Father Time


Father Time is a personification of time, in particular the progression of history and the approach of death. In recent centuries, he is usually depicted as an elderly bearded man, sometimes with wings, dressed in a robe and carrying a scythe and an hourglass or other timekeeping device.
As an image, the origins of "Father Time" are varied. The ancient Greeks themselves began to associate Chronos Protogenos with the god Cronos, who had the attribute of a harvester's sickle. The Romans equated Cronos with Saturn, who also had a sickle, and was treated as an old man, often with a crutch. The wings and hourglass were early Renaissance additions and he eventually became a companion of the Grim Reaper, personification of Death, often taking his scythe. He may have as an attribute a snake with its tail in its mouth, an ancient Egyptian symbol of eternity.

New Year

Around New Year's Eve, the media use the convenient trope of Father Time as the personification of the previous year who typically "hands over" the duties of time to the equally allegorical Baby New Year or who otherwise characterizes the preceding year. In these depictions, Father Time is usually depicted wearing a sash with the old year's date on it.
Time is often depicted revealing or unveiling the allegorical Truth, sometimes at the expense of a personification of Falsehood, Fraud, or Envy. This theme is related to the idea of veritas filia temporis.

In the arts

Father Time is an established symbol in numerous cultures and appears in a variety of art and media. In some cases, they appear specifically as Father Time while in other cases they may have another name, but the characters demonstrate the attributes which Father Time has acquired over the centuries.

Art

Visual art

Venus, Cupid, Folly, and Time, a c.1545 painting by Agnolo Bronzino, National Gallery, London.An Allegory of Truth and Time, a 1584–85 painting by Annibale Carracci, Royal Collection Trust.An Allegory of Truth, a 1596 painting by Gillis Coignet the Elder, showing Time presenting Truth.Time Rescuing Truth from Envy , a sixteenth-century print after Hieronymus Bosch, Baillieu Library, Melbourne.The Triumph of Truth, part of the 1622–1625 Marie de' Medici cycle of paintings by Peter Paul Rubens, Louvre.Time Vanquished by Love, Hope & Beauty, a 1627 painting by Simon Vouet, features Saturn in his incarnation as Father Time as the central figure, Prado Madrid.A Dance to the Music of Time, a 1634–1636 painting by Nicolas Poussin, shows Time strumming a stringed instrument while several allegorical figures dance, Wallace Collection, London.Landscape with Time and Truth, a 1639 painting by Nicolas Poussin.Time Defending Truth Against the Attacks of Envy and Discord, c. 1641, ceiling painting by Nicolas Poussin.Time Reveals the Truth, a 1650 painting by Theodoor van Thulden.Time Reveals the Truth: The Allegory, a 1657 painting by Theodoor van Thulden, State Hermitage Museum.Time Being Overcome by Truth, a c. 1665 painting by Pietro Liberi, private collection.Vanitas: Time Reveals the Truth, a c.1670 painting by Giovanni Domenico Cerrini.Time Destroys Beauty, a seventeenth-century painting by Giovanni Domenico Cerrini.Time Revealing Truth, late seventeenth or early eighteenth century painting by Sebastiano Ricci Belluno.Time Unveiling Truth, a 1733 painting by Jean-François De Troy, National Gallery, London.Time Saving Truth from Falsehood and Envy, a 1737 painting by François Le Moyne, Wallace Collection, London.Time Unveiling Truth, a c. 1743 painting by Giovanni Battista Tiepolo, Museo Civico Palazzo Chiericati, Vicenza.Time Uncovering Truth, a 1745 oval painting by Charles-Joseph Natoire, part of the Waddesdon Rothschild Collections, Aylesbury, UK.Time Unveiling Truth, a 1745–1750 painting by Giovanni Battista Tiepolo, Museum of Fine Arts, Boston.Time Hunting Envy and Discovering Truth, an eighteenth-century fresco by Giovanni Battista Tiepolo at the Villa Loschi-Zileri outside of Vicenza, Italy.Truth Rescued by Time, Witnessed by History, an 1812–1814 painting by Francisco Goya, Nationalmuseum, Stockholm.

Sculpture

Books

Comics, magazines and periodicals

  • Father Time made numerous appearances in the classic comic Little Nemo in Slumberland, both as a general representation of time and as a symbol of the new year.
  • A Norman Rockwell painting of Father Time appeared on 31 December 1910 cover of The Saturday Evening Post.
  • Father Time is a recurring character in Tatsuya Ishida's webcomic Sinfest, often appearing as an infant immediately on or after the Western New Year, and as an old man fated to die during the end of the year.
  • Father Time appears in Neil Gaiman's graphic novel The Sandman: Overture, depicted as father to the Endless – seven embodiments of natural forces – through marriage to Mother Night.

Film, Television and Video Games

Music