Mily Balakirev based on his symphonic poem Tamara | Michel Fokine | Léon Bakst | |
| 1913 | Jeux | Claude Debussy | Vaslav Nijinsky | Léon Bakst | |
| 1913 | Le sacre du printemps | Igor Stravinsky | Vaslav Nijinsky | Nicholas Roerich | |
| 1913 | Tragédie de Salomé | Florent Schmitt | Boris Romanov | Sergey Sudeykin | |
| 1914 | Les Papillons | Robert Schumann | Mikhail Fokine | Mstislav Doboujinsky | |
| 1914 | La légende de Joseph | Richard Strauss | Michel Fokine | Léon Bakst | |
| 1914 | Le coq d'or | Nikolai Rimsky-Korsakov | Michel Fokine | Natalia Goncharova | |
| 1914 | Le rossignol | Igor Stravinsky | Boris Romanov | Alexandre Benois | |
| 1914 | Midas | Maximilian Steinberg | Michel Fokine | Mstislav Doboujinsky | |
| 1915 | Soleil de Nuit | Nikolai Rimsky-Korsakov | Léonide Massine | Mikhail Larionov | |
| 1916 | Las Meniñas | Gabriel Fauré | Léonide Massine | Josep Maria Sert | |
| 1916 | Kikimora | Anatoly Liadov | Léonide Massine | Mikhail Larionov | |
| 1916 | Till Eulenspiegel | Richard Strauss | Vaslav Nijinsky | Robert Edmond Jones | |
| 1917 | Feu d'Artifice | Igor Stravinsky | Giacomo Balla | ||
| 1917 | Les Femmes de Bonne Humeur | Domenico Scarlatti | Léonide Massine | Léon Bakst | |
| 1917 | Parade | Erik Satie | Léonide Massine | Pablo Picasso | |
| 1919 | La Boutique fantasque | Gioachino Rossini | Léonide Massine | André Derain | |
| 1919 | El sombrero de tres picos | Manuel de Falla | Léonide Massine | Pablo Picasso | |
| 1919 | Les jardins d'Aranjuez | Louis Aubert, Gabriel Fauré, Maurice Ravel, Emmanuel Chabrier | Léonide Massine | Josep Maria Sert | |
| 1920 | Le chant du rossignol | Igor Stravinsky | Léonide Massine | Henri Matisse | |
| 1920 | Pulcinella | Igor Stravinsky | Léonide Massine | Pablo Picasso | |
| 1920 | Ballet de l'astuce féminine or Cimarosiana | Domenico Cimarosa | Léonide Massine | Josep Maria Sert | |
| 1920 | Le sacre du printemps | Igor Stravinsky | Léonide Massine | Nicholas Roerich | |
| 1921 | Chout | Sergei Prokofiev | Léonide Massine | Mikhail Larionov | |
| 1921 | Cuadro Flamenco | Traditional Andalusian music | Pablo Picasso | ||
| 1921 | The Sleeping Beauty | Pyotr Tchaikovsky | Marius Petipa | Léon Bakst | |
| 1922 | Le Mariage de la Belle au Bois Dormant | Pyotr Tchaikovsky | Marius Petipa | Alexandre Benois Natalia Goncharova | |
| 1922 | Mavra | Igor Stravinsky | Bronislava Nijinska | Léopold Survage | |
| 1922 | Renard | Igor Stravinsky | Bronislava Nijinska | Mikhail Larionov | |
| 1923 | Les noces | Igor Stravinsky | Bronislava Nijinska | Natalia Goncharova | |
| 1924 | Les Tentations de la Bergère, ou l'Amour Vainqueur | Michel de Montéclair | Bronislava Nijinska | Juan Gris | |
| 1924 | Le Médecin malgré lui | Charles Gounod | Bronislava Nijinska | Alexandre Benois | |
| 1924 | Les biches | Francis Poulenc | Bronislava Nijinska | Marie Laurencin | |
| 1924 | Cimarosiana | Domenico Cimarosa | Léonide Massine, Bronislava Nijinska | José-María Sert | |
| 1924 | Les Fâcheux | Georges Auric | Bronislava Nijinska | Georges Braque | |
| 1924 | Le train bleu | Darius Milhaud | Bronislava Nijinska | Henri Laurens Gabrielle Chanel Pablo Picasso | |
| 1925 | Zephyr et Flore | Vladimir Dukelsky | Léonide Massine | Georges Braque | |
| 1925 | Le chant du rossignol | Igor Stravinsky | George Balanchine | Henri Matisse | |
| 1925 | Les matelots | Georges Auric | Léonide Massine | Pere Pruna | |
| 1925 | Barabau | Vittorio Rieti | George Balanchine | Maurice Utrillo | |
| 1926 | Roméo et Juliette | Constant Lambert | Bronislava Nijinska | Max Ernst Joan Miró | |
| 1926 | Pastorale | Georges Auric | George Balanchine | Pere Pruna | |
| 1926 | Jack in the Box | Erik Satie | George Balanchine | André Derain | |
| 1926 | The Triumph of Neptune | Lord Berners | George Balanchine | Pedro Pruna | |
| 1927 | La chatte | Henri Sauguet | George Balanchine | Naum Gabo | |
| 1927 | Mercure | Erik Satie | Léonide Massine | Pablo Picasso | |
| 1927 | Le pas d'acier | Sergei Prokofiev | Léonide Massine | Georgy Yakulov | |
| 1928 | Ode | Nikolai Nabokov | Léonide Massine | Pavel Tchelitchev | |
| 1928 | Apollon musagète | Igor Stravinsky | George Balanchine | André Bauschant Coco Chanel | |
| 1928 | The Gods Go A-Begging | George Frederic Handel | George Balanchine | Léon Bakst Juan Gris | |
| 1929 | Le Bal | Vittorio Rieti | George Balanchine | Giorgio de Chirico | |
| 1929 | Renard | Igor Stravinsky | Serge Lifar | Mikhail Larionov | |
| 1929 | Le fils prodigue | Sergei Prokofiev | George Balanchine | Georges Rouault |