Emerentia
Emerentia is the name given for a grandmother of Mary, mother of Jesus, in some European traditions and art from the late 15th century. She is not to be confused with Saint Emerentiana, a Roman martyr of the 3rd century who features briefly in Alban Butler's The lives of the fathers, martyrs, and other principal saints 1812, volume 1.In art
Emerentia appears in a number of depictions of the Holy Kinship, the pictorial and sometimes sculptural depiction of the ancestors and descendants of St Anne by many artists around the end of the 15th and beginning of the 16th century in Northern Europe. Where Emerentia is featured in these groupings, which were often altarpieces, they are known as "Emerentia Selbviert". These rare examples of a matrilineal genealogy of Jesus have been found interesting by modern academics in the field of gender studies, and in feminist critiques of English literature, for example, Vanita argues that the feminine 'trinity' of Mary, her mother Anne and her grandmother Emerentia is reflected in two of Shakespeare's plays.In The Life of the Blessed Virgin Mary From the Visions of Anna Catherine Emmerich, Emerentia is known as "Emorun," which translates as "noble woman". Emmerich describes in her visions how Emerentia lived as one of the Essenes, a particularly devout wing of the Jewish faith that believed it was destined to produce the Messiah, near Mount Carmel, and relates the story of how a prophet, entering the Cave of Elijah, saw the following growing from Emerentia's heart: