Sawing a woman in half


Sawing a woman in half is a generic name for a number of stage magic tricks in which a person is apparently cut or divided into two pieces.

History

There remains a debate about the origin of sawing illusions, with some sources saying a magician named Torrini may have performed the first version in front of Pope Pius VII in 1809. However, it is more likely that the story is a fiction which has its roots in the writings of the famous French magician Jean-Eugène Robert-Houdin. In his Memoirs, written in 1858, Robert-Houdin described a sawing illusion performed by a magician named Torrini.
Modern magic inventor and historian Jim Steinmeyer has concluded that there was probably no real Torrini and the story was merely a way for Robert-Houdin to play with ideas. It was suggested during a court case in 1922 that the trick can be traced back to ancient Egypt; however, this claim has not been substantiated. Wherever the idea originated, until the 1920s it remained just an idea for an effect, rather than a practical application of a method.
A public show ‘Phauna - Grand Conjuring Performance’ at the Warminster Athenaeum in Warminster, Wiltshire, 11 and 12 January 1887, included the illusion by Mr F I Flower of sawing his magician’s assistant, Miss Sylvester in half. This could claim to be the earliest verifiable record of this act.
Until recently it was generally accepted that the first public performance of a sawing illusion was achieved by British magician P. T. Selbit on 17 January 1921 at the Finsbury Park Empire theatre in London. In fact Selbit had previously performed the illusion in December 1920 before a select audience of promoters and theatrical agents at the St. George's Hall, London, to try to persuade one of them to book his new act for public shows. His trick, which he billed as "Sawing Through A Woman", was significantly different from what a modern audience would expect. Selbit's assistant was locked inside a closed wooden crate and could not be seen. The impression that she could not evade the saw was created by the confined space in the box and by ropes tied to her hands, feet, and neck, which were held throughout the illusion by spectators from the audience.
The question of who was the first woman to be sawn in half has received much less publicity than the question of which magician first presented the illusion. According to Jim Steinmeyer the woman who participated in the December 1920 demonstration was Jan Glenrose, who was Selbit's main assistant at that time and who was also the partner of magician Fred Culpitt. In the public performance the role of victim was taken by principal assistant Betty Barker.
Later in 1921, Horace Goldin, a magician working in the United States, presented the first version which might look familiar to modern audiences. Goldin's assistant lay in a box from which her feet, head and hands protruded. Goldin sawed through the middle of the box, inserting metal sheets to cover the cut ends, and then pushed the two halves a little way apart. This process was then reversed, and the assistant released unharmed. Goldin later developed a sawing illusion that dispensed with boxes and used a large buzzsaw. The success of Selbit and then Goldin led to more and more magicians trying to imitate them with copies or improved versions of sawing illusions. By November 1921 the Thayer magic company in America was advertising a version for sale. A complete prop from Thayer would cost $175 or they would sell plans for $5.

Effects and variations

There are many sawing tricks with significant differences in their basic effect. In some, the illusion is merely of a blade passing through an assistant's body, while in others it appears that the assistant is severed into two pieces that are moved apart. Some so-called "sawing" illusions do not actually involve a saw but instead use plain blades or blunt dividing panels.
One major group of tricks involves an assistant in a box, which conceals her body from view while any cutting takes place. This group includes the "Selbit", "Wakeling" and "Thin Model" tricks as well as several versions associated with Horace Goldin. In some versions, the box completely covers the assistant while in others the assistant's head, hands and feet remain in view during the trick.

The Selbit sawing

Several volunteers are recruited from the audience. One or more of these people are invited to tie ropes around the assistant's wrists, ankles and neck. The assistant then steps into a wooden crate or box, which is similar in proportion to but slightly larger than a coffin. The ropes are threaded through holes in the box and the ends are given to volunteers, who are instructed to pull them tight and keep hold of them. The assistant is thus secured in a standing spreadeagle position in the box. The box is then closed and lifted into a horizontal position on a set of trestles. The magician then slides glass plates through the crate.
The magician then saws right through the centre of the box, dividing it into two. The sections are pulled slightly apart and the assistant's torso is visible. The impression is that the saw blade must have passed through the assistant's midriff. The assistant is then released from the box and is revealed to be unharmed. This was the illusion performed at the Finsbury Park Empire theatre in London on 17 January 1921.

