Church of the Nativity


The Church of the Nativity, or Basilica of the Nativity, is a basilica located in Bethlehem, West Bank, Palestine. The grotto holds a prominent religious significance to Christians of various denominations as the birthplace of Jesus. The grotto is the oldest site continuously used as a place of worship in Christianity, and the basilica is the oldest major church in the Holy Land.
The church was originally commissioned by Constantine the Great a short time after his mother Helena's visit to Jerusalem and Bethlehem in 325–326, on the site that was traditionally considered to be the birthplace of Jesus. That original basilica was likely built between 330 and 333, being already mentioned in 333, and was dedicated on 31 May 339. It was probably destroyed by fire during the Samaritan revolts of the sixth century, possibly in 529, and a new basilica was built a number of years later by Byzantine Emperor Justinian, who added a porch or narthex, and replaced the octagonal sanctuary with a cruciform transept complete with three apses, but largely preserved the original character of the building, with an atrium and a basilica consisting of a nave with four side aisles.
The Church of the Nativity, while remaining basically unchanged since the Justinianic reconstruction, has seen numerous repairs and additions, especially from the Crusader period, such as two bell towers, wall mosaics and paintings. Over the centuries, the surrounding compound has been expanded, and today it covers approximately 12,000 square meters, comprising three different monasteries: one Catholic, one Armenian Apostolic, and one Greek Orthodox, of which the first two contain bell towers built during the modern era.
The silver star marking the spot where Christ was born, inscribed in Latin, was stolen in October 1847 by Greek monks who wished to remove this Catholic item. Some assert that this was a contributing factor in the Crimean War against the Russian Empire. Others assert that the war grew out of the wider European situation.
Since 2012, the Church of the Nativity is a World Heritage Site and was the first to be listed by UNESCO under 'Palestine'.
Since 1852, the rights of the three religious communities have been governed by an understanding known as the Status Quo. Initially informal, this was made official by the Treaty of Paris in 1856, and was codified by the United Nations in the Palestine Conciliation Commission in 1949.

Base in scripture

Of the four canonical gospels, Matthew and Luke mention the birth of Jesus, both placing it in Bethlehem. Luke mentions the manger: "and she gave birth to her son. She wrapped him in cloths and placed him in a manger, because there was no guest room available for them."
A variant of the narrative is contained in the Gospel of James, an apocryphal infancy gospel.

History

Holy site before Constantine (ca. 4 BC–AD 326)

The holy site known as the Nativity Grotto is thought to be the manger where Jesus was born. In 135, Emperor Hadrian had the site above the grotto converted into a worship place for Adonis, the mortal lover of Aphrodite, the Greek goddess of beauty and desire. Jerome claimed in 420 that the grotto had been consecrated to the worship of Adonis, and that a sacred grove was planted there in order to completely wipe out the memory of Jesus from the world.
Around AD 248, Greek philosopher Origen of Alexandria wrote the following about the grotto:
In Bethlehem the cave is pointed out where He was born, and the manger in the cave where He was wrapped in swaddling clothes. And the rumor is in those places, and among foreigners of the Faith, that indeed Jesus was born in this cave who is worshiped and reverenced by the Christians.

Constantinian basilica (326 – 529 or 556)

The first basilica on this site was built by Emperor Constantine I, on the site identified by his mother, Empress Helena and Bishop Makarios of Jerusalem. The construction started in 326 under the supervision of Makarios, who followed Constantine's orders, and was dedicated on 31 May 339—however, it had already been visited in 333 by the Bordeaux Pilgrim, at which time it was already in use.
Construction of this early church was carried out as part of a larger project following the First Council of Nicaea during Constantine's reign, aimed to build churches on the sites assumed at the time to have witnessed the crucial events in the life of Jesus. The design of the basilica centered around three major architectural sections:
  1. At the eastern end, an apse in a polygonal shape, encircling a raised platform with an opening in its floor of ca. 4 metres diameter that allowed direct view of the Nativity site underneath. An ambulatory with side rooms surrounded the apse.
  2. A five-aisled basilica in continuation of the eastern apse, one bay shorter than the still standing Justinianic reconstruction.
  3. A porticoed atrium.
The structure was burned and destroyed in one of the Samaritan Revolts of 529 or 556, in the second of which Jews seem to have joined the Samaritans.

Justinian's basilica (6th century)

The basilica was rebuilt in its present form in the 6th century on the initiative of Byzantine Emperor Justinian I, after the destruction of either 529 or 556. It was probably accomplished after the Emperor's death, as is indicated by the dating of the wooden elements embedded in the church walls between 545 and 665, which was provided by the dendrochronological analyses made during the recent restoration works.
The Persians under Khosrau II invaded Palestine and conquered nearby Jerusalem in 614, but they did not destroy the structure. According to legend, their commander Shahrbaraz was moved by the depiction above the church entrance of the Three Magi wearing the garb of Persian Zoroastrian priests, so he ordered that the building be spared.

