Ashvamedha


The Ashvamedha was a horse sacrifice ritual followed by the Śrauta tradition of Vedic religion. It was used by ancient Indian kings to prove their imperial sovereignty: a horse accompanied by the king's warriors would be released to wander for a year. In the territory traversed by the horse, any rival could dispute the king's authority by challenging the warriors accompanying it. After one year, if no enemy had managed to kill or capture the horse, the animal would be guided back to the king's capital. It would be then sacrificed, and the king would be declared as an undisputed sovereign.
The ritual is recorded as being held by many ancient rulers, but apparently only by two in the last thousand years. The most recent ritual was in 1741, the second one held by Maharajah Jai Singh II of Jaipur.
The original Vedic religion had evidently included many animal sacrifices, as had the various folk religions of India. Brahminical Hinduism had evolved opposing animal sacrifices, which have not been the norm in most forms of Hinduism for many centuries. The great prestige and political role of the Ashvamedha perhaps kept it alive for longer.

The sacrifice

The Ashvamedha could only be conducted by a powerful victorious king. Its object was the acquisition of power and glory, the sovereignty over neighbouring provinces, seeking progeny and general prosperity of the kingdom. It was enormously expensive, requiring the participation of hundreds of individuals, many with specialized skills, and hundreds of animals, and involving many precisely prescribed rituals at every stage.
The horse to be sacrificed must be a white stallion with black spots. The preparations included the construction of a special "sacrificial house" and a fire altar. Before the horse began its travels, at a moment chosen by astrologers, there was a ceremony and small sacrifice in the house, after which the king had to spend the night with the queen, but avoiding sex.
The next day the horse was consecrated with more rituals, tethered to a post, and addressed as a god. It was sprinkled with water, and the Adhvaryu, the priest and the sacrificer whispered mantras into its ear. A "four-eyed" black dog was killed with a club made of Sidhraka wood, then passed under the horse, and dragged to the river from which the water sprinkled on the horse had come and set to flow south. The horse was then set loose towards the north-east, to roam around wherever it chose, for the period of one year, or half a year, according to some commentators. The horse was associated with the Sun, and its yearly course. If the horse wandered into neighbouring provinces hostile to the sacrificer, they were to be subjugated. The wandering horse was attended by a herd of a hundred geldings, and one or four hundred young kshatriya men, sons of princes or high court officials, charged with guarding the horse from all dangers and inconvenience, but never impeding or driving it.
The escort had to prevent the stallion from mating with any mares during its journey, and if he did, an oblation of milk was performed to Vāyu. If the horse became ill with injury, an oblation of pap to Pūṣan. If he became ill without injury, then an oblation of cake to Agni Vaiśvānara. If he was afflicted with eye disease, an oblation to Sūrya. If the horse drowned, an oblation was performed to Varuṇa. If the horse was lost, an oblation of cake, potsherd, and three other dishes to the deities of heaven and earth, along with an oblation of milk to Vāyu and pap to Sūrya. If the horse died, then another was selected and consecrated to replace it. During the absence of the horse, an uninterrupted series of ceremonies was performed in the sacrificer's home. Every day, three Sāvitreṣṭi rites and one evening Dhṛtihoma would be conducted by the priests. In the evening after the Dhṛtihoma, two Brahmin and two Kshatriya bards and lutists would praise the patron king's generosity, who gave 4,000 cows and 400 gold coins to the priests on the first day of the sacrifice. Then a session of pariplavākhyāna took place. The pariplāvana was the cyclical recitation of tales, in which one out of ten topics would be discussed each night, with 36 cycles of the ten topics. The tales were witnessed by an audience of onlookers called the upadrāṣṭṛ, who attended in their free time.
After the return of the horse, more ceremonies were performed for a month before the main sacrifice. Twelve days of dīkṣā rites took place, and then twelve days of upasad. The dīkṣā rite was a preparatory consecration rite performed before sacrifices. It consisted of a preliminary oblation, and then the king would bathe, dress in black antelope skin, and sit on another skin in a hut in front of a fire, fasting in silence with a covered head and sleeping on the ground. The upasad was a multiday ceremony that precedes Soma sacrifices. It consisted of the acquisition and welcoming of Soma and the construction of various structures needed for the sacrifice, along with the sacrifice of a goat.
