Mother India
Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat, it is the story of a poverty-stricken village woman named Radha, who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.
The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema.
The film was one of the most expensive Indian productions and earned the highest revenue for any Indian film at that time. Adjusted for inflation, Mother India still ranks among the all-time Indian box office hits. It was released in India amid fanfare in October 1957 and had several high-profile screenings, including one at the capital, New Delhi, attended by the country's president and prime minister. Mother India became a definitive cultural classic and is regarded as one of the best films in Indian cinema as well as being one of three Hindi-language films to be included on the list of 1001 Movies You Must See Before You Die. The film won the All India Certificate of Merit for Best Feature Film, the Filmfare Best Film Award for 1957, and Nargis and Khan won the Best Actress and Best Director awards respectively. It was also nominated for the Academy Award for Best International Feature Film, becoming the first Indian film to ever be nominated.
Plot
In 1957, the construction of an irrigation canal to the village is completed. Radha, considered to be the "mother" of the village, is asked to inaugurate the canal. She reminisces about her past when she was newly married.The wedding between Radha and Shamu is paid for by Radha's mother-in-law, who borrows money from the moneylender Sukhilala. The conditions of the loan are disputed, but the village elders decide in favour of the moneylender. Subsequently, Shamu and Radha are forced to pay three-quarters of their crop as interest on the loan of ₹500.
While Shamu works to bring more of their rocky land into use, his arms are crushed by a boulder. Ashamed of his helplessness and humiliated by Sukhilala for living on the earnings of his wife, Shamu decides that he is of no use to his family and permanently leaves Radha and their three sons, walking to his probable death by starvation. Soon after, Radha's youngest son and her mother-in-law die. A severe storm and the resulting flood destroy houses in the village and ruin the harvest. Sukhilala offers to save Radha and her sons if she trades her body to him for food. Radha vehemently refuses his offer but also loses her infant to the atrocities of the storm. Although the villagers initially begin to evacuate the village, they decide to stay and rebuild it, persuaded by Radha.
Several years later, Radha's two surviving children, Birju and Ramu, are young men. Birju, embittered since childhood by the demands of Sukhilala, takes out his frustrations by pestering the village girls, especially Sukhilala's daughter, Rupa. Ramu, by contrast, has a calmer temperament and is married soon after. Birju's anger finally becomes dangerous, and after being provoked, he attacks Sukhilala and his daughter, stealing Radha's kangan that were pawned with Sukhilala. He is chased out of the village and becomes a bandit. Radha promises Sukhilala that she will not let Birju cause harm to Sukhilala's family. On Rupa's wedding day, Birju returns with his gang of bandits to exact his revenge. He kills Sukhilala and kidnaps Rupa. When he tries to flee the village on his horse, Radha, his mother, shoots him. He dies in her arms. In 1957, Radha opens the gate of the canal, and its reddish water flows into the fields.
