Wondergraph
Wondergraph, Wondergraph Theatre and variations were names given first to a technology, and then to picture theatres run first by the Continental Wondergraph Company ; and then, in Adelaide, South Australia, by the Wondergraph Company, and then the Greater Wondergraph Company, established around 1911 and in existence until 1939.
The Continental Wondergraph Company was registered in Perth in early 1910, and later that year set up an open-air cinema in Semaphore. This was followed in 1911 by the Wondergraph Theatre, an indoor picture theatre in Goodwood.
The Greater Wondergraph Company was established in Adelaide around 1911 by a group of South Australian men led by Mandel Finkelstein, who built the first Wondergraph picture theatre in Hindley Street in 1912–13, and over time built a cinema chain in the city and suburbs. In September 1920 Dan Clifford bought some of Wondergraph's suburban cinemas. The Greater Wondergraph Company finally went into liquidation in 1942, after selling their remaining interests to S.A. Theatres in 1939.
Company history
November 1909: arrival in Perth
The Continental Wondergraph Company is first mentioned in newspapers in Australia on 10 November 1909 in Perth, Western Australia, when they announced the presentation at the Theatre Royal, for the first time in Australia, a new technology, "claimed to be the latest development of animated art. The pictures, which are presented on a silver wall instead of on a linen screen, are, it is stated, greatly intensified, and presented more clearly and more distinctly in their every outline. Three different apparatus are said to be utilised to produce the remarkable mechanical and artistic effects. The Wondergraph is declared to be a perfected cinematograph and phonograph combined, and differs from all other shows of the kind in that the dramatic dancing and singing pictures are presented not in a dark, but in a lighted room". It was the company's intention to have a limited season in Perth before proceeding to the eastern states.A Mr K. Luttgens was the director, and Mr T. Baar the general manager, and both arrived in the "Koningen Louise" on 8 November 1909. A later court case revealed that there were six partners in the firm when they came out from Germany, including W. H. Bruce in Australia.
In January 1910 Wondergraph gave exhibitions in Kalgoorlie. In March 1910 the "Continental Wondergraph Company, Ltd., of £1,250, in 25 shares of £50 each" was registered at the Supreme Court of Western Australia, with an office at 11 William Street, Perth.
At some point the partnership with W. H. Bruce was dissolved in Western Australia, in an agreement whereby Bruce took 140 films to Adelaide and 70 to Broken Hill, New South Wales. In April 1910, at a scheduled showing of Wondergraph films in Broken Hill by Bruce, "much disappointment was expressed at the non-appearance of the 'Wondergraph Talking and Singing Machine'", owing to the failure of a piece of equipment. In Adelaide in June 1910, Bruce sued the Continental Wondergraph company for breach of contract. The parties agreed to a settlement whereby Bruce was paid £50. In July 1910, Bruce was showing "Bruce's pictures in the suburbs", with screenings at Unley and Semaphore, and as late as July 1912 Bruce was showing films at the Lyric Theatre in Grote Street.
May 1910: Adelaide
On Saturday 14 May 1910, Luttgens and Baar began a seven-night season of screenings at the Adelaide Town Hall, using "finest and best process extant", including a technique known as "Fata Morgana", showing moving pictures in colour, accompanied by a full theatre orchestra. The same show was then given at Port Adelaide in the following week. They continued to give showings at the Port Adelaide Town Hall every Friday night in June 1910.In September 1910, Mendel Finkelstein was selling "a large quantity of surplus outfit from the Continental Wondergraph Company", including projectors and many films, from his company at Bank Street, Adelaide. A couple of days later, he posted an ad saying "WANTED, Building Site, Port Adelaide, suitable for Picture Hall, or a suitable Building... Full particulars to Wondergraph Company, c/o Finkelstein & Co., Bank-street". In October 1910, the abridged prospectus for a new company was published, being Wondergraph Limited, with capital of £8,000, to be divided into 150 shares of £20 each. The directors were M. Finkelstein, C. B. Ware, W. O. McAulay, J. M. Hinton, and one other, to be elected at the first meeting. This new company was created to take over from Finkelstein all his rights and assets in the Continental Wondergraph Company, including the patents for the "Silver Wall" and "Fata Morgana" technologies, and also sites at Semaphore and Glenelg, with the intention of constructing a "Plcturedrome" and tea garden on these sites and elsewhere. It was also intended to build new halls for showing films and other entertainments. The company proved a great success showing movies at the Adelaide Town Hall, which soon proved too small to accommodate the demand for the new "moving pictures".
