Hecate
Hecate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches, a key, or snakes, or accompanied by dogs, and in later periods depicted as three-formed or triple-bodied. She is variously associated with crossroads, night, light, magic, witchcraft, and the Moon. Her earliest appearance in literature was in Hesiod's Theogony in the 8th century BCE as a goddess of great honour with domains in sky, earth, and sea. She had popular followings among the witches of Thessaly, and an important sanctuary among the Carians of Asia Minor in Lagina. The earliest evidence for Hecate's cult comes from Selinunte, in Sicily.
Hecate was one of several deities worshipped in ancient Athens as a protector of the oikos, alongside Zeus, Hestia, Hermes, and Apollo. In the post-Christian writings of the Chaldean Oracles she was also regarded with rulership over earth, sea, and sky, as well as a more universal role as Savior, Mother of Angels and the Cosmic World Soul.
Regarding the nature of her cult, it has been remarked, "she is more at home on the fringes than in the centre of Greek polytheism. Intrinsically ambivalent and polymorphous, she straddles conventional boundaries and eludes definition."
The Romans often knew her by the epithet of Trivia, an epithet she shares with Diana, each in their roles as protector of travel and of the crossroads. Hecate was closely identified with Diana and Artemis in the Roman era.
Name
Etymology
Potential Greek source words have been suggested for the goddess's name. The word ἑκών, meaning "willing", may be related to the name Hecate. However, no sources suggested list will or willingness as a major attribute of Hecate, which calls this assertion into question. Another Greek word suggested as the origin of the name Hecate is Ἑκατός Hekatos, an obscure epithet of Apollo interpreted as "the far-reaching one" or "the far-darter". This has been suggested in comparison with the attributes of the goddess Artemis, strongly associated with Apollo and frequently equated with Hecate in the classical world. Supporters of this etymology suggest that Hecate was originally considered an aspect of Artemis prior to the latter's adoption into the Olympian pantheon. Artemis would have, at that point, become more strongly associated with purity and maidenhood, on the one hand, while her originally darker attributes like her association with magic, the souls of the dead, and the night would have continued to be worshipped separately under her title Hecate. Though often considered the most likely Greek origin of the name, the Ἑκατός theory does not account for her worship in Asia Minor, where her association with Artemis seems to have been a late development, and the competing theories that the attribution of darker aspects and magic to Hecate were themselves not originally part of her cult. R. S. P. Beekes rejected a Greek etymology and suggested a Pre-Greek origin.Older English pronunciation and spelling
In Early Modern English, the name was also pronounced disyllabically and sometimes spelled Hecat. It remained common practice in English to pronounce her name in two syllables, even when spelled with final e, well into the 19th century.The spelling Hecat is due to Arthur Golding's 1567 translation of Ovid's Metamorphoses, and this spelling without the final E later appears in plays of the Elizabethan-Jacobean period.
Webster's Dictionary of 1866 particularly credits the influence of Shakespeare for the then-predominant disyllabic pronunciation of the name.
Possible origins
Anatolian
Evidence suggests that Hecate originated among the Carians of Anatolia, the region where most theophoric names invoking Hecate, such as Hecataeus or Hecatomnus, the father of Mausolus, are attested, and where Hecate remained a Great Goddess into historical times, at her unrivalled cult site in Lagina. In particular, there is some evidence that she might be derived from the local sun goddesses based on similar attributes. The monuments to Hecate in Phrygia and Caria are numerous, but of a later date.If Hecate's cult spread from Anatolia into Greece, then it possibly presented a conflict, as her role was already filled by other more prominent deities in the Greek pantheon, above all by Artemis and Selene. This line of reasoning lies behind the widely accepted hypothesis that she was a foreign deity who was incorporated into the Greek pantheon. Other than in the Theogony, the Greek sources do not offer a consistent story of her parentage or of her relations in the Greek pantheon.
