Fatal Attraction


Fatal Attraction is a 1987 American psychological thriller film directed by Adrian Lyne and written by James Dearden, based on his 1980 short film Diversion. It follows Dan Gallagher, an attorney who cheats on his wife Beth with a colleague, Alex Forrest. When Dan ends the affair, Alex begins stalking him and his family.
Fatal Attraction was released in the United States on September 18, 1987 by Paramount Pictures. It grossed $320 million on a $14 million production budget, becoming the second highest-grossing film of the year in the United States. It received acclaim, with particular praise for its direction, editing, screenplay, and performances. It received six nominations at the 60th Academy Awards, including Best Picture, Best Director for Lyne, Best Actress for Close, and Best Supporting Actress for Archer. Considered a pop culture phenomenon in the years since its release, the film is also credited for triggering the erotic thriller boom of the late 1980s to the mid-1990s.
A play based on the film opened in London's West End at the Theatre Royal Haymarket in 2014. In 2023, a television adaptation was broadcast on Paramount+.

Plot

Dan Gallagher is an attorney from Manhattan. While his wife, Beth, and daughter, Ellen, are out of town visiting Beth's family, he has an affair with Alex Forrest, an editor for a publishing company whom he had recently met at a work function. Initially, it seems that both Dan and Alex understand their affair to be just a fling, but Alex begins to cling to him.
Dan reluctantly spends the following day with Alex after she persistently asks him over. When he tries to leave, she cuts her wrists in a manipulative ploy to have him stay and save her. Dan helps her bandage her wrists, stays overnight to ensure that she is all right and then leaves in the morning.
The next day, Alex shows up at his office to apologize for her behavior and invites him to a performance of Madama Butterfly, but he declines. She continues to call him at his office until he instructs his secretary to tell Alex that he is not present if she calls his office again.
Alex insists that Dan meet with her and informs him that she is pregnant, arguing that he must take responsibility. After Dan changes their phone number, Alex meets Beth, who has advertised their apartment for sale, pretending to be interested in buying it. That night, Dan goes to Alex's apartment to confront her, and they get into a scuffle. In one of the movie's most famous lines, she declares, "I'm not going to be ignored, Dan."
Dan, Beth and Ellen move to Bedford, but this does not dissuade Alex. She has a tape recording of herself delivered to him, which is full of verbal abuse. She stalks him, pours acid onto his car and follows him home later that evening. The sight of his happy family through their window makes her vomit.
Alex's obsession escalates when Dan approaches the police to file a restraining order, claiming that it is "for a client." The lieutenant informs him that he cannot violate Alex's rights without probable cause, and that the "client" must own up to his adultery.
When Dan, Beth and Ellen return home one day after being out, Beth finds Ellen's pet rabbit dead, having been left boiling in a pot on their stove. Dan knows that Alex was behind it and, following this, confesses the affair and Alex's pregnancy to Beth. Enraged, Beth orders him to leave. Prior to departing, Dan calls Alex to say that his wife knows about the affair. Beth takes the phone and tells Alex that she will kill her if Alex comes near their family again.
Soon thereafter, Alex picks Ellen up from her school and kidnaps her, taking her to an amusement park. Beth drives around frantically looking for her and gets into an accident, requiring hospitalization. Alex returns Ellen home unharmed later that day.
After visiting Beth in the hospital, Dan forcibly enters Alex's apartment and attempts to strangle her but stops short of killing her. She grabs a kitchen knife and lunges at him, but he manages to disarm her and then leaves. The police begin to search for Alex after Dan reports the kidnapping. Beth forgives Dan, and they return home after Beth is discharged from the hospital.
That evening, Dan is downstairs in the kitchen making tea for Beth while Beth is upstairs in the
bathroom getting ready to take a bath. Before she disrobes and gets in, Alex suddenly appears with a knife. She accuses Beth of obstructing her from having Dan and attacks her. Dan rushes upstairs after hearing the attack. Initially, Dan manages to subdue Alex and appears to drown her in the bathtub. Moments later, she suddenly emerges from the water, swinging the knife. Beth quickly returns with a gun and shoots Alex, killing her. Dan completes his statement to the police and joins Beth in the living room, with a picture of their family in the foreground.

