Orkneyinga saga
The Orkneyinga saga is a narrative of the history of the Orkney and Shetland islands and their relationship with other local polities, particularly Norway and Scotland, written in Old Norse. The saga has "no parallel in the social and literary record of Scotland" and is "the only medieval chronicle to have Orkney as the central place of action". The main focus of the work is the line of jarls who ruled the Earldom of Orkney, which constituted the Norðreyjar or Northern Isles of Orkney and Shetland and there are frequent references to both archipelagoes throughout.
The narrative commences with a brief mythical ancestry tale and then proceeds to outline the Norse take-over of the Norðreyjar by Harald Fairhair – the take-over is not in doubt although the role of the king is no longer accepted by historians as a likelihood. The saga then outlines, with varying degrees of detail, the lives and times of the many jarls who ruled the islands between the 9th and 13th centuries. The extent to which the earlier sections in particular can be considered genuine history rather than fiction has been much debated by scholars.
There are several recurring themes in the Orkneyinga saga, including strife between brothers, relationships between the jarls and the Norwegian crown, and raiding in the Suðreyjar – the Hebrides and elsewhere. In part, the saga's purpose was to provide a history of the islands and enable its readers to "understand themselves through a knowledge of their origins" but even where its historical accuracy is lacking it provides modern scholars with insights into the motives of the writers and the politics of 13th century Orkney.
Development and versions
The original text of this Norse saga was written in the late twelfth century. It no longer exists. A new version was written in the early thirteenth century by an unknown Icelandic author who was probably associated with the cultural centre at Oddi. Orkneyinga saga belongs to the genre of "Kings' Sagas" within Icelandic saga literature, a group of histories of the kings of Norway, the best known of which is Heimskringla, written by Snorri Sturluson. Indeed, Snorri used Orkneyinga saga as one of his sources for Heimskringla which was compiled around 1230.As was generally the case with Icelandic language writing of this period, the aims of the saga were to provide a sense of social continuity through the telling of history combined with an entertaining narrative drive. The saga is thought to have been compiled from a number of sources, combining family pedigrees, praise poetry and oral legends with historical facts. In the case of the Orkneyinga saga the document outlines the lives of the earls of Orkney and how they came about their earldom. Woolf suggests that the task that the Icelandic compiler was faced with was not dissimilar to trying to write a "history of the Second World War on the basis of Hollywood movies". He also notes that a problem with medieval Icelandic historiography in general is the difficulty of fixing of a clear chronology based on stories created in a largely illiterate society in which "AD dating was probably unknown".
As the narrative approaches the period closer to the time it was written down, some historians have greater confidence in its accuracy. For example, there are significant family connections between Snorri Sturluson and Earl Harald Maddadsson and the original saga document was probably written down at about the time of Harald's death.
Gudbrand Vigfússon identified several different components to the saga, which may have had different authors and date from different periods. These are:
- Fundinn Noregr chapters 1–3
- Iarla Sogur chapters 4–38
- St Magnus saga chapters 39–55
- Iarteina-bok chapter 60
- The History of Earl Rognwald and Swain Asleifsson chapters 56–59 and 61–118.
Narrative
The first three chapters of the saga are a brief folk legend that sets the scene for later events. It commences with characters associated with the elements – Snaer, Logi, Kari and Frosti and also gives a unique explanation for how Norway came to be named as such, involving Snaer's grandson Nór. There is also a reference to claiming land by dragging a boat over a neck of land and the division of the land between Nór and his brother Gór, which is a recurring theme in the saga. This legend also gives the Orkney jarls an origin involving a giant and king called Fornjót who lived in the far north. This clearly distinguishes them from the Norwegian kings as described in the Ynglingatal and may have been intended to give the jarls a more senior and more Nordic ancestry.Having dealt with the mythical ancestry of the earls, the saga then moves on to topics that are apparently intended as genuine history.
