Ern Malley hoax
The Ern Malley hoax, also called the Ern Malley affair, is Australia's most famous literary hoax. Its name derives from Ernest Lalor "Ern" Malley, a fictitious poet whose biography and body of work were created in one day in 1943 by conservative writers James McAuley and Harold Stewart in order to hoax the Angry Penguins, a modernist art and literary movement centred around a journal of the same name, co-edited by poet Max Harris and art patron John Reed, of Heide, Melbourne.
Imitating the modernist poetry they despised, the hoaxers deliberately created what they thought was bad verse and mailed sixteen poems to Harris under the guise of Ethel, Ern Malley's surviving sister. Harris and other members of the Heide Circle fell for the hoax, and, enraptured by the poetry, devoted the next issue of Angry Penguins to Malley, hailing him as a genius. The hoax was revealed soon after, resulting in a cause célèbre and the humiliation of Harris, who was put on trial, convicted and fined for publishing the poems on the grounds that they contained obscene content. Angry Penguins folded in 1946.
In the decades that followed, the hoax proved to be a significant setback for modernist poetry in Australia. Since the 1970s, however, the Ern Malley poems, though known to be a hoax, became celebrated as a successful example of surrealist poetry in their own right, lauded by poets and critics such as John Ashbery, Kenneth Koch and Robert Hughes. The poems of Ern Malley are now more widely read than those of his creators, and the affair has inspired works by major Australian writers and artists, such as Peter Carey and Sidney Nolan. American poet and anthologist David Lehman called Ern Malley "the greatest literary hoax of the twentieth century".
Background
In 1944, James McAuley and Harold Stewart were in the Army Directorate of Research and Civil Affairs. Before the war they had been part of Sydney's Bohemian arts world. McAuley had acted and sung in left-wing revues at Sydney University.Harris was a 22-year-old avant-garde poet and critic in Adelaide, who in 1940, at the age of 18, had started Angry Penguins.
Creating the hoax
McAuley and Stewart decided to perpetrate a hoax on Harris and Angry Penguins by submitting nonsensical poetry to the magazine under the guise of a fictional poet. They created a fictional biography for the poet, whom they christened "Ernest Lalor Malley". The name is a "highly Australian-sounding handle": "Malley" is a pun on the word mallee, denoting a class of Australian vegetation and a bird, the native malleefowl. "Lalor" recalls Peter Lalor, leader of the 1854 Eureka Rebellion. The biography stated that Malley had died the year before at the age of 25. The entire body of work attributed to Malley - 17 poems, none longer than a page and intended to be read in sequence under the title The Darkening Ecliptic - was written in a single afternoon. The works submitted captured, they felt, the worst of modernist tendencies.Their writing process, as they described it, was to write down the first thing that came into their heads, lifting words and phrases from the Concise Oxford Dictionary, a Collected Shakespeare, and a Dictionary of Quotations: "We opened books at random, choosing a word or phrase haphazardly. We made lists of these and wove them in nonsensical sentences. We misquoted and made false allusions. We deliberately perpetrated bad verse, and selected awkward rhymes from a Ripman's Rhyming Dictionary." They also included many bits of their own poetry, though in a deliberately disjointed manner.
The first poem in the sequence, Durer: Innsbruck, 1495, was an unpublished serious effort by McAuley, edited to appeal to Harris:
I had often cowled in the slumbrous heavy air,
Closed my inanimate lids to find it real,
As I knew it would be, the colourful spires
And painted roofs, the high snows glimpsed at the back,
All reversed in the quiet reflecting waters –
Not knowing then that Durer perceived it too.
Now I find that once more I have shrunk
To an interloper, robber of dead men's dream,
I had read in books that art is not easy
But no one warned that the mind repeats
In its ignorance the vision of others. I am still
The black swan of trespass on alien waters.
David Brooks theorises in his 2011 book, The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry, that the Ern Malley hoax was modelled on the 1885 satire on French Symbolism and the Decadent movement, Les Déliquescences d'Adoré Floupette, by Henri Beauclair and Gabriel Vicaire. Stewart claimed to have never heard of Floupette at the time of the Ern Malley hoax, and while there is no evidence McAuley had, his Masters thesis titled "Symbolism: an essay in poetics", included a study of French Symboliste poetry and poetics.
