Joseph Parry


Joseph Parry was a Welsh composer and musician. Born in Merthyr Tydfil, Wales, he is best known as the composer of "Myfanwy" and the hymn tune "Aberystwyth". Parry was also the first Welshman to compose an opera; his composition, Blodwen, was the first opera in the Welsh language.
Born into a large family, Parry left school to work in the local coal mines when he was nine years of age. He then went to work at the Cyfarthfa Ironworks, where his father was also employed. In 1854 the family emigrated to the United States, settling at Danville, Pennsylvania, where Parry again found employment at an iron works.
Though Parry had a great interest in music, he had no opportunity to study it until there was a temporary closure of the Rough and Ready Iron Works. Some of his co-workers were also musicians, and they offered music lessons while the iron works was closed. Parry joined a music sight-reading class taught by one of the men. He continued to study harmony with another co-worker, and learned how to read and write while he was learning about harmony.
Parry soon began submitting compositions to eisteddfodau in Wales and the United States and winning awards. During a return visit to Wales for the National Eisteddfod at Llandudno, Parry was offered two music scholarships, but was unable to accept due to family obligations. A fund was established for the support of Parry and his family while he studied music.
Parry went on to receive a doctorate in music from the University of Cambridge; he was the first Welshman to receive bachelor's and doctor's degrees in music from the University. He returned to Wales in 1874 to become the first professor of music at University College Wales, Aberystwyth, later accepting a position at University College of South Wales and Monmouthshire.

Life

Early years

Parry was born in Merthyr Tydfil in 1841, the seventh of eight children of Daniel and Elizabeth Parry. The family was musically inclined, with all family members singing in the chapel choir. Parry's mother, who performed at church functions, was remembered for her fine voice; two of Parry's sisters, Elizabeth and Jane, and a brother, Henry, gained some prominence in the United States as vocalists. He left school at age nine to work in the mines as the family needed the income. Young Parry worked a 56-hour week for twelve and a half pence while at the mine. By age 12, Parry was working at the puddling furnaces of the Cyfarthfa Ironworks, where his father also worked.
Parry's father, Daniel, emigrated to the United States in 1853; the rest of the family followed in 1854. Like his father and brother, Parry became a worker at the Rough and Ready Iron Works in Danville, Pennsylvania. Danville had a large Welsh community and he became involved in strengthening Welsh culture locally, attending the Congregational Chapel and the Sunday school. Parry also served as the organist for the Mahoning Presbyterian Church in Danville; the organ he played is still in service. Although he had sung in church choirs in Wales and the United States, Parry received no formal music lessons until he was 17 and living in Danville.
Parry's opportunity to study music came in the form of a temporary closure of the iron works where he was employed. Parry had the good fortune to become friendly with three fellow workers who were also musicians. During rest periods, the three often would sing. Parry listened with interest at first, later joining in. One of the men started a music sight-reading class while the iron works was closed; Parry joined this class and became a fine sight-reader. His interest in harmony made him want to study that also. One of his other co-workers agreed to take Parry as a pupil. Young Parry was unable to read or write at the time he began harmony studies. The teacher patiently blended reading lessons with principles of harmony, and Parry quickly became skilled at both; the teacher often found it hard to keep up with his pupil. During this time, Parry also learned to play the harmonium.

Return to Wales

Parry competed in the eisteddfod at Utica in 1861, and took first prize for Temperance Vocal March. Curious as to how his music would be received in his native Wales, in 1864, he sent an anthem to the National Eisteddfod of Wales at Llandudno. The adjudicators awarded him first prize, believing he was a professional musician. In 1865, Parry again prepared an entry, but this time he travelled to the contest in Aberystwyth. Parry's anthem entry was lost in the post, so it could not be judged. Instead, he was given a seat in the Gorsedd and the title "Pencerdd America".
During this visit, Parry and his friends who had accompanied him to Wales travelled the country giving concerts of Parry's own works. They were well received throughout the land. Parry was offered the opportunity to study for a year under Dr Davies of Swansea, followed by a one-year scholarship at the Royal Academy of Music. He had to refuse both offers since he had a wife and child in the United States dependent on him for support. By 1865, Parry's musical ability had become well known in Wales and in the United States. A fund was established to support Parry and his family while he studied music; donations were received from both countries. Parry aided his own cause by giving concerts in Pennsylvania, New York and Ohio.
In August 1868 Parry and his family arrived in England, where he began a three-year study at the Royal Academy of Music under William Sterndale Bennett and Manuel Garcia. During his last year of study at the Royal Academy, Parry appeared before Queen Victoria three times, each time by her special request. The Queen made another request of Parry each time he appeared: that he perform only works he had composed. In 1871, Bennett convinced Parry to enter University of Cambridge for a degree in music. While at Cambridge, Parry became the first Welshman to take both the MusB and MusD there. After earning his bachelor's degree, Parry and his family returned to Danville, where he operated a school of music for the next three years. When University College Wales, Aberystwyth established a chair for music, it was offered to Parry; he moved his family back to Wales, becoming the university's first professor of music.