Egyptian
A possible theory of a foreign origin for the name may be Heqet, a frog-headed Egyptian goddess of fertility and childbirth, who, like Hecate, was also associated with ḥqꜣ, ruler. The word heka in the Egyptian language is also both the word for "magic" and the name of the god of magic and medicine, Heka.Iconography
Hecate was generally represented as three-formed or triple-bodied, though the earliest known images of the goddess are singular. Her earliest known representation is a small terracotta statue found in Athens. An inscription on the statue is a dedication to Hecate, in writing of the style of the 6th century, but it otherwise lacks any other symbols typically associated with the goddess. She is seated on a throne, with a chaplet around her head; the depiction is otherwise relatively generic. Farnell states: "The evidence of the monuments as to the character and significance of Hecate is almost as full as that of to express her manifold and mystic nature." A 6th century fragment of pottery from Boetia depicts a goddess which may be Hecate in a maternal or fertility mode. Crowned with leafy branches as in later descriptions, she is depicted offering a "maternal blessing" to two maidens who embrace her. The figure is flanked by lions, an animal associated with Hecate both in the Chaldean Oracles, coinage, and reliefs from Asia Minor. In artwork, she is often portrayed in three statues standing back to back, each with its own special attributes.The 2nd-century travel writer Pausanias stated that Hecate was first depicted in triplicate by the sculptor Alcamenes in the Greek Classical period of the late 5th century BCE, whose sculpture was placed before the temple of the Wingless Nike in Athens. Though Alcamenes's original statue is lost, hundreds of copies exist, and the general motif of a triple Hecate situated around a central pole or column, known as a hekataion, was used both at crossroads shrines as well as at the entrances to temples and private homes. These typically depict her holding a variety of items, including torches, keys, serpents, and daggers. Some hekataia, including a votive sculpture from Attica of the 3rd century BCE, include additional dancing figures identified as the Charites circling the triple Hecate and her central column. It is possible that the representation of a triple Hecate surrounding a central pillar was originally derived from poles set up at three-way crossroads with masks hung on them, facing in each road direction. In the 1st century CE, Ovid wrote: "Look at Hecate, standing guard at the crossroads, one face looking in each direction."
Apart from traditional hekataia, Hecate's triplicity is depicted in the vast frieze of the great Pergamon Altar, now in Berlin, wherein she is shown with three bodies, taking part in the battle with the Titans. In the Argolid, near the shrine of the Dioscuri, Pausanias saw the temple of Hecate opposite the sanctuary of Eileithyia; He reported the image to be the work of Scopas, stating further, "This one is of stone, while the bronze images opposite, also of Hecate, were made respectively by Polycleitus and his brother Naucydes, son of Mothon."
While Greek anthropomorphic conventions of art generally represented Hecate's triple form as three separate bodies, the iconography of the triple Hecate eventually evolved into representations of the goddess with a single body, but three faces. In Egyptian-inspired Greek esoteric writings connected with Hermes Trismegistus, and in the Greek Magical Papyri of Late Antiquity, Hecate is described as having three heads: one dog, one serpent, and one horse. In other representations, her animal heads include those of a cow and a boar.
The east frieze of a Hellenistic temple of hers at Lagina shows her helping protect the newborn Zeus from his father Cronus; this frieze is the only evidence of Hecate's involvement in the myth of his birth.
Sacred animals
Dogs were closely associated with Hecate in the Classical world. They were one of her most important attributes, with a fragment of Euripides describing them as her sacred animal. The sacrifice of dogs to her is attested in Thrace, Samothrace, Colophon, and Athens, and is known to have played a significant role in purification rites to her. A 4th-century BCE marble relief from Crannon in Thessaly was dedicated by a race-horse owner. It shows Hecate, with a hound beside her, placing a wreath on the head of a mare. It has been claimed that her association with dogs is suggestive of her connection with birth, for the dog was sacred to Eileithyia, Genetyllis, and other birth goddesses. Images of her attended by a dog are also found when she is depicted alongside the god Hermes and the goddess Cybele in reliefs.Although in later times Hecate's dog came to be thought of as a manifestation of restless souls or daemons who accompanied her, its docile appearance and its accompaniment of a Hecate who looks completely friendly in many pieces of ancient art suggests that its original signification was positive and thus likelier to have arisen from the dog's connection with birth than the dog's underworld associations." The association with dogs, particularly female dogs, could be explained by a metamorphosis myth in Lycophron: the friendly-looking female dog accompanying Hecate was originally the Trojan Queen Hecuba, who leapt into the sea after the fall of Troy and was transformed by Hecate into her familiar.
The polecat is also associated with Hecate. Antoninus Liberalis used a myth to explain this association:
Aelian told a different story of a woman transformed into a polecat:
Athenaeus of Naucratis, drawing on the etymological speculation of Apollodorus of Athens, notes that the red mullet is sacred to Hecate, "on account of the resemblance of their names; for that the goddess is trimorphos, of a triple form". The Greek word for mullet was trigle and later trigla. He goes on to quote a fragment of verse:
In relation to Greek concepts of pollution, Parker observes,
At Athens, it is said there stood a statue of Hecate Triglathena, to whom the red mullet was offered in sacrifice. After mentioning that this fish was sacred to Hecate, Alan Davidson writes,
In her three-headed representations, discussed above, Hecate often has one or more animal heads, including cow, dog, boar, serpent, and horse. Lions are associated with Hecate in early artwork from Asia Minor, as well as later coins and literature, including the Chaldean Oracles. The frog, which was also the symbol of the similarly named Egyptian goddess Heqet, has also become sacred to Hecate in modern pagan literature, possibly due in part to its ability to cross between two elements.
Comparative mythologist Alexander Haggerty Krappe cited that Hecate was also named , since the horse was "the chthonic animal par excellence".