Boys' love fandom
, a genre of male-male homoerotic media originating in Japan that is created primarily by and for women, has a robust global fandom. Individuals in the BL fandom may participate in activities such as attending conventions, creating and/or posting to fansites, and creating fan works such as fan fiction and fan art.
In Japan, fans of BL are referred to as. Translating literally to "rotten woman" or "rotten girl", used by BL fans as a self-deprecating identity label. The term later emerged to describe male fans of BL.
Demographics
Most BL fans are either teenage girls or young women. The female readership in Thailand is estimated at 80%, and the membership of Yaoi-Con, a convention in San Francisco, is 85% female. It is usually assumed that all female fans are heterosexual, but in Japan there is a presence of lesbian manga authors and lesbian, bisexual, other or questioning female readers. Recent online surveys of English-speaking readers of BL indicate that 50-60% of female readers self-identify as heterosexual. It has been suggested that Western fans may be more diverse in their sexual orientation than Japanese fans and that Western fans are "more likely to link" BL to supporting gay rights. Much like the BL readership base, the majority of BL fanfiction writers are also believed to be heterosexual women. The reasoning behind this trend is sometimes attributed to patriarchy- that women who write BL fanfiction are in fact acting out heterosexual fantasies through these male figures.Although the genre is marketed at women and girls, men of all sexualities also form part of the readership. In one library-based survey of U.S. yaoi fans, about one quarter of respondents were male; online surveys of Anglophone readers place this percentage at about 10%. Lunsing suggests that younger Japanese gay men who are offended by gay men's magazines' "pornographic" content may prefer to read yaoi instead.
That is not to say that the majority of homosexual men are fans of the genre, as some are put off by the feminine art style or unrealistic depictions of homosexual life and instead seek "Gei comi", manga written by and for homosexual men, as gei comi is perceived to be more realistic. Lunsing notes that some of the narrative annoyances that homosexual men express about yaoi manga, such as rape, misogyny, and an absence of a Western-style gay identity, are also present in gei comi. Some male manga artists have produced yaoi works, using their successes in yaoi to then go on to publish gei comi.
Authors of BL present themselves as "fellow fans" by using dust jacket notes and postscripts to chat to the readers "as if they were her girlfriends" and talk about the creative process in making the manga and what she discovered she liked about the story she wrote.
Numbers
In the mid-1990s, estimates of the size of the Japanese yaoi fandom were at 100,000-500,000 people; at around that time, the long-running yaoi anthology June had a circulation of between 80,000 and 100,000, twice the circulation of the "best-selling" gay lifestyle magazine Badi. Most Western yaoi fansites "appeared some years later than pages and lists devoted to mainstream anime and manga". As of 1995, they "revolved around the most famous series", such as Ai no Kusabi and Zetsuai 1989; and by the late 1990s, English-speaking websites mentioning yaoi "reached the hundreds". As of 2003, on Japanese-language internet sites, there were roughly equal proportions of sites dedicated to yaoi as there were sites by and for gay men about homosexuality. On 16 November 2003, there were 770,000 yaoi websites. As of April 2005, a search for non-Japanese sites resulted in 785,000 English, 49,000 Spanish, 22,400 Korean, 11,900 Italian and 6,900 Chinese sites. In January 2007, there were approximately five million hits for 'yaoi'. Hisako Miyoshi, the vice editor-in-chief for Libre Publishing's manga division, said in a 2008 interview that although Boys Love is more well known to the general public, the number of readers remains limited, which she attributes to the codified nature of the genre.Events
Fan preferences
