Jyllands-Posten Muhammad cartoons controversy
The Jyllands-Posten Muhammad cartoons controversy began after the Danish newspaper Jyllands-Posten published twelve editorial cartoons on 30 September 2005 depicting Muhammad, the prophet of Islam, in what it said was a response to the debate over criticism of Islam and self-censorship. Muslim groups in Denmark complained, sparking protests around the world, including violence and riots in some Muslim countries.
Islam has a strong tradition of aniconism, and it is considered blasphemous by the majority of Muslims to visually depict Muhammad. This, compounded with a sense that the cartoons insulted Muhammad and Islam, offended many Muslims. Danish Muslim organisations petitioned the embassies of countries and the Danish government to take action and filed a judicial complaint against the newspaper, which was dismissed in January 2006.
After the Danish government refused to meet with diplomatic representatives of the Muslim countries and—per legal principle and in accordance with the Danish legal system—would not intervene in the case, a number of Danish imams headed by Ahmed Akkari met in late 2005 to submit the Akkari-Laban dossier. The dossier presented the twelve Jyllands-Posten cartoons and other depictions of Muhammad, some real and some fake, including one where they claimed he was portrayed as a pig, seen as forbidden and unclean in Islam. This last image was proven to be an Associated Press photograph of a contestant in a pig-squealing contest. When challenged, the delegation's press spokesman admitted the goal had been to stir up controversy.
The issue received prominent media attention in some Muslim-majority countries, leading to protests across the world in late January and early February 2006. Some escalated into violence, resulting in almost 250 reported deaths, attacks on Danish and other European diplomatic missions, attacks on churches and Christians, and a boycott of Denmark. Some groups responded to the intense pro-aniconist protests by endorsing the Danish policies, launching "Buy Danish" campaigns and other displays of support for freedom of expression. The cartoons were reprinted in certain newspapers around the world, while other media outlets declined to reproduce the images.
Danish prime minister Anders Fogh Rasmussen described the controversy as Denmark's worst international relations incident since the Second World War. The incident came at a time of heightened political and social tensions between Muslim majority countries and Western countries, following several, high-profile radical Islamic terrorist attacks in the Westsuch as the September 11 attacks and the 7/7 bombingsand Western military interventions in Muslim countries, such as Iraq and Afghanistan. The relationship between Muslims in Denmark and broader society was similarly at a low point, and the conflict came to symbolize the discrepancies and idiosyncrasies between the Islamic community and the rest of society. In the years since, jihadist terrorist plots claiming to be in retaliation for the cartoons have been plannedand some executedagainst targets affiliated with Jyllands-Posten and its employees, Denmark, or newspapers that published the cartoons and other caricatures of Islamic prophets, most notably the Charlie Hebdo shooting in 2015.
Supporters said that the publication of the cartoons was a legitimate exercise in free speech: regardless of the content of the expression, it was important to openly discuss Islam without fear of terror, also stating that the cartoons made important points about critical issues. The Danish tradition of relatively high tolerance for freedom of speech became the focus of some attention. The controversy ignited a debate about the limits of freedom of expression in all societies, religious tolerance and the relationship of Muslim minorities with their broader societies in the West, and relations between the Islamic world in general and the West.
Notably, a few days after the original publishing, Jyllands-Posten published several depictions of Muhammad, all legitimately bought in Muslim countries. This, however, drew little attention.
Timeline
Debate about self-censorship
On 16 September 2005, Danish news service Ritzau published an article discussing the difficulty encountered by the writer Kåre Bluitgen, who was initially unable to find an illustrator prepared to work on his children's book The Qur'an and the life of the Prophet Muhammad. Three artists declined Bluitgen's proposal out of fear of reprisals.One artist agreed to assist anonymously; he said that he was afraid for his and his family's safety. According to Bluitgen, one artist declined due to the murder in Amsterdam of the film director Theo van Gogh the year before; another cited the attack in October 2004 on a lecturer at the at the University of Copenhagen; he was assaulted by five assailants who opposed his reading of the Qur'an to non-Muslims during a lecture. The story gained some traction, and the major Danish newspapers reported the story the following day.