Goldin's box sawings

Goldin presented several sawing illusions that involved a box. To audiences they all appeared largely similar but they involved differing methods, which were steadily improved as time went on and as earlier methods were exposed. His first performance was at the Society of American Magicians annual banquet at the McAlpin Hotel, New York, on 3 June 1921. On that occasion the trick was not well received. The box he used was large and not very deceptive and instead of an attractive woman he employed a bellboy as an assistant. The impression given was that he was clumsily and hurriedly trying to cash in on Selbit's success in Britain. However, fellow magician Howard Thurston, who was in the audience, realised the potential of the trick and persuaded Goldin to let him help in its development.
Thurston employed an established magician and prop builder named Harry Jansen to perfect the illusion. Jansen's improved version of the apparatus featured a smaller box from which the victim's head and feet would protrude during the sawing. Goldin, Thurston and various other magicians employed by Goldin toured the United States performing this trick with great success at theatres belonging to the Keith-Orpheum group. Goldin had great promotional acumen and was fond of resorting to legal action to block anyone else, including Selbit, from competing with him in the USA. As a result, Goldin was sometimes wrongly credited as the originator of the sawing illusion.
The basic form of Goldin's box sawings was as follows. The magician presents a box which is similar in size and proportion to that used in the Selbit sawing but which is already in a horizontal position. An assistant climbs into the box and lies down. In the process her head and hands are seen to emerge from holes in one end of the box and her feet from the other. The box is closed and then sawn through across the middle. Dividers are placed into the box either side of the cut and it is then pulled apart so the sections can be seen clearly separated. The assistant's head and hands are seen sticking out of one section and her feet out of the other. The box is then pushed together again and opened and the assistant emerges unharmed.

Wakeling

The magician presents a rectangular table just big enough to accommodate a person lying upon it. An assistant is introduced and several assistants are recruited from the audience. The magician presents a set of restraints consisting of a sturdy collar and a pair of ankle straps, each attached to a length of chain or rope. The assistant sits on the table with her legs stretched out and volunteers are invited to fasten the restraints around her neck and ankles.
The ropes or chains are threaded through holes in the table and the ends given to volunteers, who are instructed to pull them tight and hold them that way throughout the illusion. The assistant is thus pulled down onto her back and secured in that position. Two halves of a large box are presented and fixed in place over the assistant, covering her completely. Side panels are opened to show the assistant is still in place lying flat on her back. The assistant is then divided into two. Sometimes the division is accomplished merely by pushing two metal dividing panels into slots near where the two halves meet.
Sometimes the cutting of the assistant is emphasised by sawing between the two halves of the box before sliding the dividers into place. Catches are released to allow the table to be separated into two halves along with the box. The halves are parted and the assistant thus appears to have been cut into two completely disconnected pieces. The box and table are then pushed together, the restraints are released and the box is opened to allow the assistant to emerge unharmed.
This version of the trick is generally associated with magician and inventor Alan Wakeling. Whilst Wakeling performed this illusion and perfected aspects of it, the general configuration and method have been attributed to an earlier magician, Virgil Harris Mulkey, aka. "The Great Virgil", who first performed it in 1942 and later passed on the idea to Wakeling.

The thin model

The thin model sawing is one of the most common variants performed by contemporary magicians. The basic arrangement and sequence of events is similar to that described for the Goldin box sawings. However, the box appears very shallow in comparison to Goldin's, which was large by modern standards. The ends of the box are initially open when the assistant climbs in. Once the assistant is lying down she is secured in place by having stocks placed over her neck and ankles. The stocks form the ends of the box. The shallow box adds to the impression that the assistant could not possibly find room to evade the saw blade even if she could release herself from the stocks and try to curl up in one half of the box.