Thorn noted that while some fans like both equally, fans tend to either prefer BL or non-BL shōjo manga. and Suzuki noted BL fans have a preference for BL over other forms of pornography, for example, heterosexual love stories in ladies' comics. Jessica Bawens-Sugimoto feels that in general, "slash and yaoi fans are dismissive of mainstream hetero-sexual romance", such as "the notorious pulp Harlequin romances". Deborah Shamoon said that "the borders between yaoi, shōjo manga and ladies' comics are quite permeable", suggesting that fans of BL probably enjoyed both homosexual and heterosexual tales. Kazuma Kodaka, in an interview with Giant Robot, suggested that the Japanese yaoi fandom includes married women who had been her fans since they were in college. Dru Pagliassotti's survey indicates that loyalty to an author is a common factor in readers' purchase decisions. Yōka Nitta has noted a split in what her readers want - her younger readers prefer seeing explicit material, and her older readers prefer seeing romance. There is a perception that the English-speaking yaoi fandom is demanding increasingly explicit content, but that this poses problems for retailers. In 2004, ICv2 noted that fans seemed to prefer buying yaoi online. Andrea Wood suggests that due to restrictions placed on the sale of yaoi, many Western teenage fans seek more explicit titles via scanlations. Dru Pagliassotti notes that the majority of respondents to her survey say that they first encountered BL online, which she links to half of her respondents reporting that they get most of their BL from scanlations. In 2003, there were at least five BL scanlation groups. Japanese fan practices in the mid to late 2000s included the concept of the feeling of moe, which was typically used by male otaku about young female characters prior to this.Robin Brenner and Snow Wildsmith noted in their survey of American fans that gay and bisexual male fans of yaoi preferred more realistic tales than female fans did.
Shihomi Sakakibara argued that yaoi fans, including himself, were homosexually oriented female-to-male transgender people. Akiko Mizoguchi believes there is a "shikou", both towards BL/yaoi as a whole, and towards particular patterns within the genre, such as a "feisty bottom " character type. Her study shows that fans believe that in order to be "serious" fans, they should know their own preferences, and "consider themselves a sort of sexual minority". She argues that the exchange of sexual fantasies between the predominantly female yaoi fandom can be interpreted to mean that although the participants may be heterosexual in real life, they can also and compatibly be considered "virtual lesbians". Patrick Galbraith suggests that androgynous beautiful boys contribute to the appeal of yaoi amongst women who are heterosexual, lesbian or transgender.
The small Taiwanese BL fandom has been noted to be against real-person BL fanfiction, banning it from their message board.
''Fujoshi'' and ''fudanshi''
Fujoshi is a Japanese term for female fans of manga, anime and novels that feature romantic relationships between men. The label encompasses fans of the yaoi genre itself, as well as the related manga, anime and video game properties that have appeared as the market for such works has developed. The term "fujoshi" is a homophonous pun on fujoshi, meaning "woman", created by replacing the character fu for woman, with the character fu for rotten. The name was coined by 2channel in the early 2000s, where it was used in a self-deprecating fashion. The term carries a sense of being a "fallen woman". An issue of Yureka which examined fujoshi in detail in 2007 contributed to the spread of the term.Older fujoshi use various terms to refer to themselves, including as kifujin, a pun on a homophonous word meaning "fine lady", and ochōfujin, which sounds similar to a phrase meaning "Madame Butterfly", possibly taken from a character nicknamed Ochōfujin in the 1972 manga series Ace o Nerae! by Sumika Yamamoto.
According to a 2005 issue of Eureka, in recent times fujoshi can refer to female otaku in general, although it cautions that not all yaoi fans are otaku, as there are some more casual readers. As fujoshi is the best-known term, it is often used by the Japanese media and by people outside of the otaku subculture to refer to female otaku as a group, regardless of whether they are fans of yaoi or not. This usage may be considered offensive by female otaku who are not yaoi fans.
Men who, like fujoshi, enjoy imagining relationships between characters in fictional works when that relationship is not part of the author's intent may be called fudanshi or fukei, both of which are puns of similar construction to fujoshi. Bara manga author Gengoroh Tagame has said that men may choose a fudanshi label because it is more socially acceptable than coming out as gay. However, the sexual orientation of fudanshi is not necessarily gay, as heterosexuals also enjoy reading BL. There also exists a lesser known gender-neutral version used by nonbinary or x-gender people, fujin.
Around 2020, fans began adopting the term "shipper" from English-speaking fandoms for its versatility, as it could be used for fan-preferred pairings of different genders.