The supposed refusals from these first three artists to participate was seen as evidence of self-censorship out of fear of violence from Islamists, which led to much debate in Denmark. The Danish newspaper Politiken stated on 12 February 2006, that they had asked Bluitgen to put them in touch with the artists, so the claim that none of them dared to work with him could be proved. The author refused, and nobody has ever been able to confirm whether the incident was accurately described.
Publication
At an editorial meeting of Jyllands-Posten on 19 September, reporter Stig Olesen put forward the idea of asking the members of the newspaper illustrators union if they would be willing to draw Muhammad. This would be an experiment to see the degree to which professional illustrators felt threatened. Flemming Rose, culture editor, was interested in the idea and wrote to the 42 members of the union asking them to draw their interpretations of Muhammad.15 illustrators responded to the letter. Three declined to participate: one did not know how to contribute to what he called a vague project, one thought the project was stupid and badly paid, and one said he was afraid. Twelve drawings had been submittedthree from newspaper employees and two which did not directly show Muhammad. The editors thought that some of the illustrators who had not responded were employed by other newspapers and were thus contractually prohibited from working for Jyllands-Posten. In the end, editor-in-chief Carsten Juste decided that given its inconclusive results, the story was better suited as an opinion piece rather than a news story, and it was decided to publish it in the culture section, under the direction of editor Flemming Rose.
Peter Hervik, a professor of Migration Studies, has since written that the results of this experiment disproved the idea that self-censorship was a serious problem in Denmark because the overwhelming majority of cartoonists had either responded positively or refused for contractual or philosophical reasons. Carsten Juste has said that the survey "lacked validity and the story fell short of sound journalistic basis." Hervik said that this, along with the fact that the most controversial cartoons were drawn by the newspaper's staff cartoonists, demonstrates that the newspaper's "desire to provoke and insult Danish Muslims exceeded the wish to test the self-censorship of Danish cartoonists."
Rose wrote the editorial which accompanied the cartoons in which he argued there had been several recent cases of self-censorship, weighing freedom of speech against the fear of confronting issues about Islam, so he thought it was legitimate news story. Among the incidents he cited were: the translators of a book critical of Islam did not want their names published; the Tate gallery in London withdrew an installation by the avant-garde artist John Latham depicting the Quran, Bible and Talmud torn to pieces, and comedian Frank Hvam said in an interview with Jyllands-Posten that he would hypothetically dare to urinate on the Bible on television, but not on the Quran. Rose also mentioned the case of a Danish imam who had met with Prime Minister Anders Fogh Rasmussen and "called on the prime minister to interfere with the press in order to get more positive coverage of Islam."
On 30 September 2005, Jyllands-Posten published an article entitled "" incorporating the cartoons. The article consisted of the 12 cartoons and an explanatory text, in which Rose wrote:
Later, Rose explained his intent further in The Washington Post: "The cartoonists treated Islam the same way they treat Christianity, Buddhism, Hinduism and other religions. And by treating Muslims in Denmark as equals they made a point: We are integrating you into the Danish tradition of satire because you are part of our society, not strangers. The cartoons are including, rather than excluding, Muslims." The publication of the cartoons was also accompanied by an editorial titled "" condemning Islamic spiritual leaders "who feel entitled to interpret the prophet's word, and cannot abide the insult that comes from being the object of intelligent satire." In October 2005, Politiken, another leading Danish newspaper, published its own poll of thirty-one of the forty-three members of the Danish cartoonist association. Twenty-three said they would be willing to draw Muhammad. One had doubts, one would not be willing because of fear of possible reprisals, and six artists would not be willing because they respected the Muslim ban on depicting Muhammad.