Dot Cotton


Dorothy "Dot" Branning is a fictional character from the BBC soap opera EastEnders, portrayed by June Brown. In a special episode entitled EastEnders: Dot's Story a young Dot was played by Tallulah Pitt-Brown in flashbacks. A tragicomic character, Dot was known for her devout Christian faith, gossiping, chain smoking, hypochondria, and motherly attitude to those in need.
Dot first appeared in EastEnders in July 1985 as the mother of notorious criminal and original character Nick Cotton. The character worked as a launderette assistant for most of that time, along with original character Pauline Fowler, and was close friends with original characters Ethel Skinner and Lou Beale. Dot moved away with her son and his family in 1993. In reality, Brown left the show in 1993, unhappy with the development of her character and unhappy with the producer's decision to axe her friend Peter Dean, who played Pete Beale. Brown returned to the role in April 1997, and on 28 April 2017, Dot overtook Pat Butcher as the second-longest-serving character in EastEnders, surpassed only by original character Ian Beale. In April 2012, Brown took a six-month break from the show to write her memoirs. Dot temporarily departed on 18 May 2012. She returned on 14 January 2013. In February 2015, Dot began appearing less frequently due to Brown gradually losing her eyesight; this aspect of her life was written into her character the following year. Brown departed the serial in January 2020 without a proper exit storyline. The following month, Brown announced that her appearance in January would be the character's last, as she was dissatisfied with the storylines being given to her. Following Brown's death on 3 April 2022, the character of Dot died off-screen on 1 December 2022. A special episode centring on Dot's funeral was broadcast on 12 December 2022, with past and present characters paying their respects to the character. On 17 April 2025, archival audio of Dot was used to tie in with the exit of her step-granddaughter Sonia Fowler.
A recurring storyline in the serial was Dot's continuous forgiveness of her son's villainous crimes. Initially married at the start of the series to conman Charlie Cotton, Dot married again in 2002 to pensioner Jim Branning and the union proved to be popular with fans. Brown and Bardon won awards for their on-screen partnership. On 31 January 2008, Dot became the first character ever to appear in a monologue episode of a British soap opera, "Pretty Baby....". The acclaimed episode saw Dot reminiscing about her years of loss and grief into a tape recorder as a message to her ailing husband Jim. Dot was used to explore topical and controversial issues such as euthanasia, cancer, immigration, and homophobia.
Dot was generally well received by critics: she has been referred to as a cultural archetype and Brown won multiple awards for her portrayal. However, aspects of the character, such as her smoking and her religious beliefs, have been criticised, with religious groups suggesting Dot's faith is used in a pejorative manner. The character has also made an impact on popular culture; she has been spoofed, most notably by Alistair McGowan, and has been credited as inspiration for catwalk collections.

Creation

Although Dot had been referred to since the very early episodes of the programme as the mother of villain Nick Cotton, she did not actually appear on-screen until episode 40 in July 1985. Dot was conceptualised by show creators, Tony Holland and Julia Smith, along with the other original characters. Introduced as the "bible thumping arch-gossip" of the launderette, Dot was a character who bridged the generations. The actress June Brown was given the role after being recommended by actor Leslie Grantham, who played original character, Den Watts.
Brown was offered the part of Dot Cotton for a period of three months initially and in her own words, she was brought in "merely to be Nick Cotton's mother because Nick was coming back again". Brown has told Decca Aitkenhead of The Guardian in 2009 that she was wary of joining a soap opera as she had seen EastEnders once on television, "and there was an argument going on, and I thought, 'Oh, I don't want to watch all that,' so I switched it off. I didn't watch it again until I was asked to be in it." The role was extended and the character has become one of the longest-running to have featured in EastEnders.