Cast
; Supported by- Siddiqui, Ram Shastri, Faqir Mohomed, Geeta, Hameeda, Mastan, Nawab Khan and Master Alec
Production
Title
The title Mother India was inspired by American author Katherine Mayo's 1927 polemical book of the same name, in which she attacked Indian society, religion and culture. Written against the Indian demands for self-rule and independence from British rule, the book pointed to the treatment of India's women, the untouchables, animals, dirt, and the character of its nationalistic politicians. Mayo singled out what she thought to be the rampant and fatally weakening sexuality of its males to be at the core of all problems, allegedly leading to masturbation, rape, homosexuality, prostitution, venereal diseases, and, particularly, premature sexual intercourse and maternity. The book created an outrage across India, and it was burned along with her effigy. It was criticised by Mahatma Gandhi as a "report of a drain inspector sent out with the one purpose of opening and examining the drains of the country to be reported upon". The book prompted over fifty angry books and pamphlets to be published to highlight Mayo's errors and false perception of Indian society, which had become a powerful influence on the American people's view of India.Mehboob Khan had the idea for the film and the title as early as 1952, five years after India's independence; in October that year, he approached the import authorities of the Indian government to seek permission for importing raw stocks for the film. In 1955, the ministries of External Affairs and Information-and-Broadcasting learned of the title of the forthcoming film and demanded that the director send them the script for review, suspicious that it was based on the book and thus a possible threat to the national interest. The film team dispatched the script along with a two-page letter on 17 September 1955 saying:
Script
Khan was inspired by American author Pearl S. Buck and her books The Good Earth and The Mother ; he also saw the film The Good Earth, directed by Sidney Franklin. The Mother chronicled the life of a Chinese woman, including her married life and lonely struggle after being abandoned by her husband. Aspects of Mother India, such as moneylenders, toiling on land, and rearing children through hardship were part of the story. Khan originally drew upon these influences in making his 1940 film Aurat, the original version of Mother India. Khan bought the rights of Aurat from the production company National Studios for 35,000. Stylistic elements of Mother India show similarities with Vsevolod Pudovkin's Soviet silent film Mother ; Our Daily Bread, directed by King Vidor; and films of Alexander Dovzhenko. Certain imagery in the film, such as "happy farmers, sickles in their hand, smiling from behind ripening crops", resemble posters by Soviet constructivist artists.The script of Aurat was devised by Wajahat Mirza, based upon a story by Babubhai Mehta. For Mother India, it was reworked by Mirza and the young screenwriter S. Ali Raza. Apart from Mehboob Khan, Mirza and Raza, prominent screenwriters Aghajani Kashmeri, Zia Sarhadi, Akhtar Mirza, music director Naushad, assistant director Chimankant Desai and many others were consulted. The dialogue, reworked by Mirza and Raza, is in vernacular Hindi, and its literary counterpart. As Mirza and Raza were from the Urdu literary tradition, they wrote the dialogues in Urdu script.
The script was intentionally written in a way that promoted the empowerment of women in Indian society and the maintenance of a sense of moral dignity and purpose as individuals; this was contrary to what Mayo had claimed in her book. These themes, present in Aurat, were further developed with a strong sense of nationalism and nation-building, using characters personifying abstract qualities such as "beauty and goodness, wealth and power, poverty and exploitation, and community spirit".
Casting
Nargis was the director's first choice for the role of Radha, and despite only being aged 26 at the time, she played the new wife, young single mother and an aged mother of two sons. Nargis—the reigning queen of Hindi cinema at the time—had started her career in a leading role with Khan's Taqdeer and acted under his direction in Humayun and Andaz. Mother India is generally regarded as Nargis's best performance and was her last major film before retirement after marriage.Khan had wanted to cast Sabu Dastagir, a Hollywood star of Indian origin, as Birju. Dastagir travelled to India from Los Angeles, stayed in a hotel in Mumbai and received a retainer. However, delays and obstacles in beginning shooting and getting a work permit for Dastagir led to his dismissal from the project. Dilip Kumar, an established actor in the Hindi film industry, had originally expressed an interest in playing Birju, which Khan found agreeable; Dilip Kumar agreed to play Shamu as well. However, Nargis objected that the public would not accept their casting as mother and son because she had done several romantic films alongside him. Sunil Dutt—with the experience of just one film—was finally cast, after Mukri, a comedian in the film, introduced him to Khan. Sajid Khan, the actor who portrayed the young Birju, was unknown at the time and was from a poor family from the Mumbai slums. Sajid's salary in the film was 750. He was later adopted by Mehboob Khan. Subsequently, Raaj Kumar was cast as Shamu and Rajendra Kumar as Ramu. Mother India was the first successful film and a turning point in the careers of Sunil Dutt, Raaj Kumar and Rajendra Kumar.
Before principal photography began, Nargis and Raaj Kumar familiarised themselves with farming practices such as ploughing the fields, reaping and sowing, and cotton picking. The extras in the song and dance sequences of the film were from local dance groups in villages where the shooting took place instead of the usual ones from Mumbai.