Vexilla regis prodeunt
Vexilla regis prodeunt is a Latin hymn in long metre by the Christian poet and saint Venantius Fortunatus, Bishop of Poitiers. It takes its title from its incipit.
In modern English usage, it is sung to a variety of tunes, although the original plainsong melody is the most common variant.
History
The hymn was first sung for the procession of a relic of the True Cross, that was sent by Byzantine Emperor Justin II from the East at the request of St. Radegunda, and was carried in great pomp from Tours to her monastery of Saint-Croix at Poitiers.Its original processional use is commemorated in the Roman Missal on Good Friday, when the Blessed Sacrament is carried in procession from the Repository to the High Altar. Its principal use is in the Divine Office, with the Roman Breviary assigning it to Vespers from the Saturday before Passion Sunday daily to Maundy Thursday, and to Vespers of the Feast of the Exaltation of the Holy Cross, and in the pre-Vatican II Breviary also for the Feast of the Finding of the True Cross, and of the Triumph of the Holy Cross.
Textual variations
Originally the hymn comprised eight stanzas. In the tenth century, stanzas 7 and 8 were gradually replaced by new ones, although they were still retained in some places.In the seventeenth century the correctors of the Breviary under Urban VIII revised the whole hymn in the interest of classical prosody. The Commission on Plain Chant under Pius X restored the ancient form of the text. The Graduale Romanum gives only the ancient form of the hymn, while the Antiphonary gives only the revised form. The Processionale gives both forms.
There exist multiple variants of the common English translation, originally by John Mason Neale in 1851.
Original text
Revised text
"Vexilla" has been interpreted symbolically to represent baptism, the Eucharist, and the other sacraments. Clichtoveus explains that as vexilla are the military standards of kings and princes, so the vexilla of Christ are the cross, the scourge, the lance, and the other instruments of the Passion "with which He fought against the old enemy and cast forth the prince of this world". Johann Wilhelm Kayser dissents from both, and shows that the vexillum is the cross which surmounted, under Constantine, the old Roman cavalry standard. This standard became in Christian hands a square piece of cloth hanging from a bar placed across a gilt pole, and having embroidered on it Christian symbols instead of the old Roman devices.
The splendour and triumph suggested by the first stanza can be appreciated fully only by recalling the occasion when the hymn was first sung — the triumphant procession from the walls of Poitiers to the monastery with bishops and princes in attendance and with all the pomp and pageantry of a great ecclesiastical function. "And still, after thirteen centuries, how great is our emotion as these imperishable accents come to our ears!". There are about forty translations into English verse.
Settings
Vexilla regis prodeunt appears in several modern hymnals. In the Church of England it was included in William Henry Monk's 1861 hymnbook, Hymns Ancient and Modern. In 1906 Percy Dearmer and Ralph Vaughan Williams included it in The English Hymnal, and the hymn was retained in the successor volume, The New English Hymnal. In North America, the hymn is also published in Lutheran Worship. In German-speaking countries, the hymn can be found in the Catholic hymnal Gotteslob as "Der König siegt, sein Banner glänzt".In addition to the original plainchant, the hymn is often sung to the hymn tune Gonfalon Royal, a melody composed for this hymn by Percy Carter Buck in 1913 to be sung at Harrow School in England, where he was director of music.