Expo 67


The 1967 International and Universal Exposition, commonly known as Expo 67, was a general exhibition from April 28 to October 29, 1967. It was a category one world's fair held in Montreal, Quebec, Canada. It is considered to be one of the most successful world's fairs of the 20th century with the most attendees to that date and 62 nations participating. It also set the single-day attendance record for a world's fair, with 569,500 visitors on its third day.
Expo 67 was Canada's main celebration during its centennial year. The fair had been intended to be held in Moscow, to help the Soviet Union celebrate the Russian Revolution's 50th anniversary; however, for various reasons, the Soviets decided to cancel, and Canada was awarded it in late 1962.
The project was not well supported in Canada at first. It took the determination of Montreal's mayor, Jean Drapeau, and a new team of managers to guide it past political, physical and temporal hurdles. Defying a computer analysis that said it could not be done, the fair opened on time.
After Expo 67 ended in October 1967, the site and most of the pavilions continued on as an exhibition called Man and His World, open during the summer months from 1968 until 1984. By that time, most of the buildings—which had not been designed to last beyond the original exhibition—had deteriorated and were dismantled. Today, the islands that hosted the world exhibition are mainly used as parkland and for recreational use, with only a few remaining structures from Expo 67 to show that the event was held there. Major League Baseball's 1969 expansion team, the Montreal Expos, was named in tribute to this event.

History

Background

The idea of hosting the 1967 World Exhibition dates back to 1957. "I believe it was Colonel Sevigny who first asked me to do what I could to bring Canada's selection as the site for the international exposition in 1967," wrote Prime Minister John Diefenbaker in his memoir. Montreal's mayor, Sarto Fournier, backed the proposal, allowing Canada to make a bid to the Bureau International des Expositions. At the BIE's May 5, 1960 meeting in Paris, Moscow was awarded the fair after five rounds of voting that eliminated Austria's and then Canada's bids. In April 1962, however, the Soviets scrapped plans to host the fair because of financial constraints and security concerns. Montreal's new mayor, Jean Drapeau, lobbied the Canadian government to try again for the fair, which they did. On November 13, 1962, the BIE changed the location of the World Exhibition to Canada, and Expo 67 went on to become the second-best attended BIE-sanctioned world exposition, after the 1900 Exposition Universelle in Paris. and Shanghai
Several sites were proposed as the main Expo grounds. One location that was considered was Mount Royal Park, to the north of the downtown core. But it was Drapeau's idea to create new islands in the St. Lawrence river, and to enlarge the existing Saint Helen's Island. The choice overcame opposition from Montreal's surrounding municipalities, and also prevented land speculation. On March 29, 1963, the location for the World's Fair was officially announced as being Saint Helen's Island.

Key people

Expo 67 did not get off to a smooth start; in 1963, many top organizing committee officials resigned. The main reason for the resignations was Mayor Drapeau's choice of the site on new islands to be created around the existing St. Helen's Island and also that a computer program predicted that the event could not possibly be constructed in time. Another more likely reason for the mass resignations was that on April 22, 1963, the federal Liberal government of Prime Minister Lester Pearson took power. This meant that former Prime Minister John Diefenbaker's Progressive Conservative government appointees to the board of directors of the Canadian Corporation for the 1967 World Exhibition were likely forced to resign.
Canadian diplomat Pierre Dupuy was named Commissioner General, after Diefenbaker appointee Paul Bienvenu resigned from the post in 1963. One of the main responsibilities of the Commissioner General was to attract other nations to build pavilions at Expo. Dupuy would spend most of 1964 and 1965 soliciting 125 countries, spending more time abroad than in Canada. Dupuy's 'right-hand' man was Robert Fletcher Shaw, the deputy commissioner general and vice-president of the corporation. He also replaced a Diefenbaker appointee, C.F. Carsley, Deputy Commissioner General. Shaw was a professional engineer and builder, and is widely credited for the total building of the Exhibition. Dupuy hired Andrew Kniewasser as the general manager. The management group became known as Les Durs—the tough guys—and they were in charge of creating, building and managing Expo. Les Durs consisted of: Jean-Claude Delorme, Legal Counsel and Secretary of the Corporation; Dale Rediker, Director of Finances; Colonel Edward Churchill, Director of Installations; Philippe de Gaspé Beaubien, Director of Operations, dubbed "The Mayor of Expo"; Pierre de Bellefeuille, Director of Exhibitors; and Yves Jasmin, Director of Information, Advertising and Public Relations. To this group the chief architect Édouard Fiset was added. All ten were honoured by the Canadian government as recipients of the Order of Canada, Companions for Dupuy and Shaw, Officers for the others.
Jasmin wrote a book, in French, La petite histoire d'Expo 67, about his 45-month experience at Expo and created the Expo 67 Foundation to commemorate the event for future generations.
As historian Pierre Berton put it, the cooperation between Canada's French- and English-speaking communities "was the secret of Expo's success—'the Québécois flair, the English-Canadian pragmatism.'" However, Berton also points out that this is an over-simplification of national stereotypes. Arguably Expo did, for a short period anyway, bridge the "Two Solitudes."

