Niroshta
Niroshta is a rāgam in Carnatic music. It is a pentatonic scale. It is a derived scale, as it does not have all the seven swaras.
Niroshta literally means without the lips. If the lips do not meet / touch, then the notes Ma and Pa cannot be uttered. This scale does not use either note and hence the name. It is a very pleasing rāgam.
Structure and Lakshana
Niroshta is a symmetric pentatonic scale that does not contain madhyamam and panchamam. Its structure is as follows :- [Arohana|] :
- [Avarohana|] :
Popular compositions
is credited with creating this scale, due to the fact that the King of Mysore had a bee sting in his lip and could not sing the Panchama and Madhyama notes, since the notes touch the lip while pronouncing it. His melodious composition Raja Raja Radhite set to Rupaka tala also does not use the syllables Ma and Pa. Madurai T. N. Seshagopalan, a disciple of Ramanathapuram C. S. Sankarasivam, who in turn is a disciple of Muthiah Bhagavatar has composed a thillana in Niroshta "tanana dhirana" in Adi Tala. Tanjavur. S. Kalyanaraman has composed a varnam "Kanin Maniye" in this raga. Other compositions include giri-putrika gaura-varni by Bangalore S Mukund in rupaka talam, jayati jayati jayashankara by Ashok R Madhav in rupaka tala.Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.Scale similarities
- Adbhut Kalyan uses the same notes as Niroshta; Adbhut Kalyan is an unusual variety of the Hindustani raga Yaman used by the Dagar vani that omits madhyamam and panchamam
- Mohanam is a rāgam which has the panchamam in place of the nishadham. Its ' structure is S R2 G3 P D2 S : S D2 P G3 R2 S
- Hamsadhvani is a rāgam which has the panchamam in place of the dhaivatam. Its ' structure is S R2 G3 P N3 S : S N3 P G3 R2 S