On the twenty-fifth day, the agniṣṭoma was performed. The agniṣṭoma was the main part of the Soma sacrifice. In the morning pressing, the soma was pressed out and offered along with "rice cakes, parched barley, flour in sour milk, parched rice, and a hot mixture of milk and sour milk". During the pressings and oblations, five musical chants were sung and five recitations were chanted. The priests then partook in the drinking of the soma and the twelve oblations to the seasons, and the sacrifice of a goat to Agni. The midday pressing was similar and dedicated to Indra, and dakshina was also distributed on that day to the priests consisting of a varying multitude of cows. At the evening pressing only two musical chants were sung and two recitations chanted. Then proceeded the conclusory libations to the "yoking of the bay horses" and the sun, followed by the Avabhṛtha. The Avabhṛtha was the "unpurificatory" bathing of the sacrificer at the end of the sacrifice. After an antelope skin was put in the water body, the king, his wife, and the priests ritually bathe. Afterwards a sterile cow or eleven other animals are sacrificed. Throughout the entire night, the annahoma was performed at the Uttaravedi. It consists of an oblation of clarified butter, fried rice, fried barley, and fried grain.
On the twenty-sixth day, the king was ritually purified, and the horse was yoked to a gilded chariot, together with three other horses, and Rigveda 1.6.1,2 was recited. The horse was then driven into water and bathed. After this, it was anointed with ghee by the chief queen and two other royal consorts. The chief queen anointed the fore-quarters, the favorite wife the middle, and the discarded wife the hindquarters. They also embellished the horse's head, neck, and tail with golden ornaments and 101 or 109 pearls. After this, the horse, a hornless black-necked he-goat, and a Gomṛga were bound to sacrificial stakes near the fire, and seventeen other animals were attached with ropes to the horse. The he-goat dedicated to Agni was attached to the horse's chest. A ewe dedicated to Sarasvatī was attached under the horse's mouth. Two black-bellied he-goats dedicated to the Aśvins were tied to the horse's front legs. A dark grey he-goat dedicated to Soma-Pūṣan was attached underneath the horse. On the two sides of the horse were attached a black goat to Sūrya and a white goat to Yama. Two goats with shaggy thighs were dedicated to Tvaṣṭar. A white goat dedicated to Vāyu was attached to the tail. A cow about to give birth was dedicated to Indra, and a dwarfish cow was dedicated to Viṣṇu. A great number of animals, both tame and wild, were tied to other stakes, according to one commentator, 609 in total. The sacrificer offered the horse the remains of the night's oblation of grain. The horse was then suffocated to death.
The chief queen ritually called on the king's fellow wives for pity. The queens walked around the dead horse reciting mantras and obscene dialogue with the priests. The chief queen then had to spend the night beside the dead horse in a position mimicking sexual intercourse and was covered with a blanket.
On the next morning, the priests raised the queen from the place. One priest cut the horse along the "knife-paths" while other priests started reciting the verses of Vedas, seeking healing and regeneration for the horse. The horse's epiploon along with soma are offered in an oblation, and the priests dismember the horse and other animal victims with an oblation of their blood. On the third day an Atirātra was performed. The Atirātra was a Soma sacrifice in which there was a nocturnal session where soma was drunk. Afterwards an Avabhṛtha takes place. However, in the Ashvamedha sinners and criminals also take part in the purificatory bathing. Afterwards twenty-one sterile cows are sacrificed, and the dakshina was distributed to the priests. The main dakshina forms either the four wives of the king or their four hundred attendants.
The Laws of Manu refer to the Ashvamedha : "The man who offers a horse-sacrifice every day for a hundred years, and the man who does not eat meat, the two of them reap the same fruit of good deeds."

Mentions in Hindu epics

''Mahabharata''

The best-known text describing the sacrifice is the Ashvamedhika Parva, or the "Book of Horse Sacrifice," the fourteenth of eighteen books of the Indian epic poem Mahabharata. Krishna and Vyasa advise King Yudhishthira to perform the sacrifice, which is described at great length. The book traditionally comprises two sections and 96 chapters. The critical edition has one sub-book and 92 chapters.

''Ramayana''

Balakanda, the first book of the Ramayana by Valmiki, mentions a horse sacrifice performed at the behest of King Dasharatha, the father of Rama.

On Gupta coins

One type of the gold coins of the Gupta Empire kings Samudragupta and Kumaragupta commemorates their Ashvamedha sacrifices. The obverse shows the horse anointed and decorated for sacrifice, standing in front of a Yūpa sacrificial post, and is inscribed "The king of kings who has performed the Vajimedha sacrifice wins heaven after protecting the earth". The reverse shows a standing figure of the queen, holding a fan and a towel, and is inscribed "Powerful enough to perform the Ashvamedha sacrifice".