Becoming Dot; characterisation

Appearance

To become the character of Dot Cotton, Brown is required to wear a wig to replicate Dot's 1950s "Italian Boy" hairstyle that has remained in a largely unchanged style since she first appeared in 1985. Originally, the hair sported by Dot actually belonged to the actress, but Brown later started wearing a wig. Brown has stated that as soon as Dot's hairpiece is on, she becomes the character. The unchanged style of Dot was deemed so important by the programme makers, that when Brown requested to have dental work carried out to improve her prominent front teeth, the producers refused to allow it, arguing that Dot could not afford expensive tooth capping. Brown was not permitted to alter her teeth until early 1991 when they became loose. Brown has indicated that she does not want Dot's style altered. She claimed in 2002 that Dot had the same coats in her wardrobe that she was given in 1985. The fur-collared coat Dot wears for special occasions was donated by the character Angie Watts in 1988 when she left the serial. Brown commented, "I like the older clothes I don't want new clothes, I'm happy the way she is. She thinks she looks really smart. She's got a terrible opinion of herself that woman!"

Personality and religion

Brown has said that when she was cast as Dot, she was given a list of illnesses the character had. She added, "It meant she was a because she had nobody to care about her. She was quite a selfish woman ." Dot has been described by author Hilary Kingsley as a "born victim." She adds that "with each blow that life delivers bobs back up again, almost asking for more trouble, more pain, more suffering." Dot is renowned for being a hypochondriac, her Christian faith and quoting from the Bible. She has been described by Rupert Smith, author of 20 Years in Albert Square, as "God-bothering" and self-righteous. According to Kingsley, "nothing shakes Dot's view that the world is good because the creator made it so. Her faith sustains her through the most appalling ordeals." The character once expressed part of the reason for her faith on-screen in 2000, commenting to a vicar, "I couldn't manage without my faith, not with the life I've had"; former executive producer of EastEnders, John Yorke, has stated that this is his favourite line of EastEnders' entire existence. Author Antony Slide has noted that Dot's religious beliefs have given her solace, but has given her an excuse to be prejudiced against her neighbours, and to deal with the criminal antics of her wayward son. He described her as a "simpleminded woman whom one loved to hate".
In Kathryn and Phillip Dodd's published essay, From EastEnd to EastEnders, Dot has been used as an example of the media's representation of the working-class as community-orientated, but defensive: "evangelist-cum-launderette supervisor. Eagle-eyed, she patrols the Square, confronting evil and despair and asking those stricken with doubt to trust God, while simultaneously organizing the local Neighbourhood Watch scheme."
The character has taken on a matriarchal role in the absence of her own family, taking on the burdens of numerous waifs and strays throughout the show's history, including Donna Ludlow, Rod Norman, Disa O'Brien, Nigel Bates and Clare Bates. Author Christine Geraghty asserts that Dot's role in the mothering structure of the serial has been confirmed.
Describing Dot, Brown has said, "I love playing her – she's a strong character. Dear old Dot, she's got strong moral views and odd religious beliefs, but her heart's in the right place. She has that awful worried expression on her face the whole time". Brown has noted the changes within Dot since the show's inception, saying that initially Dot was sharp and selfish, but since her character remarried in 2002, she has gained security and has "no reason to have the hypochondria she had in the past She's become more caring over the years. She enjoys the company of young people. She loves her church. She can get in an anxious state – I like it when Dot's hysterical! She's also amusing, mostly because she doesn't realise she is".

Comedic role

As well as being tragic, Dot is scripted as a comic character. Brown has discussed the humour she incorporates into her performances: "I think Dot would be awfully boring if she weren't a bit comic I always thought I had to put an edge on it, an edge of comedy, which just means doing it more seriously than you would do. If you want to play comedy then you have to be very intense about it very, very serious." Some of Dot's catchphrases are used for humour, such as "Ooh I say!", uttered when she is "stuck for words". In 2004, Brown discussed the origin of the saying: "It was written once in the script and I quite enjoyed it, so I used to say it occasionally when it wasn't in the scripts. It was useful because it could be said in all different ways. Dot's very straight-laced, so it helped to express her horror at what went on." Brown revealed in 2008 that she has tried to cut down the use of this, along with the mispronunciation of her employer, Mr Papadopolous, as she has become a little embarrassed by them now they are so known. Mr. Papadopolous is the owner of the launderette where Dot works. In a long-running joke, Dot has difficulty pronouncing his surname, and for much of the show's history he has been referred to as Mr. Oppodopolus, Oppydoppy, or varying other mispronunciations. Brown has said she enjoys playing the comical aspects of Dot, stating, "She's not dreadfully funny but she's amusing and I like that because it lightens it up a bit."