Owanbe
Owanbe is a Yoruba term for extravagant parties thrown by the Yoruba people in Yorubaland and the diaspora. The term is derived from the Yoruba expression "Ó wà ní ibẹ̀", directly translating to mean; The place where it is at, but more nuancedly referring to a party or event, where there is a lot of celebration going on. Coinage of the term is attributed to the band of Jùjú musician Tunde Nightingale active from the 1940s. The word soon became synonymous with his brand of Juju music as well as club and party life in urban Western Nigeria with other such musicians as I. K. Dairo and Ebenezer Obey in performance.
Being occasions to see and be seen, the term can also mean the presence of a person or thing, as in: "is Fela there? Yes, Ówàńbẹ̀!". Ówàńbẹ̀ parties mark various occasions, including weddings, birthdays, anniversaries, funerals, housewarmings, graduations, and chieftaincy titles. They are known for their opulence, style, and abundance of food, music, dance, and money.
History
Ówàńbẹ̀ parties have historical roots dating back to the pre-colonial era practices of Yorubaland. Yoruba kingdoms, such as Oyo, Ife, Ijebu, Ondo and Egba, were known for their cultural sophistication and tradition of celebrating significant events and milestones in Owanbe-esque events. For instance, the Oyo Empire held the annual Bẹrẹ festival where subjects from all over the empire and other well wishers converged at the capital of Oyo Ile. The Ondo Kingdom celebrated the annual Ekimogun and Odun Oba festivals, and Ife Empire celebrated the Odun Olojo, or Day of Creation.Starting in the colonial period, the Yoruba culture began to interface with and blend various influences from the British Empire as well as the material input of emancipated returnees from the Americas called the Amaros or Agudas, such as elaborate carnival processions of masquerades. These cross-cultural influences within the larger Yoruba in-situ environments of Lagos, Ibadan and other urban locales, led to the emergence of a unique Ówàńbẹ̀ subculture as a form of both social expression and resistance. In the post-colonial era, Ówàńbẹ̀ parties evolved and expanded in scope, becoming more popular among different Nigerian ethnic groups and influenced by global trends and technologies.