Kali
Kali, also called Kalika, is a major goddess in Hinduism, primarily associated with time, death, and destruction. Kali is also connected with transcendental knowledge and is the first of the ten Mahavidyas, a group of goddesses who provide liberating knowledge. Of the numerous Hindu goddesses, Kali is held as the most famous. She is the preeminent deity in the Hindu tantric and the Kalikula worship traditions, and is a central figure in the goddess-centric sects of Hinduism as well as in Shaivism. Kali is chiefly worshipped as the Divine Mother, Mother of the Universe, and Divine feminine energy.
The origins of Kali can be traced to the pre-Vedic and Vedic era goddess worship traditions in the Indian subcontinent. Etymologically, the term Kali refers to one who governs time or is black. The first major appearance of Kali in the Sanskrit literature was in the sixth-century CE text Devi Mahatmya. Kali appears in many stories, with the most popular one being when she manifests as personification of goddess Durga's rage to defeat the demon Raktabija. The terrifying iconography of Kali makes her a unique figure among the goddesses and symbolises her embracement and embodiment of the grim worldly realities of blood, death and destruction.
Kali is stated to protect and bestow liberation to devotees who approach her with an attitude of a child towards mother. Devotional songs and poems that extol the motherly nature of Kali are popular in Bengal, where she is most widely worshipped as the Divine Mother. Shakta and Tantric traditions additionally worship Kali as the ultimate reality or Brahman. In modern times, Kali has emerged as a symbol of significance for women.
Etymology
The term Kali is derived from Kala, which is mentioned quite differently in Sanskrit. The homonym is distinct from kāla, but these became associated through popular etymology.Kali is then understood as "she who is the ruler of time", or "she who is black". Kālī is the goddess of time or death and the consort of Shiva. She is called Kali Mata and also kālī, which can be read here either as a proper name or as a description: "the dark one".
History
Although the word appears as early as the Atharva Veda, the first use of it as a proper name is in the Kathaka Grhya Sutra. Kali originated as a tantric and non-Vedic goddess. Her roots are most probably connected to the Pre-Aryan period. According to Indologist Wendy Doniger, Kali's origins can be traced to the deities of the Pre-Vedic village, tribal, and mountain cultures of South Asia who were gradually appropriated and transformed by the Sanskritic traditions.Legends
Her most well-known appearance is on the battlefield in the sixth century text Devi Mahatmyam. The deity of the first chapter of Devi Mahatmyam is Mahakali, who appears from the body of sleeping Vishnu as goddess Yoga Nidra to wake him up in order to protect Brahma and the world from two asuras, Madhu-Kaitabha. When Vishnu woke up he started a war against the two asuras. After a long battle with Vishnu, the two demons were undefeated and Mahakali took the form of Mahamaya to enchant the two asuras. When Madhu and Kaitabha were enchanted by Mahakali, Vishnu killed them.In later chapters, the story of two asuras who were destroyed by Kali can be found. Chanda and Munda attack the goddess Kaushiki. Kaushiki responds with such anger that it causes her face to turn dark, resulting in Kali appearing out of her forehead. Kali's appearance is dark blue, gaunt with sunken eyes, wearing a tiger skin sari and a garland of human heads. She immediately defeats the two asuras. Later in the same battle, the asura Raktabija is undefeated because of his ability to reproduce himself from every drop of his blood that reaches the ground. Countless Raktabija clones appear on the battlefield. Kali eventually defeats him by sucking his blood before it can reach the ground, and eating the numerous clones. Kinsley writes that Kali represents "Durga's personified wrath, her embodied fury".
Other origin stories involve Parvati and Shiva. Parvati is typically portrayed as a benign and friendly goddess. The Linga Purana describes Shiva asking Parvati to defeat the asura Daruka, who received a boon that would only allow a female to kill him. Parvati merges with Shiva's body, reappearing as Kali to defeat Daruka and his armies. Her bloodlust gets out of control, only calming when Shiva intervenes. The Vamana Purana has a different version of Kali's relationship with Parvati. When Shiva addresses Parvati as Kali, "the dark blue one", she is greatly offended. Parvati performs austerities to lose her dark complexion and becomes Gauri, the golden one. Her dark sheath becomes Kaushiki, who while enraged, creates Kali.
In the Devi Bhagavata Purana, Kali turns black out of rage, while battling the demons Shumbha and Nishumbha.