Biography of "Ern Malley"
According to his inventors' fictitious biography, Ernest Lalor Malley was born in Liverpool, England, on 14 March 1918. His father died in 1920, and Malley's mother migrated to Petersham, a suburb of Sydney, Australia, with her two children: Ern, and his older sister Ethel. After his mother's death in August 1933, Ern Malley left school to work as an auto mechanic. Shortly after his seventeenth birthday, he then moved to Melbourne where he lived alone and worked as an insurance salesman, and later as a watch repairman. Diagnosed with Graves' disease sometime in the early 1940s, Malley refused treatment. He returned to Sydney, moving in with his sister in March, 1943, where he became increasingly ill until his death at the age of 25 on 23 July of that same year.Malley's life as a poet became known only after his sister Ethel found a pile of unpublished poems among his belongings. These poems featured a brief preface, which explained that they had been composed over a period of five years, but it left no instructions as to what was to be done with them. Ethel Malley supposedly knew nothing about poetry, but showed the poems to a friend, who suggested that she send the poems to someone who could examine them. Max Harris of Angry Penguins was to be that someone.
Carrying out the hoax
McAuley and Stewart then sent Harris a letter, purported to be from Ethel, containing the poems, and asking for his opinion of her late brother's work.Harris read the poems with, as he later recalled, a mounting sense of excitement. Ern Malley, he thought, was a poet in the same class as W. H. Auden or Dylan Thomas. He showed them to his circle of literary friends, who agreed that a hitherto completely unknown modernist poet of great importance had been discovered in suburban Australia. He decided to rush out a special edition of Angry Penguins and commissioned a painting by Sidney Nolan, based on the poems, for the cover.
The Autumn 1944 edition of Angry Penguins appeared in June 1944 owing to wartime printing delays. Harris eagerly promoted it around the small world of Australian writers and critics. The reaction was not what he had hoped or expected. An article appeared in the University of Adelaide student newspaper, On Dit, ridiculing the Malley poems and suggesting that Harris had written them himself in some elaborate hoax.
The hoax revealed
On 17 June, the Adelaide Daily Mail raised the possibility that Harris was the hoaxed rather than the hoaxer. Alarmed, Harris hired a private detective to establish whether Ern and Ethel Malley existed or had ever done so, but by then, the Australian national press was on the trail. The next week, the Sydney Sunday Sun, which had been conducting some investigative reporting, ran a front-page story alleging that the Ern Malley poems had in fact been written by McAuley and Stewart.The South Australian police impounded the issue of Angry Penguins devoted to The Darkening Ecliptic on the grounds that Malley's poems were obscene.
After the hoax was revealed, McAuley and Stewart wrote:
Mr. Max Harris and other Angry Penguins writers represent an Australian outcrop of a literary fashion which has become prominent in England and America. The distinctive feature of the fashion, it seemed to us, was that it rendered its devotees insensible of absurdity and incapable of ordinary discrimination. Our feeling was that by processes of critical self-delusion and mutual admiration, the perpetrators of this humourless nonsense had managed to pass it off on would-be intellectuals and Bohemians, both here and abroad, as great poetry.... However, it was possible that we had simply failed to penetrate to the inward substance of these productions. The only way of settling the matter was by way of experiment. It was, after all, fair enough. If Mr Harris proved to have sufficient discrimination to reject the poems, then the tables would have been turned.
Immediate impact
The South Australian police prosecuted Harris for publishing immoral and obscene material. The only prosecution witness was a police detective, whose evidence included the statement 'I don't know what "incestuous" means, but I think there is a suggestion of indecency about it'. Despite this, and several distinguished expert witnesses arguing for Harris, he was found guilty and fined £5. Angry Penguins soon folded.Most people, including most educated people with an interest in the arts, were persuaded of the validity of McAuley and Stewart's "experiment". The two had deliberately written bad poetry, passed it off under a plausible alias to the country's most prominent publisher of modernist poetry, and completely taken him in. Harris, they said, could not tell real poetry from fake, good from bad.
For services to Australian literature, Ern Malley was awarded the degree of "Doctor of Science in Oxometry" by the Sydney University Oxometrical Society.
The Ern Malley hoax had long-lasting repercussions. To quote the Oxford Companion to Australian Literature, "More important than the hoax itself was the effect it had on the development of Australian poetry. The vigorous and legitimate movement for modernism in Australian writing, espoused by many writers and critics in addition to the members of the Angry Penguins group, received a severe setback, and the conservative element was undoubtedly strengthened."
In a 1975 interview with Earle Hackett, Sidney Nolan credited Ern Malley with inspiring him to paint his first Ned Kelly series, saying "It made me take the risk of putting against the Australian bush an utterly strange object."