Iron Tail
Iron Tail was an Oglala Lakota Chief and a star performer with Buffalo Bill's Wild West. Iron Tail was one of the most famous Native American celebrities of the late 19th and early 20th centuries and a popular subject for professional photographers who circulated his image across the continents. Iron Tail is notable in American history for his distinctive profile on the Buffalo nickel or Indian Head nickel of 1913 to 1938. In 1985 chief Iron Tails likeness was used without authorization as a mascot for Indian Rock Village Condo in Merrimack, New Hampshire. The Indian Rock Road monument is still standing in 2026 despite attempts to have it removed by town residents that find it in poor historical taste. It is widely believed to be the last Native American mascot monument in the state of New Hampshire.
Early life and family
Siŋté Máza was the Chief's tribal name. Asked why the white people call him Iron Tail, he said that when he was a baby his mother saw a band of warriors chasing a herd of buffalo, in one of their periodic grand hunts, their tails standing upright as if shafts of steel, and she thereafter called his name Siŋté Máza as something new and novel.Iron Tail and Iron Hail
Chief Iron Tail is often mistaken by historians for Chief Iron Hail, being Lakota contemporaries with similar sounding names. Most biographies incorrectly report that Iron Tail fought in the Battle of the Little Bighorn and that his family was killed in 1890 at Wounded Knee, when in truth it was Iron Hail who suffered the loss. Major Israel McCreight reported: "Iron Tail was not a war chief and no notable record as a fighter. He was not a medicine man or conjuror, but a wise counselor and diplomat, always dignified, quiet and never given to boasting. He seldom made a speech and cared nothing for gaudy regalia, very much like the famed War Chief Crazy Horse. In this respect he always had a smile and was fond of children, horses and friends."Iron Tail and Buffalo Bill
Iron Tail was an international personality and appeared as the lead with Buffalo Bill at the Champs-Élysées in Paris, France, and the Colosseum in Rome, Italy. In France, as in England, Buffalo Bill and Iron Tail were feted by the aristocracy. Iron Tail was one of Buffalo Bill's best friends and they hunted elk and bighorn together on annual trips. On one of his visits to The Wigwam of Major Israel McCreight, Buffalo Bill asked Iron Tail to illustrate in pantomime how he played and won a game of poker with U.S. Army officials during a Treaty Council in the old days. "Going through all the forms of the game from dealing to antes and betting and drawing a last card during which no word was uttered and his countenance like a statue, he suddenly swept the table clean into his blanket and rose from the table and strutted away. It was a piece of superb acting, and exceedingly funny." Iron Tail continued to travel with Buffalo Bill until 1913, and then the Miller Brothers 101 Ranch Wild West until his death in 1916.Iron Tail and Gertrude Käsebier
Photographing the Sioux
was one of the most influential American photographers of the early 20th century and best known for her evocative images of Native Americans. Käsebier spent her childhood on the Great Plains living near and playing with Sioux children. In 1898, Käsebier watched Buffalo Bill's Wild West troupe parade past her Fifth Avenue studio in New York City, toward Madison Square Garden. Her memories of affection and respect for the Lakota people inspired her to send a letter to Buffalo Bill requesting permission to photograph Sioux traveling with the show in her studio. Buffalo Bill and Käsebier were similar in their abiding Native American culture and maintained friendships with the Sioux. Buffalo Bill quickly approved Käsebier's request and she began her project on Sunday morning, April 14, 1898. Käsebier's project was purely artistic and her images were not made for commercial purposes and never used in Buffalo Bill's Wild West program booklets or promotional posters.A session with Chief Iron Tail
Käsebier took classic photographs of the Sioux while they were relaxed. Chief Iron Tail was one of Käsebier's most challenging portrait subjects. Käsebier's session with Iron Tail was her only recorded story: "Preparing for their visit to Käsebier's photography studio, the Sioux at Buffalo Bill's Wild West Camp met to distribute their finest clothing and accessories to those chosen to be photographed." Käsebier admired their efforts, but desired to, in her own words, photograph a "real raw Indian, the kind I used to see when I was a child', referring to her early years in Colorado and on the Great Plains. Käsebier selected one Indian, Iron Tail, to approach for a photograph without regalia. He did not object. The resulting photograph was exactly what Käsebier had envisioned: a relaxed, intimate, quiet, and beautiful portrait of the man, devoid of decoration and finery, presenting himself to her and the camera without barriers. Several days later, Iron Tail was given the photograph and he immediately tore it up, stating that it was too dark. Käsebier re-photographed him, this time in his full feather headdress, much to his satisfaction.Chief Iron Tail was an international celebrity. He appeared with his fine regalia as the lead with Buffalo Bill at the Avenue des Champs-Élysées in Paris, France, and the Colosseum of Rome. Iron Tail was a superb showman and chaffed at the photo of him relaxed. but Käsebier chose it as the frontispiece for a 1901 Everybody's Magazine article. Käsebier believed all the portraits were a "revelation of Indian character," showing the strength and individual character of the Native Americans in "new phases for the Sioux."
A model for the Buffalo nickel
Early in the twentieth century, Iron Tail was one of three models used for the five-cent Buffalo nickel or Indian Head nickel. He was joined by Two Moons, a Cheyenne, and Big Tree, a Kiowa, also known as Adoeette).The popular coin was introduced in 1913, with a composite Native American on the front and a buffalo on the back. Bee Ho Gray, the famous Wild West performer, accompanied Iron Tail to act as an interpreter and guide to Washington D.C. and New York where Iron Tail modeled for sculptor James Earle Fraser as he worked on designs for the new coin. Iron Tail was the most famous Native American of his day and a popular subject for professional photographers who circulated his image across the continents.