Ring of Fire (anthology)
Ring of Fire is the third published book by editor-author-historian Eric Flint of the 1632 series, an alternate history series begun in the novel 1632. The Ring of Fire is both descriptive of the cosmic event as experienced by the series' characters, but also is at times used as the name for the series itself. The series is set in war-torn Europe during the middle of the Thirty Years' War.
Ring of Fire is a collection of short stories —half by a variety of established science fiction authors invited into the setting, half fan-fiction by enthusiasts who helped take the stand-alone novel into a series numbering works in the tens of books; all set in the universe initially created by Flint's science fiction novel 1632 written as a stand-alone novel and turned into a series by popular demand. Unlike most short works in a novel created series, the stories within are important milieu shaping creations—story threads which are formalized into the series canon for they helped establish it, and act as a spring board for further developments in the books. Many characters debut in these short stories who play an important role in subsequent longer works.
Premise of the series
The series heralds a new kind of writing, blending both shared universe and collaborative fiction writing in large series fiction. As in other shared universes, the stories are set in a milieu shared with other writers, but usually it's done with other author's stories being set safely somewhere off to the side of the main story threads. Flint demonstrated that a series could be successfully written by ignoring convention, and deliberately asking the other writers to share in creating the main threads and plot lines of the milieu. The first two novels in the series, 1632 and 1633, were written contemporaneously so that story threads started in one novel could intermingle and generate matching action or background in the other, and vice versa.Flint is on record saying that large portions of 1633 were adjusted drastically, even thrown out and rewritten as later submissions to the 1632 series impacted the various and diverse story threads. For a fuller look on this literary development see Assiti Shards series. For the fullest enjoyment of all three books, it is best to read them in the order 1632, Ring of Fire, and then 1633. Interchanging the last two has a relatively minor cost to understanding and in appreciation that can be avoided.
Flint has stated that he intends that short stories featuring major characters, or establishing points that will be important in future novels will be collected into the Ring of Fire anthologies, and that The Grantville Gazettes anthologies will feature the stories of characters that don't establish new background for the novels. However, many of the characters or events become more important in retrospect than either the author or editor expected, so this rule is fairly weak.
Stories in the anthology
"In the Navy"
Weber's short story sets up major story elements that play out in 1633 and 1634: The Baltic War. In particular, the story tells how the New United States Navy came to be in the resource strapped days of 1632–33. Most notably, through the eyes and experiences of young Eddie Cantrell, the story begins the rehabilitation of John Chandler Simpson who was cast as quite unlikeable in 1632. Through the eyes of Simpson, Cantrell and fellow up-timers Jere Haygood and Pete McDougal we get a picture of the chaos involved in rebuilding Magdeburg after the city was sacked by Tilly's forces."To Dye For"
To Dye For introduces the absent-minded purveyor of Wacky-Tabbacky Tom Stone and his three boys as he strives for respectability in the eyes of guildmaster Karl Jurgen Edelmann, father of spinster Magdalena Edelmann and main head-over-heels love interest of Tom "Stoner" Stone. As a daughter of a guildmaster, Magdelena Stone was wasting away as a spinster in her early 30s until a delegation from her town visited Grantville and she met her soul-mate, Tom Stone. His initial courting was received with favor, until her father decided "Stoner" wasn't the man of means he'd mistaken him to be."Stoner" is the last adult in the former 1970s "Lothlorian Commune" and had been enticed away from Pharmacology graduate school by a hippy "Chick" named Lisa. In the free love community of Lothlorien, whether "Elrond" might be his child is a question he has long abandoned, but it is genetically certain that the "Stop sign red" colored hair of "Gwaihir" makes him someone else's boy, who is nonetheless being raised as one of his own.
As this story opens, a glum Stoner is introduced to Dr. James Nichols by Mike Stearns, and the two have come by to pick up a horse-drawn cart load of Stoner's "patented West Virginia Wildwood Weed" that Stoner uses as an emergency cash crop grown in his ramshackle home-made greenhouse constructed from various junk automobile sections, windows thrown in the trash, and a lot of effort and ingenuity. At the same time, interjected into this conversation are barbs by the German boy driving the horse cart just identified as 'Klaus' such as "Und Magdalena vould haf better prospects elsewhere, you haf no income, Stoner. Effen der Veed, you gifs to der Doc".
Stoner, who is particularly adept with recreational extra-sensory stimulatory compounds, especially as a pharmacological graduate school drop-out from Purdue University, refuses to take payment for the weed, saying repeatedly that he wouldn't make money off of other people's pain. Klaus turns even that negative: "Dat earns you a place in Heaffen, maybe, but on Earth, no income." The matter becomes the topic of a general family discussion after the medical visitors have left, brought up by the boys. Soon, the family conference reminds Stoner of a past fiasco at a town fair where a cloud-burst had ruined the sales of many exotically tie-dyed tee-shirts, also ruining what would have been a great day as the tee-shirts hadn't been processed to set the dye into the cloth—inadvertently dyeing many a now irate customer. But Stoner knew how to make things colorfast, he was a very good chemist, and had loads of left over dyes here and there on the grounds.
Soon, with the boys' eager help, the Stones go into the serial production of embroidery yarns. Karl Edelman is impressed and Stoner has a new life partner, one with a ruthless business savvy that he'd never had. As the story closes, Stoner is recalling the history of early organic dyes leading up to the Mauve Decade, when coal-tar dyes such as Perkin's mauve were developed and generated huge fortunes. The neat thing is it would be ecologically sound, for the dyes needed could be taken from the coal-fired power plant with the addition of scrubbers on the chimneys. Splitting the profits bothered Stoner not a bit. They would be huge.
; impact on the milieu
In the after-story, the sequel 1634: The Galileo Affair, Magda accompanies her antibiotic analgesic and clothing dye wizard of a husband to a year-long posting to lecture at the University of Padua, as part of the Embassy sent to Venice. There, she takes her husband's wealth and shows the business acumen learned at her father's side and a shrewd judgment of men and ruthlessness which built it into a fortune, and turns the couple into the wealthiest family in Europe with the able assistance of Sharon Nichols, who builds up a considerable fortune of her own.
"A Lineman For the Country"
Scottish military dispatch carrier Douglas Lawrey falls in with telephone repairman Len Tanner and irascible coal mine switchboard operator Ellie Anderson. Due to their limited people skills, the technologically stranded pair have been unable to convince anyone to develop telecommunications abilities beyond Grantville. After Ellie reveals the old-tech phone she has been prototyping, Douglas talks them into forming a corporation.While stringing the first phone line to nearby Saalfeld, Len and a downtime assistant are captured by a group planning to hijack a Grantville gun shipment. In the struggle, the prototype phone is damaged, but the trussed up Len finds the battery and wires and manages to send an SOS to Grantville.
After foiling the hijack, Ellie realizes that the old-tech phone was still too high tech for the time period. Morse keys can be manufactured quickly, and investors found to fund the telegraph wire network.