Cast

Writing

The film was adapted by James Dearden from Dearden's 1980 short film Diversion. In Meyer's book The View from the Bridge: Memories of Star Trek and a Life in Hollywood, he explains that in late 1986 producer Stanley R. Jaffe asked him to look at the script developed by Dearden, and he wrote a four-page memo making suggestions, including a new ending. John Carpenter was approached to direct the film, but turned it down as he felt it was too similar to Play Misty for Me. A few weeks later Meyer met with the director Adrian Lyne and gave him some additional suggestions. Meyer was asked to redraft the script to create the shooting script.

Casting

Producers Sherry Lansing and Stanley R. Jaffe both had serious doubts about casting Glenn Close because they did not think she could be sexual enough. Instead, they had many other actresses in mind. Barbara Hershey was originally considered; she wanted the role but she was unavailable. Several actresses auditioned for the part, but they were almost all turned down. Lyne had French actress Isabelle Adjani in mind for the role. Tracey Ullman was approached for the role, but she declined due to a scene in the script where the character boils a bunny, as did Olivia Hussey. Miranda Richardson also turned it down as she found it "hideous." Ellen Barkin, Debra Winger, Susan Sarandon, Jessica Lange, Judy Davis, Melanie Griffith and Michelle Pfeiffer were also considered for the role. Kirstie Alley auditioned for the role. Close was persistent, and after meeting with Jaffe several times in New York, she was asked to fly out to Los Angeles to read with Michael Douglas in front of Adrian Lyne and Lansing. Before the audition, she let her naturally frizzy hair "go wild" because she was impatient at putting it up, and she wore a slimming black dress she thought made her look "fabulous" to the audition. This impressed Lansing, because Close "came in looking completely different... right away she was into the part." Close and Douglas performed a scene from early in the script, where Alex flirts with Dan in a café, and Close came away "convinced my career was over, that I was finished, I had completely blown my chances". Lansing and Lyne were both convinced she was right for the role; Lyne stated that "an extraordinary erotic transformation took place. She was this tragic, bewildering mix of sexuality and rage—I watched Alex come to life."
To prepare for her role, Close consulted several psychologists, hoping to understand Alex's psyche and motivations. She was uncomfortable with the bunny boiling scene, which she thought was too extreme, but she was assured on consulting the psychologists that such an action was entirely possible and that Alex's behavior corresponded to someone who had experienced incestual sexual abuse as a child. While filming her death scene, Close suffered a concussion and was hospitalized. She later found out that she was pregnant during filming.

Alternate ending

Alex was originally scripted slashing her throat at the film's end with the knife Dan had left on the counter, so as to make it appear that Dan had murdered her. After seeing her husband being taken away by police, Beth finds a revealing cassette tape that Alex sent Dan in which she threatens to kill herself. Beth takes the tape to the police, who clear Dan of the murder. The last scene shows, in flashback, Alex taking her own life by slashing her throat while listening to Madame Butterfly.
When the film was test-screened for audiences, the ending was poorly received as audiences disliked the idea of Alex triumphing in the end. Joseph Farrell, who handled the test screenings, suggested that Paramount shoot a new ending. While Douglas approved of changing the ending as he believed it was "best for the film", most of the cast and crew disliked the idea. Archer was "appalled" by the change and burst into tears when she heard the news. Close had doubts, believing Alex would "self-destruct and commit suicide". Lyne initially refused to change the ending until Lansing offered him an additional $1.5 million salary, while Dearden reluctantly agreed to write the new ending believing the film would be a bigger hit if changed.
Close fought against the change for two weeks before eventually giving in on her concerns and filming the new sequence after William Hurt convinced her to do it. Though the ending was not the one she preferred, she acknowledged that the film would not have been as successful without it, because it gave the audience "a sense of catharsis, a hope, that somehow the family unit would survive the nightmare".
While Lyne has stood by the revised ending believing it was a "good idea", Dearden and Close have continued to express their displeasure. In 2010, during a cast reunion interview, Close shared that she "never thought of as a villain" and said: "I wasn't playing a generality. I wasn't playing a cliché. I was playing a very specific, deeply disturbed, fragile human being, whom I had grown to love." Close also stated that she doesn't think the film would have been a hit without the "new" ending. In 2014, Dearden penned a piece for The Guardian stating that while he does not regret writing the story, he does express his regret for the theatrical ending believing it to be sexist and the way Alex was portrayed in it stating that he didn't want to make her a monster but rather "a sad, tragic, lonely woman, holding down a tough job in an unforgiving city." When adapting his script to the stage, he opted to lean away from making her a villain and more a tragic figure.
The film's first Japanese release used the original ending. The original ending also appeared on a special edition VHS and LaserDisc release by Paramount in 1992, and was included on the film's DVD release a decade later.