Harald Fairhair and the voyage to the west
The next few chapters deal with the creation of the Earldom of Orkney; they are brief and contain much less detail than the later events the saga describes. The saga states that Rognvald Eysteinsson Earl Rognvald retains the rule of Møre by the King of Norway, Harald Fairhair. Earl Rognvald accompanied the king on an expedition where they conquer the islands of Shetland, called Hjaltland, and Orkney, before they continued on to Scotland, Ireland and the Isle of Man. During this campaign Rognvald's son Ivarr was killed and in compensation Harald granted Earl Rognvald to rule over Orkney and Shetland. Rognvald Earl thereafter returned to Norway, giving these islands to his brother Sigurd Eysteinsson. Sigurd had been the forecastleman on Harald's ship and after sailing back east the king "gave Sigurd the title of earl".Sigurd "the Mighty" then died in a curious fashion, following a battle with Máel Brigte of Moray. Sigurd's son Gurthorm ruled for a single winter after this and died childless. Rognvald's son Hallad then inherited the title. However, unable to constrain Danish raids on Orkney, he gave up the earldom and returned to Norway, which "everyone thought was a huge joke."
First written down in the early 13th century, the saga is informed by the Norwegian politics of the day. Once, historians could write that no-one denied the reality of Harald Fairhair's expeditions to the west, but this is no longer the case. Thomson writes that Harald's "great voyage is so thoroughly ingrained in popular and scholarly history, both ancient and modern, that it comes as a bit of a shock to realise that it might not be true." The Norwegian contest with the Kings of Scots over the Hebrides and the Isle of Man in the mid 13th century is the backdrop to the saga writer's intentions and in part at least the sagas aim to legitimise Norwegian claims to both the Northern Isles and the Kingdom of the Isles in the west.
It may be that the saga writers drew on a genuine tradition of a voyage by Harald to the west, or that they simply invented it wholesale for political purposes, but it is possible that there are elements included in the narrative that are drawn from the much later expeditions undertaken by Magnus Barefoot. The situation faced by Earl Harald Maddadsson of Orkney in 1195, shortly before the time that the sagas were first written down, when he was forced to submit himself to royal authority after an ill-judged intervention in Norwegian affairs would have made legendary material of this nature of considerable interest in Orkney at the time. Nonetheless, the view that the Orkney earldom was created by "members of the Møre family" continues to receive academic support.
Torf-Einarr
Hallad's failure led to Rognvald flying into a rage and summoning his sons Thorir and Hrollaug. He asked which of them wanted the islands but Thorir said the decision was up to the earl himself. Rognvald predicted that Thorir's path would keep him in Norway and that Hrollaug was destined seek his fortune in Iceland. Einarr, the youngest of his natural sons, then came forward and offered to go to the islands. Rognvald said: "Considering the kind of mother you have, slave-born on each side of her family, you are not likely to make much of a ruler. But I agree, the sooner you leave and the later you return the happier I'll be." Despite his father's misgivings, on arrival on the islands, Einarr fought and defeated two Danish warlords who had taken residence there. Einarr then established himself as earl and founded a dynasty which retained control of the islands for centuries after his death.The scene in which Einarr's father scorns him is a literary device which often figures in Old Norse literature. The dialogue between the father and his sons has been interpreted as being about Rognvald's desire to cement his own position as Earl of Møre and an allusion to the early history of Iceland, where the saga was written. Thorir is a compliant son who Rognvald is happy to keep at home. Hrolluag is portrayed as a man of peace who will go to Iceland. Einarr is aggressive and a threat to his father's position so can be spared for the dangers of Orkney.
Einarr is also provided with various characteristics associated with Odin. Both have but one eye and the death of an opponent at Einarr's hands is offered to the god—an act that contains a hint of Odin's own sacrifice to himself in the Hávamál. Einarr is a man of action who is self-made, and he is a successful warrior who avenges his father's death. He leads a dramatic and memomorable life and emerges as "ancient, powerful and mysterious—but as a literary figure rather than a real person". He is also a whose appearance at the commencement of the saga contrasts with the later martyrdom of his descendant St Magnus. That event marks a "moral high-point" of the story.