Naumburg


Naumburg is a town in the district Burgenlandkreis, in the state of Saxony-Anhalt, Central Germany. It has a population of around 33,000. The Naumburg Cathedral became a UNESCO World Heritage Site in 2018. This UNESCO designation recognizes the processes that shaped the European continent during the High Middle Ages between 1000 and 1300: Christianization, the so-called "Landesausbau" and the dynamics of cultural exchange and transfer characteristic for this very period.

History

The first written record of Naumburg dates from 1012, when it was mentioned as the new castle of the Ekkehardinger, the Margrave of Meissen. It was founded at the crossing of two trade-routes, Via Regia and the Regensburg Road. The successful foundation not long beforehand of a Propstei Church on the site of the later Naumburg Cathedral was mentioned in the Merseburg Bishops' Chronicles in 1021. In 1028 Pope John XIX gave his approval for the transfer of the bishopric from Zeitz to Naumburg. Until 1568, during the Reformation, Naumburg was the seat of the bishops. The last Catholic bishop was Julius von Pflug. The foundation of the cathedral school is dated to 1030. Naumburg has been known as a town since 1144.
Naumburg was a significant trading centre on the Via Regia in the Middle Ages, especially because of the Naumburg Trade Fairs, first known to have taken place in 1278. The emergence of Leipzig as a trade-fair centre from 1500 and the Thirty Years' War adversely affected the Naumburg economy.
In 1561, the Naumburg Diet recognized the unaltered Augsburg Confession and is recognized as part of the pre-history of the Book of Concord. The ecclesiastical domain was secularised in middle of the 16th century and transferred to the Dukes of Saxony, who administered the district through a government endowment and later provided administrators. After the fraternal agreement between the four brothers of John George I, Elector of Saxony, in 1657 the Naumburg district came into the possession of the secondogeniture of Saxe-Zeitz, which was inherited by Moritz, the youngest of the brothers.
Before the Moritzburg castle was built in nearby Zeitz, the city castle in Naumburg served as the residence of this line. This period came to an end with the death of the last Protestant representative of the Saxe-Zeitz line in the year 1718. The Naumburg district reverted to the Dukes of Saxony in Dresden and became fully integrated into Albertine Saxony. However, it remained until 1815 the seat of its own administrative authority. After the Congress of Vienna in 1815, Naumburg was ceded to the Kingdom of Prussia, becoming part of the Province of Saxony. It gained control over the cathedral and its close in 1832.
In 1846 the city was connected to the rail line from Halle to Erfurt, in 1889 to Artern and eventually in 1900 to Teuchern. On 15 September 1892 a steam tramway opened in Naumburg. From 2 January 1907 the Naumburg tramway was electrified.
Although industry was only weakly developed, a socialist club was founded in 1848. During the 1920 Kapp Putsch five workers were killed. The establishment of the local Communist Party followed in December 1920. From 1933-1945, Jewish residents of Naumberg were systematically rounded up and killed. There is a memorial plaques displaying their names.
Under the German Democratic Republic Naumburg was a centre of mechanical engineering, pharmaceuticals, metal-working and footwear manufacture. It was also a garrison town for the Soviet Air Force. Unofficial estimates are that the number of Soviet military personnel approximately equalled that of the local population. The fall of communism in 1989 was accompanied by demonstrations and gatherings in the churches of the city.

Geography

Location

Naumburg lies in the south of Saxony-Anhalt at the confluence of the Unstrut and the Saale near the border with Thuringia, approximately southwest of Leipzig, south-southwest of Halle, and north-northeast of Jena.
To the town itself belong the quarters of Almrich, Grochlitz, Henne and Weinberge. In addition, the borough of Naumburg consists of the following villages:

Village/QuarterPopulation
Year of
incorporation
Naumburg 24,886—
Bad Kösen3,8392010
Beuditz851991
Boblas1811991
Crölpa-Löbschütz1692010
Eulau4511991
Flemmingen5071992
Fränkenau1252010
Freiroda1242010
Großjena5261994
Großwilsdorf1331994
Hassenhausen3411992
2010
Heiligenkreuz1832010
Janisroda1622010
Kleinheringen792010
Kleinjena2821991
Kreipitzsch582010



Village/QuarterPopulation
Year of
incorporation
Kukulau582010
Meyhen1911991
Neidschütz2531991
Neuflemmingen311992
Neujanisroda442010
Prießnitz3092010
Punschrau1772010
Rödigen231991
2010
Roßbach3121991
Saaleck2292010
Schellsitz2111950
Schieben752010
Schulpforte1472010
Tultewitz602010
Wettaburg1031991


Climate

Naumburg has a mild climate with warm summers and cool winters that is relatively dry for German standards.