Professor and doctor of music

Parry worked at Aberystwyth from 1874 to 1881. In addition to his university duties, Parry frequently travelled as an adjudicator and conducting concerts of his compositions. He received his doctorate from Cambridge in 1878. At the time a candidate was required to compose a short oratorio and to have the work publicly performed; the normal method was to have one of the college Chapel Choirs perform the oratorio. But Parry obtained the services of many Welsh singers; 100 made the trip to Cambridge to perform Parry's oratorio. When Parry resigned his position at University College Wales, Aberystwyth in 1880, he opened his own academy of music in the town.
In 1881, the Parry family left Aberystwyth for Swansea, where Parry became the organist at Ebenezer Chapel and was head of a musical college he founded. When he was offered a chair at the University College of South Wales and Monmouthshire in 1888, Parry and his family moved to the nearby town of Penarth. He lectured and taught at the university and was known as "Y Doctor Mawr". Parry also accepted a position as the organist at Christ Church Congregational Church in Penarth.
Parry became a candidate for principal of the Guildhall School of Music in 1896; the vacancy was due to the death of Sir Joseph Barnby. Officials of the city of Cardiff, colleagues and students at the University College of South Wales and Monmouthshire, as well as Parry's former teachers wrote letters to the School of Music Committee in support of his election to the position. There were 38 applicants for the position; the field was reduced to two candidates through a series of ballots by the Court of Common Council. Parry was no longer under consideration after the first round of reductions. He remained at the university and continued his work as an eisteddfod adjudicator, a conductor at Cymanfaoedd Canu, and as a performer and lecturer throughout Wales and the United States until the time of his death.

Personal life and characteristics

In 1861 in Danville, Pennsylvania Parry married Jane Thomas. She was the daughter of Welsh immigrants and the sister of Gomer Thomas, who published many of Parry's early compositions. The couple had three sons and two daughters. The older children were born when the family was still living in Danville; only Parry's youngest child was born in Wales. Two of Parry's three sons died after the family moved to Penarth. Parry's youngest son, William, died in 1892; his oldest son, Joseph Haydn, died two years later. While all of Parry's children are said to have had musical talent, his eldest, Joseph Haydn, followed in his father's footsteps as a composer and teacher.
Later in 1894, Parry and his wife hoped a trip to the US would help ease some of the sadness over the deaths of their two sons. Parry had last visited the United States on a vocal concert tour in 1880. Though the Parrys would be visiting family, he believed he should be available to the public during the visit since many people in the US had helped him financially when he was studying music in England.
Parry asked an old friend to notify the Welsh community in the United States that he would be visiting and would adjudicate at eisteddfodau, lecture or lead cymanfaoedd canu if desired. The community could arrange for Parry to visit by contacting Rev. Thomas Edwards of Edwardsville, Pennsylvania. Parry and his family visited many cities and towns in the eastern US and were warmly received wherever they went. He kept those back in Cardiff advised of his travels through letters to the Western Mail which were printed by the newspaper. Parry's last journey to the United States in 1898 included a visit to Salt Lake City, where he adjudicated at the third Salt Lake eisteddfod which was held in the Mormon Tabernacle. His last major work, an opera entitled The Maid of Cefn Ydfa, premiered at the Grand Theatre in Cardiff in late December 1902.
Parry was known as a religious man and a hard worker both at the iron works and at his craft. Despite his recognition in Wales and in the United States, he was not a wealthy man. Parry had little aptitude for business. With his permission, a committee of his friends managed his affairs, with Parry creating compositions and his friends tending to the business of publications. Since his compositions were based primarily on Welsh subjects, many of Parry's friends believed it would have been to his advantage to have settled in London, where there were more cosmopolitan experiences to draw inspiration from. In 1859, Parry and his family became citizens of the United States; he was equally proud of being a Welshman and a United States citizen.
David Jenkins, who was a student and assistant to Parry at Aberystwyth, described him as impulsive and unable to criticise his own works, too erratic to be a good conductor and too impatient for all but advanced students, but with a boyish enthusiasm, especially for music. Sir Alexander Mackenzie, who also worked with Parry, also noted his great enthusiasm and described him as a man of great musical ability.