In July 1911, a prospectus for a new company, the Greater Wondergraph Company, was published, with Capital of £50,000, divided into 50,000 Shares of £1 each. The directors of this company were Finkelstein, Charles Boxer Ware, and three more to be elected. The purpose of this new company was "to acquire and take over from the present Company, Wondergraph Limited" and to have the option to purchase part of Town Acre 673 on Hindley Street, opposite the Theatre Royal, on which they would demolish the present buildings and build a new modern picture theatre. It would also acquire the name and the two new technologies associated with the former Wondergraph company, which had showed a profit on its paid-up capital of 140%. The company held its first half-yearly meeting in February 2012. The company was floated, raising enough money to build the Wondergraph Theatre in Hindley Street in 1912.
On Saturday 2 December 1911, Wondergraph opened its new "Picture Pavilion" opposite the Exhibition Building on North Terrace, a seated outdoor picture theatre, with its screen made of "reinforced concrete and covered with a patent cement", the largest of its type in the country. A full orchestra would accompany the short film, A Doll's House, based on Ibsen's play and starring Marie Eline, William Russell and Marguerite Snow. The venue continued to operate for several years until at least 1919, lending itself to other uses as well.
Around the time the group bought the York Theatre in Rundle Street, Nat Solomons succeeded Edward Povey as chairman of the board. Solomons was a London-born tobacco merchant, who later served as alderman and then mayor of the Kensington and Norwood Council.
1920: acquisitions by Clifford
In September 1920 Dan Clifford bought Wondergraph's suburban circuit, which included cinemas at Unley, Goodwood, and Semaphore.Nat Solomons was still chairman of Greater Wondergraph in December 1924.
In October 1936, there were two cinemas in Semaphore: the Semaphore Cinema, run by Ozone Theatres, and the Wondergraph Semaphore, which had retained its name despite then being operated by the Star circuit.
1938–9: sale to S.A. Theatres
In January 1937 Solomons was still chairman, although had just been ill for 10 weeks.After striking a deal worth £200,000 with S.A. Theatres, in March 1938, the Greater Wonderaph Company sold its assets to the company, including the Civic and York Theatres in the city, as well as the Wondergraph theatres at Unley and Goodwood. In September 1939, the sale was effected, with Wondergraph distributing the proceeds among its shareholders. The company finally went into liquidation in late 1942.
In August 1947, S.A. Theatres sold the Civic Theatre to Greater Union, who were leasing the theatre at the time.
Theatres
Semaphore
Various cinemas were operated by the Continental Wondergraph Company and the Greater Wondergraph company in the seaside town of Semaphore.The Continental Wondergraph Company bought land at Semaphore in September 1910, intending to establish a tea garden and open-air cinema. On Monday 26 December, the Wondergraph company gave the inaugural screening at its "Picturedrome". Situated on the esplanade, the seating faced the sea, and although the construction of the kiosk and tea garden had been delayed, the screening went ahead. Several silent films were projected onto a solid concrete "silver wall" by "a new invention which enables the subjects to be shown without flicker or glare". The Picturedrome, which seated 1,000 patrons, was adjacent to the Customs Boarding Station, which still stands today, on the corner of the Esplanade and Semaphore Road. It was also referred to as the Semaphore Wondergraph.
A scheme to enclose the Picturedrome was advertised in November 1914, but this was apparently not concluded. Films were last advertised as being shown there at the end of summer in March 1915. In December 1917, an advertisement refers to the "Semaphore Wondergraph Residential Cafe", right opposite the beach, for short stays.
The Greater Wondergraph Company started showing films at the Semaphore Town Hall by mid-1912, which was also referred to as the Semaphore Wondergraph. In July 1912, a film of the British Antarctic Expedition led by Captain Scott was shown at this Semaphore Wondergraph.