W. H. Auden
Wystan Hugh Auden was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes, such as "For the Time Being" and "Horae Canonicae".
Auden was born in York and grew up in and near Birmingham in a professional, middle-class family. He attended various English independent schools and studied English at Christ Church, Oxford. After a few months in Berlin in 1928–29, he spent five years teaching in British private preparatory schools. In 1939, he moved to the United States; he became an American citizen in 1946, retaining his British citizenship. Auden taught from 1941 to 1945 in American universities, followed by occasional visiting professorships in the 1950s.
Auden came to wide public attention in 1930 with his first book, Poems; it was followed in 1932 by The Orators. Three plays written in collaboration with Christopher Isherwood between 1935 and 1938 built his reputation as a left-wing political writer. Auden moved to the United States partly to escape this reputation, and his work in the 1940s, including the long poems "For the Time Being" and "The Sea and the Mirror", focused on religious themes. He won the Pulitzer Prize for Poetry for his 1947 long poem The Age of Anxiety, the title of which became a popular phrase describing the modern era. From 1956 to 1961, he was Professor of Poetry at Oxford; his lectures were popular with students and faculty and served as the basis for his 1962 prose collection The Dyer's Hand.
Auden was a prolific writer of prose essays and reviews on literary, political, psychological, and religious subjects, and he worked at various times on documentary films, poetic plays, and other forms of performance. Throughout his career he was both controversial and influential. Critical views on his work ranged from sharply dismissive to strongly affirmative. After his death, his poems became known to a much wider public through films, broadcasts, and popular media.
Life
Childhood
Auden was born at 54 Bootham, York, England, to George Augustus Auden, a physician, and Constance Rosalie Auden, who had trained as a missionary nurse. He was the third of three sons; the eldest, George Bernard Auden, became a farmer, while the second, John Bicknell Auden, became a geologist. The Audens were minor gentry with a strong clerical tradition, originally of Rowley Regis, later of Horninglow, Staffordshire.Auden, whose grandfathers were both Church of England clergymen, grew up in an Anglo-Catholic household that followed a "high" form of Anglicanism, with doctrine and ritual resembling those of Catholicism. He traced his love of music and language partly to the church services of his childhood. He believed he was of Icelandic descent, and his lifelong fascination with Icelandic legends and Old Norse sagas is evident in his work.
His family moved to Homer Road in Solihull, near Birmingham, in 1908, where his father had been appointed the School Medical Officer and Lecturer of Public Health. Auden's lifelong psychoanalytic interests began in his father's library. From the age of eight he attended boarding schools, returning home for holidays. His visits to the Pennine landscape and its declining lead-mining industry figure in many of his poems; the remote decaying mining village of Rookhope was for him a "sacred landscape", evoked in a late poem, "Amor Loci". Until he was fifteen he expected to become a mining engineer, but his passion for words had already begun. He wrote later: "words so excite me that a pornographic story, for example, excites me sexually more than a living person can do."
Education
Auden attended St Edmund's School, Hindhead, Surrey, where he met Christopher Isherwood, later famous in his own right as a novelist. At thirteen he went to Gresham's School in Holt, Norfolk; there, in 1922, when his friend Robert Medley asked him if he wrote poetry, Auden first realised his vocation was to be a poet. Soon after, he "discover that he lost his faith". In school productions of Shakespeare, he played Katherina in The Taming of the Shrew in 1922, and Caliban in The Tempest in 1925, his last year at Gresham's. A review of his performance as Katherina noted that despite a poor wig, he had been able "to infuse considerable dignity into his passionate outbursts".His first published poems appeared in the school magazine in 1923. Auden later wrote a chapter on Gresham's for Graham Greene's The Old School: Essays by Divers Hands.
In 1925 he went up to Christ Church, Oxford, with a scholarship in biology; he changed to English by his second year, and was introduced to Old English poetry through the lectures of J. R. R. Tolkien. Friends he met at Oxford include Cecil Day-Lewis, Louis MacNeice, and Stephen Spender – Auden and these three were commonly though misleadingly identified in the 1930s as the "Auden Group" for their shared left-wing views. Auden left Oxford in 1928 with a third-class degree.
Auden was reintroduced to Christopher Isherwood in 1925 by his fellow student A. S. T. Fisher. For the next few years Auden sent poems to Isherwood for comments and criticism; the two maintained a sexual friendship in intervals between their relations with others. In 1935–39 they collaborated on three plays and a travel book.
