Monica Sjöö

Monica Sjöö was a Swedish-born British-based painter, writer and radical anarcho/ eco-feminist and peace activist who was an early exponent of the Goddess movement. Her books and paintings were foundational to the development of feminist art in Britain, beginning at the time of the founding of the women's liberation movement around 1970.
Sjöö's most famous painting is God Giving Birth, which depicts a woman giving birth and was inspired by Sjöö's religious view of motherhood; it sparked some protests from Christian groups in the 1970s. She wrote or co-wrote the manifesto Towards a Revolutionary Feminist Art and The Great Cosmic Mother: Rediscovering the Religion of the Earth.
Sjöö's art and writing became well-known outside of the UK, and throughout the 1970s, 1980s and 1990s she corresponded with influential American writers, artists and pagans such as Jean and Ruth Mountaingrove, Starhawk, Zsuzsanna Budapest, Shekhinah Mountainwater, Lucy Lippard, Alice Walker, and Judy Chicago.

Early life

Her parents were the Swedish painters Gustaf Arvid Sjöö and Anna Harriet Rosander-Sjöö, who divorced when Sjöö was three years old. She left school and ran away from home when she was 16.
Sjöö traveled Europe and held a variety of jobs: she worked in vineyards and as a nude model at art schools in Paris and Rome. She first visited Britain in the late 1950s, and eventually settled in Bristol where – except for a period in Wales in the early 1980s – she lived for the rest of her life. She participated in the August 1981 march from Cardiff to Newbury, Berkshire in opposition to the siting of US cruise missiles at RAF Greenham Common and became a member of the Greenham Common Women's Peace Camp. She was one of the promoters of the idea that it should be a women-only camp.

Career

Sjöö was the main author of Towards a Revolutionary Feminist Art one of the first, and most militant, feminist art manifestos. It was discussed widely in the feminist press, and The Guardian published an article in response.
Sjöö wrote the original pamphlet that, with Barbara Mor's re-write and expansion, would become the book The Great Cosmic Mother. It covers women's ancient history and the origin of religion, and is one of the first books to propose that humanity's earliest religious and cultural belief systems were created and first practised by women. It is currently in print and has been, and still is, a part of many women's studies, mythology and religious studies syllabi. Her research and writing helped uncover the hidden history of the Goddess. Sjöö's successful use of interdisciplinarity in her research has led to its acclaim within the Goddess movement.

Early exhibitions

Sjöö's first exhibition was at the Gallery Karlsson in Stockholm, Sweden in 1967. Having been a founder member of the Bristol Women's Liberation group, in March 1971, she participated in the first "Women's Liberation Art Group" exhibition held at the Woodstock Gallery in London.
Margaret Harrison states that . "Monica then wrote in Socialist Woman proposing forming a group or alliance of women artists. This led to the formation of the Bristol Women's Art Group ".

Later exhibitions

Sjöö used imagery in her paintings which often references birth, the female body, and nature. All of these images were central to her beliefs regarding her "Cosmic Mother". She described herself as among the pioneers in this movement of reclaiming female divinity – along with many other writers, artists, poets, and thinkers. In her art, she attempted to "holistically express" her growing religious belief in the Great Mother as the cosmic spirit and generative force in the universe. This was a critical component of her artwork. She claimed to enter a "state" of being or of mind where knowledge was available from past, present, and future.
Sjöö's most famous painting, God Giving Birth, depicts a woman giving birth, and has the title text painted in red capitalized letters. It is an expression of Sjöö's spiritual journey at that time, inspired by her religious experience during the birth of her second son, and represents her perception of the Great Mother as the universal creator of cosmic life. The painting and its concept created some controversy among Christian groups in the 1970s; at a group exhibition in London in 1973, it led to Sjöö being reported to the police for blasphemy, although the case was not taken up by the court.

Beliefs

Sjöö's work and beliefs centered on her respect and care of the Goddess, or Mother Earth. The Goddess was "the beauty of the green earth, the life-giving waters, the consuming fires, the radiant moon, and the fiery sun". Sjöö's respect for nature and the environment was not mere belief but, for her, a spiritual truth. The Goddess / Earth is to be respected as the life giver. This respect is to be found not only in her imagery, but in two texts which chronicle her journey through the written word.
Yet, these abstract beliefs were grounded with a firm foundation of action and activism. She was involved with the anarchist and anti-Vietnam War movements in Sweden in the 1960s and was active in the women's movement in Britain. Her political activism always grew out of her spiritual understanding of the earth as our living mother, similar to the beliefs of some Native American peoples.
Sjöö was highly critical of many of the ideas and personages of the New Age movement, including Alice Bailey, J. Z. Knight and "Ramtha", and Gene Roddenberry for some of the ideas behind Star Trek.

Reception

described Sjöö's work as paintings that "transformed ancient images and symbols into contemporary icons of female power."
In 1976 Sjöö was the subject of a film documentary shown at the ICA and NFT.

Personal life

Sjöö believed heterosexuality was an unnatural state imposed by patriarchy, and later in her life she enjoyed a number of intimate romantic relationships with women. However, after separating from her second husband, Andy Jubb, a composer, in the mid 1970s, Sjöö had an intense relationship with Keith Paton, a founder of the Alternative Socialist movement and, like Sjöö herself, a regular contributor to the alternative press, especially Peace News. Under Sjöö's influence, Paton changed his name to Motherson.
Two of her three sons died young. In 1985 her youngest, Leify, was killed in front of her by an oncoming car at age 15. Her eldest son, Sean, died of non-Hodgkin's lymphoma in 1987, aged 28. She claimed that his death was exacerbated by his experiences of rebirthing. Sjöö's grief at this double loss led first to an artistic paralysis akin to writer's block, and then to artistic expression, in the shape of the painting My Sons in the Spirit World.
Sjöö died of cancer in 2005, aged 66.

Artwork

Exhibitions

Name	Year	Location
Monica Sjöö: The time is NOW and it is overdue!	2022	, Lambeth, London
	2001	Create Gallery, Bristol, England
	2001	Skellefta Women's Arts Museum, Sweden
	2001	Kebele Kulture Projekt, Bristol, England
Traveling Show	1999–2000	Casa de Colores at Brownsville, Texas, USA; Austin, Texas; University of Texas in Arlington
	1998	Gaia Centre Galleri, Stockholm, Sweden
Touring Exhibition	1994	Various in Scandinavia
Women's Rites	1994	Liverpool, England
	1967	, Stockholm

Locations

Sjöö's art can be found in the Women's Art Collection at Murray Edwards College in Cambridge and at the in Skellefteå, Sweden. Some of her works are currently held in private collections of individuals: Sig Lonegren, Alice Walker, and Genevieve Vaughan hold a few, while Maggie Parks holds most of her art. The Temple of Goddess Spirituality dedicated to Sekhmet holds Solar Lionheaded Sekhment of Primordial Fire where it is displayed in the living room of their guest house.

Written works

''The Great Cosmic Mother''

* Excerpted in:

Chapters

——. "Aspects of the Great Mother" and "Creation". In Garcia, Jo; Maitland, Sara. Walking on the Water: Women Talk About Spirituality. London: Virago.

Articles

* Excerpted in:. In Robinson, Hilary. Feminism Art Theory: An Anthology 1968–2000. Malden, MA: Blackwell..
*. In Robinson, Hilary. Feminism Art Theory: An Anthology 1968–2014. Malden, MA: Wiley Blackwell..

Poems

Pamphlets

Reprinted in "Towards a Revolutionary Feminist Art"