Slayer of Raktabīja
In Kāli's most famous legend, Durga and her assistants, the Matrikas, wound the demon Raktabīja, in various ways and with a variety of weapons in an attempt to destroy him. They soon find that they have worsened the situation for with every drop of blood that drips from Raktabīja, he reproduces a duplicate of himself. The battlefield becomes increasingly filled with his duplicates. Durga summons Kāli to combat the demons. This episode is described in the Devi Mahatmyam, Kali is depicted as being fierce, clad in a tiger's skin and armed with a sword and noose. She has deep, red eyes with tongue lolling out as she catches drops of Raktabīja's blood before they fall to the ground and create duplicates.Kali consumes Raktabīja and his duplicates, and dances on the corpses of the slain. In the Devi Mahatmya version of this story, Kali is also described as a Matrika and as a Shakti or power of Devi. She is given the epithet , that is, the slayer of the demons Chanda and Munda. Chamunda is very often identified with Kali and is very much like her in appearance and habit.
Iconography and forms
The goddess Kali is regarded as the most famous female deity of all the numerous Hindu goddesses. The uncommon appearance of Kali is explained as a cause of her popularity. Kali is iconographically depicted as a "terrifying emaciated woman," with black skin, long tangled hair, red eyes and a long lolling tongue. She is naked barring a grim set of ornamentation: "a necklace of skulls or freshly decapitated heads, a skirt of severed arms and jewellery made from the corpses of infants." The "wildness" is a defining aspect of her character. The terrifying iconography of Kali is considered symbolic of her role as a protector and a bestower of freedom to devotees, of whom she shall take care if they come to her in the "attitude of a child." Devotional songs and poems that glorify the motherly nature of Kali are popular in Bengal, where she is most extensively worshipped.In the Devi Mahatmya, where Kali first appeared as a personification of the rage of goddess Durga, an aspect of Kali's character was her thirst for blood and fondness to stay at places of death and destruction. In original depictions, Kali was often pictured in a cremation ground or battlefield standing on the corpse of Shiva, which symbolized her manifestation as Shakti. Kali represents the goddess embracing and encompassing the grim worldly realities of "blood, death and destruction".
The Kalika Purana describes Kali as "possessing a soothing dark complexion, as perfectly beautiful, riding a lion, four-armed, holding a sword and blue lotus, her hair unrestrained, body firm and youthful". The goddess has two depictions: the popular four-armed form and the ten-armed Mahakali avatar. In both, she is described as being black in colour, though she is often seen as blue in popular Indian art. Her eyes are described as red with intoxication and rage. Her hair is disheveled, small fangs sometimes protrude out of her mouth, and her tongue is lolling. Sometimes she dons a skirt made of demon arms and a garland of demon heads. Other times, she is seen wearing a tiger skin. She is also accompanied by serpents and a jackal while standing on the calm and prostrate Shiva, usually right foot forward to symbolize the more popular dakṣiṇācāra, as opposed to the more infamous and transgressive vamachara. Her mount, or vahana, is the lion.
Popular form
Kali is depicted with four arms, which symbolize the circle of creation and dissolution. Her left hands are depicted holding a severed head and a sword. The sword signifies divine knowledge and the human head signifies human ego which must be slain by divine knowledge in order to attain moksha. The right hands are usually depicted in the abhaya and varada mudras, which means her initiated devotees will be saved as she will guide them here and in the hereafter.She wears a garland of demon heads, variously enumerated at 108 or 51, which represents Varnamala or the Garland of letters of the Sanskrit alphabet, Devanagari. Hindus believe Sanskrit is a language of dynamism, and each of these letters represents a form of energy, or a form of Kali. Therefore, she is generally seen as the mother of language, and all mantras.
She is often depicted naked which symbolizes her being beyond the covering of Maya since she is pure being-consciousness-bliss and far above Prakriti. She is shown as very dark as she is Brahman in its supreme unmanifest state. She has no permanent qualities—she will continue to exist even when the universe ends. It is therefore believed that the concepts of color, light, good, and bad do not apply to her.
Mahakali
Mahakali, literally translated as "Great Kali", is sometimes considered as a greater form of Kali, identified with the Ultimate reality of Brahman. It can also be used as an honorific of the Goddess Kali,. Mahakali symbolizes absolute night and the power of time. She is depicted with five or ten heads, each with three eyes and holding different weapons. Mahakali is known as the origin of all things, her consort is Mahakala.The Skanda Purana mentions that Kali took the form of Mahakali at the instruction of Shiva who wanted her to destroy the world during the time of universal destruction.
In the ten-armed form of Mahakali, she is depicted as shining like a blue stone. She has ten faces, ten feet, and three eyes for each head. She has ornaments decked on all her limbs. There is no association with Shiva.