Demographics

Population levels:
1: 29. October

2: 31. August

3: 30. June

Attractions

Naumburg Cathedral

Naumburg Cathedral is a UNESCO world heritage site. The cathedral is composed of a Romanesque core structure flanked by two Gothic choirs in the east and in the west. Naumburg Cathedral was one of the large double-choir cathedrals built in the transitional style between Late Romanesque and Early Gothic. The four towers form part of the Romanesque structure of the cathedral, even though parts of the upper floors and domes date from more recent style periods. The cathedral is a vaulted, cruciform basilica in a bound system with a segregated crossing.
The Late Romanesque structure of Naumburg Cathedral replaced the first, Early Romanesque cathedral, which had been consecrated around 1042. The new construction was initiated in 1242 under the patronage of the Princes of the Apostles – Peter and Paul.
Naumburg Masters
The workshop organization of sculptors and stonemasons, the Naumburg Master innovated architecture and sculpture of the Hohenstaufen period of the 13th century that were particularly developed at the cathedral in Reims.
No written sources about the chief sculptor-architect of this workshop who was named after his main work in Naumburg. However, there is a general consensus with regard to the itinerary of the building workshop from Mainz via Naumburg to Meissen. An assumption relying on the analysis of historic sources is based on the idea that the milestones of his creative work are marked by the completion of the choir screen in Mainz in 1239, the west choir in Naumburg in 1249/50 and the work of the building workshop in Meissen from 1250 up until prior to 1268.
Next to the plant ornaments, based on the thorough observation of nature and found in all three places, and next to the many matching architectural details, identical stonemason's marks recently found in Iben, Naumburg and Meissen support the evidence. The migration of the building workshop of the Naumburg Master, from Northern France over the Middle Rhine area up to the eastern boundaries of the German Empire and further on to southwestern Europe, reflects the extensive European cultural exchange during the High Middle Ages.
Choir screens
This mural choir screen type combines high artistic architecture, ornamentation and figural sculptures. The plant décor of the west choir, due to its exceptional accuracy and the great variety of shapes to be seen on the capitals, friezes and corbels, softens the sharpness and blocky features of the partition architecture and emphasises the organic character of the architecture.
The relief frieze is one of the most sophisticated and formally most perfected arrangement of the Passion of Christ among the preserved sculptural ensembles from the 13th century throughout Europe. It shows the last supper, the payment of the pieces of silver, the capture, Peter's denial, two guards, the reading of Christ's sentence, the flagellation and the carrying of the cross. An important theme of the cycle is the juxtaposition of Judas and Peter; Judas, the sinner who was desperate and damned; Peter, the sinner who believed in forgiveness and became a saint.
The Naumburg Master achieved a high degree of dramatic expressiveness and natural vibrancy. The Jews, for example, wear the typical hats, while Pilatus appears in a splendorous courtly garment, washing his hands off responsibility. The artist mastered a remarkable challenge concerning the usage of the limited space. In the representation of the last supper, he limited the number of disciples beside Christ in the middle and the clearly isolated betrayer Judas to four. The monumental multi-coloured crucifixion group in the central portal of the choir screen shows in an impressive manner the immeasurable suffering of Christ and the deep and obvious grief of Mary and John.
Gothic west choir
The Early Gothic west choir is a hall choir and was built with an elevated gallery. On the level of the gallery, the ten pillars supporting the vault merge with the life-sized sculptures of the founders. The twelve statues of the founders of Naumburg Cathedral rank among the most outstanding creations of European medieval sculpting.
The nearly portrait-like representation of aristocratic men and women of the Thuringian-Saxon nobility is an unparalleled appreciation of the first founders of the church. Even though the people honoured with the sculptures had already been dead for 150 to 200 years at the time of creation, they are shown wearing contemporary courtly garments from the middle of the 13th century. The faces are individual and express inner emotions. The figures interact with the beholder and apparently with each other through looks and gestures.
The attempt to relate the sculptures of the founders to the first founders of the church that were mentioned in the call for donations from 1249 has proven to be an unsolvable undertaking, even after the meticulous examinations of the colouration of the statues during the restoration work. The prevalent opinion in art science is that the statues on the south side are Countess Gerburg and Count Conrad and those on the north side are Countess Berchta and Count Theodoric.
Two founder couples are standing across from each other in clearly prominent positions: Ekkehard II, Margrave of Meissen, with his wife Uta in the north and his older brother, Margrave Hermann, with his wife Reglindis in the south. Only the sculpture of Uta has experienced an unparalleled cult, fostered considerably by the photographs of Walter Hege in the early 20th century.