Varieties of criticism

There are many varieties of criticism. This article describes common types that occur regularly in everyday life. For other criteria that classify criticisms, see. For more subject-specific information, see the pages on topics such as art, film, literature, theatre, or architecture.

Aesthetic criticism

Aesthetic criticism is a part of aesthetics concerned with critically judging beauty and ugliness, tastefulness and tastelessness, style and fashion, meaning and quality of design—and issues of human sentiment and affect. Most parts of human life have an aesthetic dimension, which means there is plenty potential for criticism. Often architecture criticism is considered the highest form of aesthetic criticism, because architecture combines art, science and technology to build a pleasing home environment, a "living space" that people must inhabit everyday, more or less permanently.
An aesthetic critic however does not simply say "it's beautiful" or "it's ugly." Instead, the aim is to explain the meaning of a work of art, why something is beautiful or ugly, or how the meaning of a design should be interpreted, the stronger and weaker sides of a cultural object, etc. For this purpose, aesthetic critics have a toolkit of criteria they can use in their commentary. These criteria include such things as:

The motive behind creative activity
Total context within which creative activity occurred
Techniques or physical forces used to create the aesthetic effect
Values, sentiments, interests, needs or ideals that a phenomenon communicates
Relationship of an object of criticism to associated objects, themes, traditions, or genres
Interaction between observer and observed, and the overall effect
Function the object of the criticism fulfills

Using these kinds of criteria, which usually assume extensive relevant knowledge, aesthetic critics can inform their audience about the achievements and limitations of the object of aesthetic criticism. In this way, they can draw attention to aesthetic issues most people might have overlooked, educate people in their aesthetic appreciation, and stimulate debate about what kinds of aesthetic expressions are preferable.
In part, aesthetic criticism can genuinely prove aesthetic propositions;– if they concern matters of factual or logical evidence. For example, either an artist had a certain motivation, or s/he did not. But insofar as "beauty is in the eye of the beholder", there is always also a subjective element in aesthetic criticism, which is not provable, but expresses a preference, a personal taste. It may be possible to explain that preference, but it may not be possible to compare it meaningfully with other preferences.

Logical criticism

In a logical criticism, an objection is raised about an idea, argument, action or situation on the ground that it does not make rational sense

Has implications or effects that are contrary to itself, or negate itself
Has effects contrary to its own purpose or intent, or contrary to the purpose or intent of someone concerned with it
involves a language that superficially makes sense, but defies logic when examined closely

Logical criticism is rooted in the basic cognitive principles that guide the behavior of humans and other sentient organisms: stimulus identification, stimulus distinction, and stimulus generalization. The Greek philosopher Aristotle stated the most basic building blocks of logic as the law of identity, the law of non-contradiction and the law of the excluded middle. These are basic conditions for making meaningful sense, and for non-arbitrary representation.
Logical criticism presupposes that people accept at least the most basic rules of logic. If people believe "things mean just what they want them to mean", or if people constantly "change the meaning to suit the moment", logical criticism is not at all effective. Logical criticism assumes that there is a definite, identifiable, discoverable meaning, or at least that something can be proved meaningless.
Logical criticism also presupposes that people agree about at least some basic facts and assumptions about the situation, or have in common at least some beliefs. It is not possible to argue about a logical criticism with somebody with whom one does not share any assumptions at all, or who is unwilling to consider at least the possibility that a given proposition might be true. Very often, logical arguments take the form "suppose that X is the case", but if people reject the "suppose" or cannot imagine it, it becomes difficult to get the logical criticism off the ground.

Factual criticism

In a factual criticism, an objection is raised about an idea, argument, action or situation on the ground that there is something wrong with the evidence of the known experience relevant to it. Typically;

Relevant purported facts are labeled false or implausible, i.e., not facts at all.
Relevant facts are said not to have been definitely established as true, or the likelihood that they are true, has not been established.
Relevant facts mentioned imply different stories that cannot be reconciled. Accepting a fact would imply another fact that contradicts it in some way.
The presentation of facts is biased. Important relevant facts are missing, or the total factual context is ignored.
Other relevant facts, which have not been mentioned, shed a different light on the issue.
Facts focused upon are not relevant to the purpose of those concerned.

Logical and factual criticism is generally considered important to ensure the consistency, authenticity and predictability of behavior of any kind. Without the presence of the relevant consistency, authenticity and predictability, one cannot make appropriate sense of behavior, which becomes disorienting and creates confusion, and therefore cannot guide behavioral choices effectively.
Philosophers have often debated about "what makes a fact, a fact." The basic problem with facts is that observations, made using the five senses, are never completely free from interpretation – to understand a fact as a fact, requires being able to place its meaning, which in turn requires basic cognitive categorizations not contained in the observed thing itself. A fact is concluded in the interaction between the observer and the observed.
Nevertheless, most people agree there are such things as the stubborn facts, i.e., evidence no one can deny, because everybody experiences the evidence in the same way, under the same conditions. That reality is essential for effective factual criticism. If people regard factual evidence as simply a subjective interpretation of experience, then factual criticism is ineffective. Factual criticism assumes, that people agree there exists a reality beyond their personal experience, that it is possible to obtain reliable information about it, and that people ordinarily experience those facts in the same way.

Positive criticism

A positive criticism draws attention to a good or positive aspect of something that is being ignored or disregarded. People may be able to see only the negative side of something, so that it becomes necessary to highlight the positive side. A positive criticism may also be a type of self-justification or self-defense.
The term "positive criticism" is also used in the sense that the criticism is "well-meant" or "well-intentioned". Here, the criticism intends to serve a purpose that is constructive, or that the targeted person would approve of.
The basic aim of positive criticism is usually to provide a better orientation, or frame of reference, for behavior. It provides ideas people can act on to improve the situation. At the very least, it provides more choices for behavior, and therefore potentially enlarges behavioral freedom.
A positive criticism can be stated as a positive alternative. It does not necessarily say, that the option criticized is all bad, but rather that an alternative option is better, or preferable.

Negative criticism

Negative criticism means voicing an objection to something, only with the purpose of showing that it is wrong, false, mistaken, nonsensical, objectionable, or disreputable. Generally, it suggests disapproval of something, or disagreement with something – it emphasizes the downsides of something. Negative criticism is also often interpreted as an attack against a person. That may not have been the intention, but it can be interpreted that way.
Negative criticism can have the effect that the people criticized feel attacked or insulted by it, so that they either do not take it seriously, or react badly to it. Much often depends on how much negative criticism there is, and how much criticism is transmitted at once. People can handle some negative criticism, but they may not be able to handle a whole lot of negative criticism, at least not all at once.
The downside of negative criticism is, often, that it tells people what they cannot or should not do or believe, rather than telling them what they can or should do. So it may be disabling, rather than enabling. People might reply to a negative criticism that "this is all very well, but I cannot do anything with it", or they might say "now what?!". Yet, negative criticism may be necessary at times, to prevent a course of action harmful to the people concerned. If people are afraid to state a negative criticism, the existing problem might get worse.
The upside of negative criticism is that it can explain what the limitations of an idea, an action or a situation are, for the sake of being realistic. Sometimes it is necessary to say "no" to something.
In the modern world, negative criticism has acquired the stigma of "being negative", and people who make negative criticisms can be easily exploited or manipulated. For this reason, many people nowadays express their negative criticism simply by not saying anything, not paying attention to something or someone, or by being absent.