Crusader period (1099–1187)

The First Crusade captured Jerusalem in 1099. The Latin conquerors promoted the redecoration of the building in the medium of wall painting: images of saints were displayed in the central and southern colonnades of the nave, largely on the initiative of private donors, as is shown by the frequent use of dedicatory inscriptions and portraits. Remnants of a cycle of narrative scenes are preserved in the north-western pillar of the choir and the south transepts, as well as in the chapel located below the bell tower.
From 1131 until the end of the Latin rule over Jerusalem, the Holy Sepulchre was the site of royal coronations and burials. The Latins undertook extensive decoration and restoration on the basilica and grounds, a process that continued until 1169, from 1165 to 1169 even through a sort of "joint venture" between Bishop Ralph and King Amalric and the Byzantine emperor Manuel I Komnenos. As detailed in the bilingual Greek and Latin inscription in the altar space, the mosaic decoration was made by a team headed by a painter named Ephraim. Another bilingual, Latin and Syriac, inscription located in the lower half of a mosaic panel displaying an angel in the northern wall of the nave bears witness to the work of a painter named Basil, who was probably a local Syrian Melkite. The two artists collaborated within the same workshop.

Ayyubid and Mamluk periods (1187–1516)

The Ayyubid conquest of Jerusalem and its area in 1187 was without consequences for the Nativity church. The Greek-Melkite clergy was granted the right to serve in the church, and similar concessions were given almost immediately also to other Christian denominations.
In 1227 the church was embellished with an elegantly carved wooden door, the remnants of which can still be seen in the narthex. As detailed in its double, Armenian and Arabic inscription, it was made by two Armenian monks, Father Abraham and Father Arakel, in the times of King Hethum I of Cilicia and the Emir of Damascus, and Saladin's nephew, al-Mu'azzam Isa.
In 1229 Holy Roman Emperor Frederick II signed an agreement with Sultan al-Kamil which led to the restitution of the Holy Places to the Crusaders. The property of the Nativity Church came back into the possession of the Latin clergy on the condition that Muslim pilgrims may be allowed to visit the holy cave.
Latin hegemony probably lasted until the incursion of Khwarezmian Turks in April 1244. On that occasion, the church treasures, now preserved in the Terra Sancta Museum in Jerusalem, were concealed underground and rediscovered only in 1863. The church was devastated, but not destroyed, the major damage being the dilapidation of its roof.
Under Mamluk rule, the church was used by different Christian denominations, including Greeks, Armenians, Copts, Ethiopians, and Syrians. In 1347 the Franciscans of the newly established Custody of the Holy Land were bestowed with the ownership of the former monastery of the regular canons to the north of the basilica. The Friars managed to gain a hegemonic role in Bethlehem until the Ottoman period.
Starting from the late 13th century, pilgrims lament the dilapidation of the church interior by order of Mamluk authorities: in particular, the marble revetments of the walls and floor were gradually removed, until they thoroughly disappeared.
The Duchy of Burgundy committed resources to restore the roof in August 1448, and multiple regions contributed supplies to have the church roof repaired in 1480: England supplied the lead, the Second Kingdom of Burgundy supplied the wood, and the Republic of Venice provided the labor.

Ottoman period, first three centuries (16th–18th)

After the Ottoman conquest of Palestine in 1516, the Nativity church suffered from a long decay. The nave was largely abandoned and used for profane purposes. In the aim to prevent people from entering the church with horses and cattle, the main entrance was walled up and transformed into a diminutive door, known until our days as the "Door of Humility", since visitors are forced to bend down to go through it. An elevated chancel, provided with three doors, thoroughly separated the nave from the east end of the building, which was reserved for liturgical activities.
The Ottoman period was characterized by increasing tensions between the different Christian denominations. In 1637, Greeks were granted hegemony by the Sublime Porte and the Franciscans were expelled from the holy cave. In 1621 the Armenian Patriarch Grigor Paronter bought the partly ruined buildings to the south of the courtyard and established there a monastery and a hospice for pilgrims. In 1639, the Cretan painter Jeremias Palladas was commissioned by the Greek Patriarch to paint new icons to embellish the church. Further works were made in 1671 on the initiative of Patriarch Dositheos II. In 1675, Dositheos managed to gain control also of the nave, and promoted restorations of the floor and the roof, as well as the making of a new iconostasis. The Franciscans were restored in their rights in 1690, but they lose their hegemony once again in 1757, when the Greek Orthodox were granted full ownership of the upper church and the authorization to keep the keys to the grotto. Afterwards, a redecoration of the church was promoted: the nave was newly paved, the bema was provided with a solemn iconostasis and a wooden baldachin was erected over the main altar.
Because of uninterrupted water infiltrations from the roof, the Crusader mosaics started falling down, as is documented in many pilgrims' accounts from the 16th century onwards.