From his Oxford years onward, Auden's friends uniformly described him as funny, extravagant, sympathetic, generous, and, partly by his own choice, lonely. In groups he was often dogmatic and overbearing in a comic way; in more private settings he was diffident and shy except when certain of his welcome. He was punctual in his habits, and obsessive about meeting deadlines, while living amidst physical disorder.
Britain and Europe, 1928–1938
In late 1928, Auden left Britain for nine months, going to Berlin, perhaps partly as an escape from English repressiveness. In Berlin, he first experienced the political and economic unrest that became one of his central subjects. Around the same time, Stephen Spender privately printed a small pamphlet of Auden's Poems in an edition of about 45 copies, distributed among Auden's and Spender's friends and family; this edition is usually referred to as Poems to avoid confusion with Auden's commercially published 1930 volume.On returning to Britain in 1929 he worked briefly as a tutor. In 1930 his first published book, Poems, was accepted by T. S. Eliot for Faber and Faber, and the same firm remained the British publisher of all the books he published thereafter. In 1930, he began five years as a schoolmaster in boys' schools: two years at the Larchfield Academy in Helensburgh, Scotland, then three years at the Downs School in the Malvern Hills, where he was a much-loved teacher. At the Downs, in June 1933, he experienced what he later described as a "Vision of Agape", while sitting with three fellow teachers at the school, when he suddenly found that he loved them for themselves, that their existence had infinite value for him; this experience, he said, later influenced his decision to return to the Anglican Church in 1940.
During these years Auden's erotic interests focused, as he later said, on an idealised "Alter Ego" rather than on individual people. His relationships tended to be unequal either in age or intelligence; his sexual relations were transient, although some evolved into long friendships. He contrasted these relationships with what he later regarded as the "marriage" of equals that he began with Chester Kallman in 1939, based on the unique individuality of both partners.
In 1935 Auden married Erika Mann, the bisexual novelist daughter of Thomas Mann, when it became apparent that the Nazis were intending to strip her of her German citizenship. Mann had asked Christopher Isherwood if he would marry her so she could become a British subject. He declined but suggested she approach Auden, who readily agreed to a marriage of convenience. Mann and Auden never lived together, but remained on good terms throughout their lives and were still married when Mann died in 1969. She left him a small bequest in her will. In 1936, Auden introduced actress Therese Giehse, Mann's lover, to the writer John Hampson, and they too married so that Giehse could leave Germany.
From 1935 until he left Britain early in 1939, Auden worked as freelance reviewer, essayist, and lecturer, first with the GPO Film Unit, a documentary film-making branch of the post office, headed by John Grierson. Through his work for the Film Unit in 1935 he met and collaborated with Benjamin Britten, with whom he also worked on plays, song cycles, and a libretto. Auden's plays in the 1930s were performed by the Group Theatre, in productions that he supervised to varying degrees.
His work now reflected his belief that any good artist must be "more than a bit of a reporting journalist". In 1936, Auden spent three months in Iceland where he gathered material for a travel book Letters from Iceland, written in collaboration with Louis MacNeice. In 1937, he went to Spain intending to drive an ambulance for the Republic in the Spanish Civil War, but was put to work writing propaganda at the Republican press and propaganda office, where he felt useless and left after a week. He returned to England after a brief visit to the front at Sarineña. His seven-week visit to Spain affected him deeply, and his social views grew more complex as he found political realities to be more ambiguous and troubling than he had imagined. Again attempting to combine reportage and art, he and Isherwood spent six months in 1938 visiting China amid the Sino-Japanese War, working on their book Journey to a War. On their way back to England they stayed briefly in New York and decided to move to the United States. Auden spent late 1938 partly in England, partly in Brussels.
Many of Auden's poems during the 1930s and after were inspired by unconsummated love, and in the 1950s he summarised his emotional life in a famous couplet: "If equal affection cannot be / Let the more loving one be me". He had a gift for friendship and, starting in the late 1930s, a strong wish for the stability of marriage; in a letter to his friend James Stern he called marriage "the only subject." Throughout his life, Auden performed charitable acts, sometimes in public, as in his 1935 marriage of convenience to Erika Mann, but, especially in later years, more often in private. He was embarrassed if they were publicly revealed, as when his gift to his friend Dorothy Day for the Catholic Worker movement was reported on the front page of The New York Times in 1956.