Procuratie
The Procuratie are three connected buildings along the perimeter of Saint Mark's Square in Venice, Italy. Two of the buildings, the Procuratie Vecchie and the Procuratie Nuove, were constructed by the procurators of Saint Mark, the second-highest dignitaries in the government of the Republic of Venice, who were charged with administering the treasury of the Church of Saint Mark as well as the financial affairs of state wards and trust funds established on behalf of religious and charitable institutions.
The Procuratie Vecchie on the northern side of the square was built during the War of the League of Cambrai in the early sixteenth century to replace an earlier structure, damaged by fire. Although the war imposed financial constraints and limited innovation, it was nevertheless the first major public building in Venice to be erected in a purely classical style. It always contained apartments that were rented by the procurators as a source of revenue to finance building projects and repairs. Rental income was significant, given the prestige of the location. But the apartments were eventually sold to raise immediate money for the government, and several of them were subsequently transformed into clubhouses.
The Procuratie Nuove on the southern side housed the official residences of the procurators. Built between the late-sixteenth and mid-seventeenth centuries to replace a series of dilapidated medieval structures, it represented the culmination of an extensive programme of urban renewal that lasted over a hundred years and profoundly transformed Venice's city centre, giving it the appearance of a great classical forum. Both the official residences in the Procuratie Nuove and the rental apartments in the Procuratie Vecchie were built above arcades with space on the ground floor that was rented out for stores, workshops, and later coffeehouses, including the historic Caffè Florian, Caffè Quadri, and Caffè Lavena.
The Procuratie Nuovissime was built during the second period of French occupation when after the fall of the Republic of Venice, the Procuratie Nuove was transformed into the residence of the viceroy of the Kingdom of Italy. Today, much of the Procuratie Nuove and the Napoleonic Wing house the Museo Correr.
Procurators of Saint Mark
The office of procurator of Saint Mark, considered second only to that of the doge in prestige, was one of the few lifetime appointments in the Venetian government. It was routinely occupied by nobles belonging to the most influential families and typically represented the climax of a distinguished political career, although it was often an intermediate position prior to election as doge.The office originated in the ninth century with a single procurator operis Sancti Marci, nominated to assist the doge in the administration of the Church of Saint Mark, the ducal chapel. Over time the number of procurators increased. By the mid-thirteenth century there were four procurators, two of which, the procurators de supra, retained responsibility for the administration of the Church of Saint Mark and its treasury. The other two procurators, called de subtus super commissariis, administered trust funds established as pious donations on behalf of religious and charitable institutions. In 1319, there were six procurators, and in 1443 there were nine. These were divided into three procuracies: de supra, de citra, and de ultra. Beginning in 1516, initially to aid in the economic recovery from the War of the League of Cambrai, supernumerary procurators could also be created in moments of financial constraint in exchange for monetary contributions to the treasury. This amounted to the periodic sale of the prestigious title. The number of procurators fluctuated thereafter: in 1521, there were eighteen. At times, the number rose to forty. The effective sale of the position also made it possible for young and ambitious nobles to quickly rise to high office and to consequently exert great influence. In the sixteenth century, notably Antonio Cappello, Vettore Grimani, Federico Contarini, and Andrea Dolfin purchased the office.
In addition to the associated public honour, the office of procurator ensured an active role in the political life of Venice: after 1453, it guaranteed a seat in the Senate. Apart from extraordinary embassies to foreign courts, the procurators were also relieved from the obligation incumbent upon all nobles to accept political appointments, including on the Venetian mainland and in the overseas possessions, thus ensuring their presence in the city. The position also brought economic and financial influence through the management of vast amounts of capital and of investments in commercial and private real estate, in government bonds, and in securities and deposits. With the exception of the Doge's Palace, the procurators de supra were also specifically responsible for the construction, maintenance, and management of the public buildings around Saint Mark's Square, including the shops, food stalls, and apartments that were rented out as sources of revenue.
Procuratie Vecchie
Historical background
Following the enlargement of Saint Mark's Square in the second half of the twelfth century, several buildings and lands in and near the square were donated as rental properties to the Commune of Venice, principally by Doge Sebastiano Ziani and his immediate descendants. Subsequently, the administration of many of the properties was delegated to the procurators de supra. The intention was to create a steady flow of revenue in order to fund further work on the Church of Saint Mark and provide charitable assistance to the poor, thus avoiding the need to rely upon private pious donations and state financing. The properties included the long building erected by Ziani along the northern side of the square. As shown in Gentile Bellini's Processione di Corpus Domini in Piazza san Marco, it was a two-storey building with a series of apartments above and shops on the ground floor that were leased.A fire in June 1512 destroyed one of the apartments near the clocktower and led to the collapse of a portion of the façade. It was subsequently decided that notwithstanding the financial constraints at the time of the War of the League of Cambrai, the entire structure would be rebuilt as a statement of Venice's self-confidence. Significantly, Marin Sanudo remarked in his diary that the reconstruction was "in order to make it very beautiful for the glory of the land … despite the war".
The architect of the Procuratie Vecchie is not known from any official source, and various names have been suggested, primarily on the basis of stylistic considerations and the prominence of the individual architect at the time. These include Mauro Codussi, Pietro Lombardo, and Antonio Abbondi. With regard to the sixteenth-century sources, Marin Sanudo mentions the little-known Tuscan architect Zuan Celestro in his diary, whereas Francesco Sansovino in his guide to the city attributes the design to, the proto to the procurators de supra. But the precise contributions of Bon and Celestro to the design remain unclear. Bon, as proto, was nevertheless responsible for oversight during construction.
Construction
Bon's superintendence (ca. 1514–1529)
Construction began with the damaged section adjacent to the clock tower and proceeded gradually. To limit the loss of revenue to the procurators, each tenant was evicted only when it became necessary to demolish the apartment in order to continue building. Also, the new shops on the ground floor and apartments above were leased as soon as they were ready. By 1517, the first section had progressed far enough to begin work on the façade with the revetments in Istrian limestone. That same year, the first new apartment was rented out.With respect to the pre-existing structure, the layout of the new building was altered for the first 24 arcades with the insertion of a small street running parallel to the square. In contrast, the earlier layout, characterized by a series of courtyards, was retained for the remainder of the building, further away from the area damaged by the fire. This indicates that, although documents refer to the demolition of the previous structure, certain parts of it were in fact maintained and reutilized, presumably to minimize costs.