Montebello conference produces theme

In May 1963, a group of prominent Canadian thinkers—including Alan Jarvis, director of the National Gallery of Canada; novelists Hugh MacLennan and Gabrielle Roy; John Tuzo Wilson, geophysicist; and Claude Robillard, town planner—met for three days at the Seigneury Club in Montebello, Quebec. The theme, "Man and His World", was based on the 1939 book entitled Terre des Hommes by Antoine de Saint-Exupéry. In Roy's introduction to the Expo 67 corporation's book, entitled Terre des Hommes/Man and His World, she elucidates the theme:
The organizers also created seventeen theme elements for Man and his World:
  • Du Pont Auditorium of Canada: The philosophy and scientific content of theme exhibits were presented and emphasized in this 372 seat hall.
  • Habitat 67
  • Labyrinth
  • Man and his Health
  • Man in the Community
  • Man the Explorer: Man, his Planet and Space; Man and Life; Man and the Oceans; Man and the Polar Regions
  • Man the Creator: The Gallery of Fine Arts; Contemporary Sculpture; Industrial Design; Photography.
  • Man the Producer: Resources for Man; Man in Control; Progress.
  • '''Man the Provider'''

    Construction begins

Construction started on August 13, 1963, with an elaborate ceremony hosted by Mayor Drapeau on barges anchored in the St. Lawrence River. Ceremonially, construction began when Prime Minister Lester B. Pearson pulled a lever that signalled a front-end loader to dump the first batch of fill to enlarge Île Sainte-Hélène, and Quebec premier Jean Lesage spread the fill with a bulldozer. Of the 25 million tons of fill needed to construct the islands, 10–12% was coming from the Montreal Metro's excavations, a public works project that was already under construction before Expo was awarded to Montreal. The remainder of the fill came from quarries on Montreal and the South Shore, however even with that it was insufficient and so bodies of water on both islands were added to reduce the amount of fill required. Expo's initial construction period mainly centered on enlarging Saint Helen's Island, creating the artificial island of Île Notre-Dame and lengthening and enlarging the Mackay Pier which became the Cité du Havre. While construction continued, the land rising out of Montreal harbour was not owned by the Expo Corporation yet. After the final mounds of earth completed the islands, the grounds that would hold the fair were officially transferred from the City of Montreal to the corporation on June 20, 1964. This gave Colonel Churchill only 1042 days to have everything built and functioning for opening day. To get Expo built in time, Churchill used the then new project management tool known as the critical path method. On April 28, 1967, opening day, everything was ready, with one exception: Habitat 67, which was then displayed as a work in progress.
Building and enlarging the islands, along with the new Concorde Bridge built to connect them with the site-specific mass transit system known as the Montreal Expo Express, plus a boat pier, cost more than the Saint Lawrence Seaway project did only five years earlier: this was even before any buildings or infrastructure were constructed. With the initial phase of construction completed, it is easy to see why the budget for the exhibition was going to be larger than anyone expected. In the fall of 1963, Expo's general manager, Andrew Kniewasser, presented the master plan and the preliminary budget of $167 million for construction: it would balloon to over $439 million by 1967. The plan and budget narrowly passed a vote in Pearson's federal cabinet, passing by one vote, and then it was officially submitted on December 23, 1963.

Logo

The logo was designed by Montreal artist Julien Hébert. The basic unit of the logo is an ancient symbol of man. Two of the symbols are linked as to represent friendship. The icon was repeated in a circular arrangement to represent "friendship around the world". The logotype uses the lower-case Optima typeface. It did not enjoy unanimous support from federal politicians, as some of them tried to kill it with a motion in the House of Commons of Canada.